Almost There: Charles Melton in "May December"

by Cláudio Alves

Apologies for the delay in what was supposed to be the Almost There series' glorious return. Since the Oscars are less than one week away, let's see if I can get things back on schedule, starting with a look at one of the season's most disappointing "snubs." When May December premiered in Cannes, many singled out Charles Melton's performance, starting a narrative with great potential. Here was a Riverdale heartthrob making his way into the big leagues, proving he could go toe to toe with such awards-winning stars as Natalie Portman and Julianne Moore. Sadly, not long after a Gotham victory, Melton's campaign lost steam, victim of his film's failure to secure industry support, and he ended outside of AMPAS' Best Supporting Actor ballot…

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Oscar Volley: Best Supporting Actor

It's the final pre-nomination Oscar volley. Here's Eric and Chris to discuss Best Supporting Actor

A win for Ryan Gosling in "Barbie" would age so well. But Oscar rarely goes comedic.

CHRIS:  Hey Eric! It's Barbenheimer 2.0 in the Best Supporting Actor race. In my mind, the two most secured nominees in the bunch are from the pair of box office summer behemoths - Robert Downey Jr. in Oppenheimer and Ryan Gosling in Barbie. It'll be interesting race to see if Gosling can overtake Downey Jr. to win for a comedic performance, but that's a post-nomination conversation. It's not just that both of these men starred in the hottest movies of the year, they gave indelible performances that are cemented in the conversation this year (well, I would say Gosling did, but I'll hold space for the Downey lovers). 

May December was gaining momentum and critical acclaim at just the right time to be a major awards player (at least around the time the Globe nods were announced), which made me ecstatic...

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More Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

Category confusion is always a hot topic in the Film Experience comment section. It's been debated across this awards season, from regional critics honors to the major precursors, from the smallest indie flick to some of the year's biggest blockbuster offerings. So. It's only logical for the LEAD or SUPPORTING polls to make a return. Last time, the lot included Killers of the Flower Moon, Passages, Barbie, and much more. Now, let's redirect our collective attention to newer releases, including the much-discussed May December. Are Charles Melton and Julianne Moore co-leads alongside Natalie Portman? Let's discuss…

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NYFCC Winners: "Killers," Nolan, Rogowski, and more!

by Cláudio Alves

The first major critics award of the season is upon us in the form of the New York Film Critics Circle. Killers of the Flower Moon was the big favorite, scoring two wins in Best Film and Actress, while a couple of other productions also won themselves a pair of prizes. Oppenheimer and May December were warmly embraced by the New York set, as was Franz Rogowski, whose Best Actor victory is this year's biggest surprise. The multiple winners and lack of disclosed runners-up means many of the season's hottest titles were left empty-handed. They include Maestro, Poor Things, Barbie, and The Zone of Interest, which many pegged as likely darlings among critics. Time will tell if other groups take the NYFCC's lead.

Though these things aim to celebrate cinema, one must recognize their fame as Oscar predictors. With that in mind, let's delve into numbers and trivia, history and percentages galore, as one explores this year's complete list of winners…

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Gotham Awards 2023: De Niro Censored and Gladstone Crowned

by Cláudio Alves

With the Gotham Awards ceremony, the season is officially underway. It was a night marked by studio intrusions into a space heretofore reserved for indie filmmaking, a "spread the wealth" attitude, and one controversy. When introducing a prize to Killers of the Flower Moon, Robert De Niro found his speech censored – presumably by Apple – but that didn't stop him from saying everything he had in mind. As soon as the video package wrapped, De Niro made sure to read his original text, complete with anti-Trump sentiment and John Wayne shade.

Some surprising results included a victory for A.V. Rockwell's A Thousand and One over Past Lives in the Breakthrough Director category, though the Celine Song film still took home the night's biggest prize. On the acting front, Charles Melton won Outstanding Supporting Performance for May December and charmed the whole room, while Lily Gladstone took the Lead Performance prize for The Unknown Country. Even when she's not representing Martin Scorsese's latest, voters are eager to recognize the actress…

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