Nicole Kidman Tribute: Moulin Rouge! (2001)

by Cláudio Alves

Though many thought Nicole Kidman should have been welcomed into the Academy's good graces with 1995's To Die For, it would take six years until that early promise materialized in the actress' first Oscar nomination. Curiously, the path to such success went through a return to down under cinema that started to take shape with The Portrait of a Lady by kiwi auteur Jane Campion. This was also when Kidman began to challenge herself conspicuously by collaborating with true visionaries, picking projects based on who was behind the camera. That line of thinking took the actress into the dark reveries of Kubrick's swan song and, ultimately, the musical riot of Baz Luhrmann's Moulin Rouge!, which started shooting shortly after Eyes Wide Shut hit theaters.

As Satine, the cabaret's star performer, Nicole Kidman is at the height of her powers, delivering a feat of such off-the-charts star wattage it would have been inconceivable for the Academy to look away…

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Introducing the Nicole Kidman TFE Tribute

by Cláudio Alves

Nicole Kidman makes her entrance at the AFI Tribute ceremony.

You've heard of the Nicole Kidman AFI Tribute, but do you know there's also a TFE celebration in the works? Last year, the American Film Institute announced that Australian superstar Nicole Kidman would receive their Life Achievement Award in honor of her contribution to American film. The ceremony took place on April 27th, but apart from some online videos and photo-ops, little of the celebration was publicized. That will change in June when the entire Tribute will air on TNT and TCM, as is tradition with such AFI events. To mark the joyous occasion, the Team Experience will be doing a tribute of our own. 

From now until June 17th, you can expect a new daily post on Kidman, going over some of her best films and performances. Since tomorrow we'll jump straight into the 90s, this introduction shall serve as the Tribute's overview of her origins in Australian cinema…

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TIFF '23: "The New Boy" and "Kidnapped"

by Cláudio Alves 

A boy contemplates Jesus on the cross, the figure's perpetual suffering a striking sight. Because he's not been raised Christian, the youth relates more to the depicted pain than the iconography's meaning. In a show of naïve empathy that others would read as sacrilegious, he frees Christ, ripping the nails out of the cross. Whether the son of god's body tumbles a wooden fall or walks away reborn depends on the film, but the basic premise of these scenes ties Warwick Thornton's The New Boy and Marco Bellocchio's Kidnapped together. 

Both films consider historical atrocities done in the name of good, unmoored children at the center of a religious storm. Thornton sees a fictional aboriginal boy as a synecdoche for his colonized people, while the Italian master dramatizes the real-life episode of a Jewish boy taken from his family…

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TIFF '23: Zar Amir Ebrahimi mesmerizes as "Shayda"

by Cláudio Alves

"Shayda" is coming to US theaters on December 1st from Sony Pictures Classics.

Though I've hardly been running after Oscar contenders while at TIFF – apologies if that's what you wanted out of this coverage – the Best International Film race remains at the forefront of my mind. With new daily announcements, the festival's an excellent opportunity to catch some titles that could be hard to track down later in the season. So, a lot of my scheduling has been built around productions that might end up in that race or have already been confirmed for the 96th Academy Awards. Not all of the experiences are positive, but  a few of them are revelatory.

Such is the case of Noora Niasari's feature debut, Shayda, representing Australia. If you thought Zar Amir Ebrahimi was remarkable in last year's Holy Spider, wait to see what she does here…

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International Oscar Race - Australia's Choice. Plus Mexican and Swedish submission finalists

by Nathaniel R

"Shayda" will be Australia's Oscar submission

We've already shared some news in our favourite non-acting Oscar category. The most exciting thing at the moment is the Danish finalists which include a film called either Promised Land or Bastard (depending on where its playing). Elisa tells us that its going to be a major contender and could even bag Mads Mikkelsen the Best Actor win in Venice. Other recent Oscar updates for this category involved submissions from Estonia, South Korea and Uruguay and a finalist list from Netherlands, and news from Switzerland, Chile, and Tajikstan. We now have 13 submissions. The charts have been updated. The latest exciting news is the finalist lists from two important countries who historically perform well in this category, Mexico and Sweden... 

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