Nicole Kidman Tribute: Big Little Lies (2017)

by Mark Brinkerhoff

Wow. The power of women.

 I remember Nicole Kidman's speech at the 2018 Golden Globes like it was yesterday. You certainly could sense a genuine sisterhood between the five principle stars (Kidman, Reese Witherspoon, Shailene Woodley, Zoë Kravitz and Laura Dern) of Big Little Lies, HBO's unexpectedly titanic, initially limited series. Amid the backdrop of #MeToo, it was quite a moment for Nicole Kidman and company.

The actress's output in the 2010s was, charitably, something of a mixed bag. For every dazzling turn in Rabbit Hole (2010), The Paperboy (2012), or Paddington (2014), there were plenty of barely released (if at all) misfires like Tresspass (2011), The Railway Man (2013), and Queen of the Desert (2015). With the notable exception of Lion (2016), things looked awfully bleak for Kidmaniacs stateside heading into a post-presidential election year...

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Nicole Kidman Tribute: Birth (2004)

by Cláudio Alves

After her Oscar win for The Hours, Nicole Kidman's career went through some interesting somersaults. 2003 saw her bow the avant-garde cruelty of Dogville at Cannes, while Hollywood bore witness to two prestige projects whose success is debatable. The Human Stain is one of those classic "This Had Oscar Buzz" case studies, while Cold Mountain is most interesting for how it didn't secure a Best Actress nomination despite AMPAS' affection. Then came 2004, when von Trier's Brechtian film finally reached the States, and Kidman faced critical lashings as a response to her risk-taking. If not for Dogville, then for a derided broad comedy we'll discuss later in the series. And, of course, for today's subject – Birth.

Jonathan Glazer's sophomore feature was a resounding bomb with audiences and critics back in 2004, and only the Golden Globes seemed willing to recognize the genius in Nicole Kidman's work. Twenty years later, its reputation has changed…

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A Julianne Moore Top Ten

by Cláudio Alves

Mary & George, Starz's new miniseries, premieres today, with a new episode every Friday for the next few weeks. Christopher James recently reviewed the historical drama, detailing its intersection of smut and scheming, all centered around its titular characters during King James I's reign. Hot new thing Nicholas Galitzine plays George Villiers under the camera's lustful gaze, but it's Julianne Moore's Mary who commands the screen as his mother. To honor one of The Film Experience's favorite goddesses on this occasion, I decided to do one of my actress-y top tens, focusing on the Oscar-winner's best performances across a career rich in excellence…

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Almost There: Charles Melton in "May December"

by Cláudio Alves

Apologies for the delay in what was supposed to be the Almost There series' glorious return. Since the Oscars are less than one week away, let's see if I can get things back on schedule, starting with a look at one of the season's most disappointing "snubs." When May December premiered in Cannes, many singled out Charles Melton's performance, starting a narrative with great potential. Here was a Riverdale heartthrob making his way into the big leagues, proving he could go toe to toe with such awards-winning stars as Natalie Portman and Julianne Moore. Sadly, not long after a Gotham victory, Melton's campaign lost steam, victim of his film's failure to secure industry support, and he ended outside of AMPAS' Best Supporting Actor ballot…

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Review: "Madeleine Collins" confirms this is Virginie Efira's Year

by Cláudio Alves

Belgian-born French actress Virginie Efira has been on an upward path since around 2016, when she supported Isabelle Huppert in the Oscar-nominated Elle and dazzled as the titular lawyer in Justine Triet's Victoria. The latter part earned the thespian her first César nomination, followed by citations for Sink or Swim, An Impossible Love, Bye Bye Morons, Benedetta, and, finally, a victory thanks to Revoir Paris. And yet, beyond the Francoshpere, Efira is probably best known for Verhoeven's mad nun and little else. That's going to change fast. After 2023, there's no stopping her rise to international stardom. 

This week, American cinemas welcomed Madeleine Collins, Efira's third release of the year, following career-best work in Other People's Children and Revoir Paris. Just the Two of Us and All to Play For are still awaiting distribution making for a titanic body of recent work. In a just world, this next awards season would see Virginie Efira on critics' ballots everywhere.

For all that Madeleine Collins is the Virginie Efira show, the film begins without her...

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