Emmy Review: Supporting Actress in a Drama

By Abe Friedtanzer

The nominations in this category were mostly expected save for the snub, once again, of Rhea Seehorn from Better Call Saul. Julia Garner, Thandie Newton, Samira Wiley, and Laura Dern have all won Emmys for these roles but only Newton and Wiley have ever competed against each other (and both lost). There’s no clear frontrunner but a handful of possibilities who could win here in a category that features a lot of very strong choices.  

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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"Here We Go Again..." on this very day two years ago!

Awww, it's Meryl loving on Cher in Mexico City on this exact day (July 17th) two years back... 

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Smackdown '02: Meryl, Julianne, CZJ, Queen Latifah "and" Kathy Bates

The Supporting Actress Smackdown series picks an Oscar vintage and explores.

THE NOMINEES Today's topic: 2002 which featured the movies Adaptation, The Hours, About Schmidt, and Best Picture champ Chicago.  This very starry field of much-beloved actresses (all but one are now Oscar winners) deliver a juicy collection of characters: a horny mother-of-the-groom, a suicidal 50s housewife, an opportunistic prison warden, a fictionalized non-fiction writer, and a jazzbaby murderess.

THE PANEL  Here to talk about these 2002 divas and their movies are comedian/writer Joel Kim Booster, comedian/writer Matt Rogers, Variety's Artisan's editor Jazz Tangcay, Vox's critic-at-large Emily VanDerWerff, and lip sync assassin Ben Yahr. And, as ever, your host at The Film Experience, Nathaniel R. Let's begin...

2002
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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In Defense of Streep's first Best Actress nomination

Before we close the book on our big 1981 event we thought we'd discuss a few of the leading ladies of the year. Please welcome guest contributor Gabriel Mayora !

In 1981, Meryl Streep was a breakout star, a buzzy and reputable theater actress who in only four years since making the transition from Broadway to Hollywood had garnered an Emmy for a hit miniseries and two back-to-back Best Supporting Actress Oscar nominations in ’78 and ’79 (both for Best Picture winners), winning the second time. It was time for her to turn into a full-fledged leading lady. Enter Karel Reisz’s The French Lieutenant’s Woman, the film that marks Streep’s first Best Actress nomination. Over the decades, this performance has gained a reputation for belonging in the “overrated” category. Was this nomination more of a symbolic gesture to solidify her status as Hollywood’s new leading star or appreciation of the performance itself?

A key scene in the last 10 minutes of the movie makes a convincing argument for why voters would have felt genuinely compelled to single out Streep’s dual turn among the top five lead performances of 1981...

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National Pet Week: "Maggie" from The River Wild

Team Experience has been celebrating pets at the movies (and in our homes) all week. We'll wrap up Sunday. Here's Ginny O'Keefe... 

The best kind of pet in any movie is a loyal one. And it doesn’t hurt if the pet is cute. Also, a sprinkle of badassery is always welcome. All that is nicely packaged in a yellow Labrador retriever named Maggie in 1994’s rafting/crime adventure film The River Wild. For those who haven’t seen this Streep vs. Bacon gem, Meryl plays rafting expert Gail who is forced to take two criminals (John C. Reilly and Kevin Bacon) down a dangerous river all the while trying to protect her son, Rourke (Joseph Mazzello), and husband Tom (David Straithairn). Along for the trip is Maggie. From the get-go, Maggie is sweet, bubbly and you can tell she loves her humans deeply. She’s also good at digging up dead bodies in the woods (spoiler). Overall, she’s a good girl. But when s**t hits the fan, then we see how great of a girl she is...

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