Contemporary Costume Watch: "Pain Hustlers"

by Cláudio Alves

Where does one draw the line between period and contemporary costume design? It's hard to tell, and sometimes, it depends on the intentionality behind a given sartorial choice. Some filmmakers aim to capture the specificity of time and place, even when chronological proximity would excuse some adaptations to current sensibilities. Others forego that exactitude altogether. And then there's the way even the Costume Design Guild muddies the waters. How is the early 90s style of Rent considered period in 2005, but Precious' 1987-set narrative is still contemporary in 2009? All this to say that, for this article's purpose, let's interpret Pain Hustlers' wardrobe as a work of contemporary costume design. An outstanding one at that…

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Actor-Actress Joint Wins and Nominations: An Oscar History

by Cláudio Alves

Since it premiered in Venice, Maestro has had critics and awards pundits abuzz. After its screenings at NYFF, BFI London, and the AFI Fest, the movie's status as one of the season's major contenders only grew. Right now, some are even speculating that with their double act as Leonard and Felicia Bernstein, Bradley Cooper and Carey Mulligan may be about to accomplish an Oscar feat unrepeated since 1997, when Jack Nicholson and Helen Hunt took home the two lead acting prizes for As Good As It Gets. Before that, the only other instances occurred in 1934, 1975, 1976, 1978, 1981, and 1991. Let's dig deeper into this history…

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Colman Domingo could make Oscar history

by Cláudio Alves

Rustin is now in theaters, enjoying a limited qualifying release before it hits Netflix on November 17th. With this biopic on civil rights activist Bayard Rustin, Colman Domingo may earn his first Oscar nomination, in the Best Actor category. His hopes seem amply justified when you look over the production's premise and early reviews. It looks like a project calibrated to appeal to the Academy's taste, finely tuned for the campaign trail. After all, it's telling a real-life story full of inspirational details and a sense of great social importance, directed by George C. Wolfe from a screenplay coauthored by Dustin Lance Black.

That last name is especially interesting for it recalls Milk's triumph in 2008 and contextualizes Domingo's Oscar as a chance to make history…

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Is it finally Blunt's time?

by Cláudio Alves

With Pain Hustlers new on Netflix, Emily Blunt continues to stake her claim in 2023. Indeed, we're heading into an awards season that could end with the British actress becoming, at long last, an Academy Award-nominated thespian. For over a decade, she has persisted as a contender who never makes it to the finish line, stranded with precursor support but no love from AMPAS itself. Hell, when the Almost There series eventually comes back, one could dedicate an entire month, if not more, to Blunt's many failed bids – from The Young Victoria to her SAG-winning turn in A Quiet Place. Keep in mind that The Devil Wears Prada, arguably her most egregious snub, was already covered a while ago.

In any case, hopes are high for Blunt fans, even if few would argue her performance in Oppenheimer represents the height of her talents. Not that it's any sort of meritless hack job…

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My Mom's Favorite Actress

by Cláudio Alves

If you've read my NYAD review from TIFF, you'll know that Jodie Foster gets my MVP honors despite the movie's construction as Annette Bening's latest Best Actress bid. Unencumbered by mannerisms or affectation, she's a relaxed presence that must bear the weight of the drama on her back once the titular character is made silent inscrutable by her swimming effort. That said, I should probably confess I've been inducted into the church of Jodie Foster from an early age, my movie love shaped by her presence since I can remember. Finding Foster to be the best part of a given film feels natural and just right. After all, she's my mother's favorite actress…

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