The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Looking for something to celebrate today? On this day in history as it relates to showbiz...
1874 Oscar nominee Henry Travers (Mrs Miniver) was born in England 1908 Future Oscar winner, "Henry Higgins" and "Dr Dolittle" himself Sir Rex Harrison is born 1922 FW Murnau's silent classic Nosferatu premieres in its home country of Germany. On the same day in Italy the future super controversial auteur Pier Paolo Pasolini (120 Days of Sodom, The Gospel According to St Matthew) is born 1936 Dean Stockwell is born in California. He will go on to have an epically lengthy career starting as a child star in the 40s and still working occasionally today. On the same day the '35 Oscars were held with Mutiny on the Bounty taking Best Picture and Bette Davis winning her first Oscar for Dangerous. Oscar was already doing "sorry about last time" awards as that one was obviously for her far superior work in Of Human Bondage.
Geraldine Page, Larry & Viv, and Harrison Ford after the jump...
Guardian has the Venice film festival lineup ICYMI here was Toronto's. They run concurrently so they share a few titles Empire Nosferatu getting another remake -this time from the director of the Sundance hit The Witch. This is a terrible idea. It's one thing to top a classic. It's another thing to try and live up to memories of TWO classics simultaneously Salon on "showrunner auteurs" and True Detective Season 2 Slant Magazine has a interesting 'noir' essay on a blu-ray restoration of the great Fabulous Baker Boys The Wrap Relativity is going bankrupt which means their current most star driven films, Jane Got a Gun (Natalie Portman) and Collide (Felicity Jones & Nicolas Hoult) probably won't be opening as planned The Wrap It's Chris Pine as Wonder Woman's Steve Trevor in 2017 though not everyone likes this idea
Yahoo Style "Madonna and the Fading Politics of Diva-dom" I normally groan my way through essays that are critical of Madonna in-the-now since they usually instantly show, nay even flaunt, their ageism and disrespect/misunderstanding of her legacy. But this one is smart and really interesting. Empire Amy Schumer, who recently appropriated Star Wars for a photoshoot, has now done a Madonna-related photoshoot (Truth or Dare era specifically)
Bob the Musical? Playbill Recent EGOTer Robert Lopez (Frozen) and his wife Kristen Anderson-Lopez have a new musical called Up Here at the La Jolla Playhouse. Will their lucky streak continue? This one takes place inside the lead character's head. That's going around - hi Inside Out!) They were previously reported to be working on the long-gestating original film Bob the Musical THR ... but then who hasn't been reported as working on that? Currently we're looking at Michel Hazanivicius directing, Michael Chabon writing, Bret McKenzie songwriting and Tom Cruise circling to star... Pajiba doesn't want Tom Cruise to do it and I agree with every word of this. Also: he's just not good at comedy. He's too intense for comedy, particularly musical comedy which requires an effortless-looking lightness.
Showtune to Go from The Wiz Remember when Margaret (I miss Margaret!) did such a fine job of dream-casting the forthcoming live television production of The Wiz? Well, the actual casting is starting now and sadly they haven't taken any of her suggestions to heart. The first announced members of the cast are Queen Latifah as the Wizard, Mary J Blige as Evilene (AKA the Wicked Witch), and the original Broadway production's Dorothy, Stephanie Mills, as her own Auntie 'Em.
But who will sing this classic finale "Home"?
P.S. Incredibly and sadly, the legendary long-retired Diana Ross, who is only 71 years old, is the only principle cast member from the 1978 film who is still with us. (And she's too young for this list)
It's Amir here, brining you this month's poll. It's October so we're obligated to take you to the dark depths of cinematic greatness with a list of horror goodies. We're looking at the best horror films of all time, with a twist. We chose The Exorcist (1973) as our milestone since it's the first horror film nominated for the best picture Oscar and about to celebrate its 40th anniversary. So we've split the Best list in half, with The Exorcist as cleaver. Part two comes next Tuesday, but for now
The Top Ten Best Pre-Exorcist Horror Films
There really isn't much I can add by way of introduction, aside from pointing out that the boundaries of what is or isn't within the limits of this particular genre are blurry. Can Freaks still be considered a horror film today, removed from the initial shock of seeing circus performers with deformities on the screen in 1932? Cruel and unreasonable as it is, the appearance of the protagonists is the chief reason why such a passionately human piece of film history is considered scary at all - though as you will see below, one of our contributors has other ideas. No such questions would apply to Night of the Living Dead but what about Night of the Hunter? Hour of the Wolf? So on and so forth. The point is, take the genre categorizations with a grain of salt, but the suggestions to watch them very seriously. If you haven't seen any of these eleven films -- why is there always a tie? -- here's hoping this list persuades you to do so this October.
10. = Vampyr (1932, Carl Theodor Dryer) There’s never been a horror movie with stronger art film credentials than this one, made according to the then in-vogue Surrealist style by a director who’d already created The Passion of Joan of Arc and had Ordet yet to come. But just because Carl Theodor Dreyer was a proper “artist” doesn’t mean that Vampyr’s pleasures are exclusively aesthetic. In fact, the same dictatorial control over image and space that makes Ordet a spiritual masterpiece makes this familiar story of one man’s journey through a creepy rural town living in fear of a bloodsucking old woman one of the most thoroughly unsettling things you will ever experience. It's more of a walking tour through a nightmare than a clear-cut narrative, with eerie shadows and shapes every which way and a profoundly moody score by Wolfgang Zeller that jangles one’s very last nerves. -Tim Brayton
Did any of you watch the premiere of RuPaul's Drag Race Season 4? I'm always wanting to write about it because, more than most performers, drag stars love to mash up pop cultural influences including movies. It's not only the typical Gay Films that get referenced but camp classics of all sexual persuasions (Waterworld classifies as a straight camp classic, right? I mean it's dreadfully serious about itself but it's terrible) and even regular classics, albeit usually the feminine ones. The theme of the first episode was the apocalypse and the first part of the contest was a photoshoot in which the queens were sprayed with "toxic waste" while Ru shouted out instructions. At one point Ru yelled "give me Karen Silkwood!" I can't picture The Great Lady Streep watching this sort of thing but I bet she would have chortled.
Despite all the cultural referencing its evident (sometimes) that many queens are merely parroting the past without actually knowing what they're referencing. So I tend to gravitate towards the smarter queens who are a little more savvy about drag as art and understand gay culture's magpie qualities
WillamIt's dangerous to choose favorites early on in competition shows but I love Willam (Willam Belli) because he seems smarter than the room and could actually back up the bravado and name dropping. He's got a long list of film and TV credits.
I'm a successful drag queen. I'm not some bitch who has to show for a dollar."
"I've worked with Oscar Winner Diane Keaton," Willam bragged in the after show. Not just Diane Keaton, bitches. Oscar Winner being a title like Dame, see.