Links: Misunderstood Meryl, Angry Leo, Cheap Deadpool

• MNPP All is well since Jason has seen The Witch and loves it. It's so spooky, guys. Go see it this weekend
• Pajiba "11 Things I Learned from 'Star Wars and the Power of Costume' Exhibit"
• Playbill Bull Durham: The Musical (?) may be headed to Broadway soon
• Scriptnotes how to introduce characters in screenplays without being mocked on Twitter. (For those of you are like what? This is in reference to a recent writing controversy that we spoke of right here)
• i09 says Zootopia is the best film Disney Animation has made in 20 years (!) 

• MNPP freaks out over the new Pee Wee Herman Netflix trailer
• Simply Streep Screencaps of Meryl Streep in the Florence Foster Jenkins teaser
• Boy Culture have you heard about Strike a Pose, the documentary about the Madonna documentary Truth or Dare?
• Boy Culture your semi-annual reminder that Miriam Margolyes is an international treasure and gay hero 
• Awards Daily "everyone owes Meryl Streep an apology"
• /Film Julianne Moore offered the villain role in The Kingsmen 2. This historically hasn't gone well for her (See: The Seventh Son or Hunger Games) Why Julianne? You already have tons of money.
• Hairpin "how not to write something" 
• Toyland the coolest stuff from Toy Fair 2016 including *gasp* female action figures

Deadpool at #1
• i09 everything they cut out of Deadpool to get the budget way down (which now means its going to be insanely profitable)
• /Film Rumors are that Wolverine 3 is considering an "R" rating following Deadpool's success 

And James Gunn, who did the superheroes being mocking and sarcastic before Deadpool, took to Twitter to hype his forthcoming blockbuster...

Official Photography on Guardians of the Galaxy Vol. 2 has begun. You're very welcome. pic.twitter.com/741upZ21g7

— James Gunn (@JamesGunn) February 17, 2016

Oscar Mania
• The Guardian on why The Big Short should win Best Picture. I haven't to admit I couldn't follow this argument at all (perhaps you can?) but maybe I was just thrown because they start the video talking about surprise winners and cite Forrest Gump. Forrest Gump? Of all movies. That was a behemoth that year and couldn't lose. People say such strange things when they're talking about the Oscars!
• THR Robert Richardson and other cinematographers calling for a separate category for VFX heavy films. I absolutely agree that this is a problem - this year not so much but usually
• RED CARPET RAMPAGE. Help Leonardo DiCaprio finally win his Oscar! I tried to play this on my phone last night. It's actually hilarious. Especially the bonus round "Act Harder!" LOL...

It's May for Meryl

As Meryl Streep starts her jury duties at the Berlinale, Murtada has news about her next film.

Streep at the Berlinale Jury Press Conference

Gird your loins! There must be a rupture in the movie universe because we might not get the new Meryl Streep movie when we usually do. Since 2008's Mamma Mia, movies led by Streep have had only 2 release dates. The December prestige slot (Doubt, The Iron Lady, August Osage County, Into the Woods). Or late summer blockbuster comedy counter programming (Julie and Julia, Hope Springs, Ricki and the Flash). Plus one anomaly with the comedy It's Complicated inexplicably slotted into the December prestige date. Yes comedies get released year round, but not Meryl comedies!

2016 is changing all that. Pathe have announced a May 6 UK release of Streep's latest, Florence Foster Jenkins. Directed by Stephen Frears and also starring Hugh Grant and Rebecca Ferguson, the film is based on the true life story of the titular character, who was an amateur opera singer, known and ridiculed for her very bad singing and her complete delusion about her abilities. A US release date is expected soon and will probably be around the same time. Ater Ricki fizzled at the box office, it looks like Spring is now the best time for adult oriented female driven counter programming. Specially with the success last year of Woman in Gold and Far From the Madding Crowd.

Delighted to announce FLORENCE FOSTER JENKINS will be released on 6 May starring #MerylStreep @HackedOffHugh pic.twitter.com/rGnI10B3UD

— Pathé UK (@patheuk) February 9, 2016

Meanwhile in Berlin, Streep started her jury duties with a bit of a controversy. At a press conference on Thursday, she began her remarks well talking about how she would give each film careful consideration because she's been on the other side, “a compassionate heart is important as an actress”. When she was asked about diversity, Streep applauded the gender diversity within her jury group.

“This jury is evidence that at least women are included and in fact dominate this jury, and that’s an unusual situation in bodies of people who make decisions. So I think the Berlinale is ahead of the game.”

But then she delved into murkier depths when addressing the lack of racial diversity within the same group:

“There is a core of humanity that travels right through every culture, and after all we’re all from Africa originally. Berliners, we’re all Africans really.”

The quote sounds like a riff on JFK’s famous “Ich bin ein Berliner” speech but when taken out of context reads clueless and clumsy. Maybe first acknowledge the omission of people of color before deflecting the question with humor. 

How excited are you for Florence? Do you think the May release date is significant in anyway?

Berlinale - Which films will Meryl Streep soon be judging?

Murtada here to talk Berlinale which runs February 11th through the 21st. The Berlin Film Festival just announced titles for its Panorama section. These are possibly movies we will be talking about all through 2016, as we are still talking about 45 Years which made its debut there all the way back in February.

Gerwig and Hawke in Maggie's Plan

Among the titles is TIFF and NYFF entry Maggie’s Plan from director writer Rebecca Miller and starring Greta Gerwig, Ethan Hawke and Julianne Moore. Gerwig has admitted during a Q&A at NYFF that she based her character’s look on Miller’s style. That got us fantasizing that the movie is a roman a clef about how Miller married Daniel Day Lewis soon after he was involved with Isabelle Adjani. After all Moore is playing a sorta crazy European.

Another interesting title is John Michael McDonagh’s War on Everyone with Michael Pena, Alexander Skarsgard and Theo James. All you fans of The Guard should be excited. Other titles include films from Ghana, Morocco and of course France. The full list is here.

Firth and Law in Genius

But more importantly who does Meryl get to judge as president of the jury?

First is Michael Grandage’s Genius which stars the man who presented her with that 3rd Oscar and her co-star from The Hours. Genius tells the true story of the relationship between famous American novelist Thomas Wolfe (played by Jude Law) and iconic editor Max Perkins (Colin Firth). Nicole Kidman is playing Aline Bernstein a costume designer who was in a romantic relationship with Wolfe. Other literary greats depicted in the film are Ernest Hemingway (Dominic West ) and F Scott Fitzgerald (Guy Pearce).

Previously thought to be premiering at SXSW, Jeff Nichols' Midnight Special will now premiere first at Berlin. Starring Michael Shannon, Joel Edgerton and Kirsten Dunst, it’s the tale of a boy who may have supernatural powers and all the bad guys in his pursuit.

Actor/Director Vincent Perez (Queen Margot) rallied up Brendan Gleeson and Emma Thompson to play a couple who start working against the Nazis after the death of their only son during WWII in Alone in Berlin. Daniel Bruhl is the SS Officer on their tail in the first of two 2016 movies where he plays a member of that infamous group, the other being the Jessica Chastain vehicle The Zookeeper’s Wife. (Not at Berlinale).

These titles join the previously announced opening film “Hail, Caesar!” which will be playing out of competition. Yes it's the latest from Joel and Ethan Coen but more importantly has Tilda Swinton giving Dame Helen Mirren (Trumbo) a run for her money by playing a version of Hedda Hopper. Who will be Capote and who becomes Infamous?

Kidman, Thompson, Moore, Swinton. Who’s first on your list based on these descriptions?

"Suffragette" Shoulders into the Oscar Fray

Is “Suffragette” faltering under the weight of overly high expectations?  With its impressive pedigree and unimpeachable subject matter, Sarah Gavron’s historical drama about the militant wing of the British suffragist movement seemed poised to be a strong Oscar contender for this fall.  Now, as we move towards the holidays, its status is looking uncertain: reviews have been mixed, and it’s drawn criticism for everything from its limited narrative focus to the limited screen time of Meryl Streep, who receives top of the line billing for a role that’s essentially no more than a cameo.  

If there’s a common trend to the criticism, it’s that the critics seem mostly preoccupied with what the movie doesn't do rather than what it does.  “Suffragette” is less a historical chronicle of the suffragettes than a snapshot view through the eyes of one (fictional) working class woman who’s accidentally and at first reluctantly drafted into their ranks.  It’s a study of what circumstances would drive such a woman to join a movement that would seem to hold no immediate benefit or attraction for someone in her position.  [more...]

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In Praise of Carey Mulligan in Suffragette

Murtada here, with a lot of love and respect for Carey Mulligan.

There's a scene late in Suffragette when Maud Watts (Carey Mulligan) realizes the devastating enormity of the separation from her son. Mulligan’s face, in a second, flickers many emotions, all so overwhelming that you feel this woman’s pain in your gut. Yet she doesn’t overplay or milk the moment for maximum effect. She remains understated.

This is just one of many moments in the film in which Mulligan transcends her movie and reaches her audience with clarity and without exaggeration. Set in London in 1912, Suffragette tells the story of Watts, her education and indoctrination into the suffrage movement. When the film starts, she is working in a laundry, trying to survive a hard existence alongside her husband and young son. A chance encounter introduces her to the suffragettes and she becomes a member of their embattled movement. 

It is through Mulligan that we enter this world. Her character is a composite of many working women who were part of the movement and is built to be the audience surrogate. Her performance is so strong that the plight of these women is not only depicted effectively, but comes alive. I could not control my emotions or my tears. Mulligan’s performance is an emotional marvel and delivered with technical mastery. Her working class English accent is impeccable, her weariness and defeat is visible in her hunched back and heavy walk, her defiance rises to crescendo and is delivered with skillful control of her voice. This is why there are awards for acting.

The film is dividing critics and its reception is unfortunately lukewarm. Some accuse it of being well intentioned but conventional. "Earnest", "formulaic" and "schematic" are words used to describe Suffragette.

But the film derives most of its power from the performance at its center. Mulligan is riding on a wave of acclaim, with co-star Meryl Streep recently praising her:

"I’m in awe of your talent . . . I really am. I’m also in awe of your voice, which is like warm caramel poured over the English language. I applaud your taste in material and how you hold out for stuff. Even when you were young and didn’t have any money, you just did things that mattered. I can’t wait to see what Carey Mulligan will give us next, what new woman she’ll give birth to”.

In her earlier 2015 release Far From the Madding Crowd, Mulligan as Bathsheba Everdeen says "It's my intention to astonish you all". And you do Carey. Always.

Do you think Carey Mulligan in on her way to a second Oscar nomination?