The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
In seems fitting yet not too obvious that Peter Jackson's birthday would be on Halloween. Imagine the costume fun one could cull from his films alone?
Since today is his half century mark, we couldn't not tip our pointy Gandalf hats to the man. Whether you're counting down the days until he returns to The Shire with The Hobbit films or wishing he'd move away from Tolkien and on to greener other pastures, it's worth checking in on the official Hobbit blog from month to month (though they sadly haven't had a production video since July and those were fun.)
Do you think The Hobbit: An Unexpected Journey (2012) and The Hobbit: There and Back Again (2013) will continue the Rings Oscar streak? Perhaps you're more doubtful like me... even if The Hobbit films are great won't AMPAS voters feel that 11 Oscars in February 2004 was more than enough?
I would rank his films like so.
Heavenly Creatures (1994) -check out Melanie Lynskey's memoirs and our "Hit Me..." blog party if you're a fan of this brilliant hysteria.
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Return of the King (2003)
The Lord of the Rings: The Two Towers (2002)
King Kong (2005)
The Frighteners (1996) ...a revisit is definitely in order. Would I like it more or less?)
Meet the Feebles (1989)
Forgotten Silver (1995)
The Lovely Bones (2009)
P.S. I have not seen Bad Taste (1987) or Dead Alive (1992) but I'm quite certain I'd prefer them to The Lovely Bones.
Animation Magazine suggests that if the Czech Republic's Alois Nebel (recently submitted for Oscar's foreign language film race) also enters the Animated Feature race there might be over 16 eligible films and then that category could expand to five nominees. Christ, of all years to have enough films for a 5 wide race, this is not the year! That would probably mean that Pixar's Cars 2 got a nomination and who can live with that? NOT I! Can anyone even name 2 animated films that deserve to call themselves "Best Feature" this year? If Best Picture had the same ratio of release to nominees the Best Picture shortlist would be like 150 movies long. And the foreign language film nominees would total like 20. Seriously, the Oscar rules on the animated feature category are an unholy mess!
Whew, with that off my chest -- sorry, I h-a-t-e-d Cars 2 -- Happier things now!
Deadline I keep forgetting to mention this and I'm sure you already know but they're turning The Kids Are All Right into a TV series. On the one hand TV series thrive on character you'd like to spend lots of time with and on that front it's a total winning idea. On the other hand the movie thrived on how succinctly it captured one crucial timeframe (the summer before college which is a universal Important Time Frame for families when it happens) and plus, how the hell you gonna replace 3 of the best adult actors on the planet and 2 of the most promising teen actors on the planet?
Frankly My Dear... thinks that either Quentin Tarantino's Django Unchained or Baz Luhrmann's The Great Gatsby will have to move away from Christmas Day 2012. I dunno. Didn't Gangs of New York and Catch Me If You Can open right on top of one another for Christmas 2002? It worked out for both those films. Maybe the general public is okay with Leonardo DiCaprio double features.
The Lost Boy says the smartest thing we've heard said about the This Means War trailer. But maybe you should watch it before clicking over.
Broadway Blog reminds us that "Celebrity Autobiography is back for another season in NYC. In the show famous comedic celebrities read verbatim from the bios of famous self serious celebrities. I must go.
Twitch reminds me that I really should probably see Trespass even though the review is scathing and everyone agrees that it's a terrible movie. I keep putting it off but there is the Nicole Kidman Mandatoryness of it. What to do... what to do...
THE ARTIST TEAM: star Jean DuJardin, director Michel Hazanavicious, and the cast: Bejo, Miller, Grant and Cromwell
The Hairpin talks to character actress Beth Grant (who doubts your commitment to Sparkle Motion). I don't know if you were aware but Beth Grant is in the upcoming Oscar contender The Artist. She has a teensy tiny role in the excellent black and white / silent movie but at the press conference that followed its screening this past Friday, she made no bones about her excitement, calling it the pinnacle of her career even after name-checking No Country For Old Men, Rain Man and Donnie Darko. In short, she's totally besotted with it. A feeling that's easy to come by, actually.
If you believe the theory that SAG Ensemble Nominations go to The Movie That Actors Most Wish They Could Have Been In rather than the movies with the most ensembley of acting (DuJardin and Bejo totally hog this film) than this will be one of your five SAG Ensemble Nominees come January.
Entertainment Weekly has the first promotional photo for Tim Burton's Dark Shadows which I am duty bound to post because La Pfeiffer is given such prime placement, closest to the camera, even though the photo isn't as hi-res as one might wish to justify being excited about its "first" and "official-like" status.
From left to right: Helena Bonham Carter (Dr Julia Hoffman, the psychiatrist...who also needs one), Chloe Moretz (Carolyn, a moody teen), Eva Green (Angelique, a witch who hates this family with a long history with Barnabas the vampire), Gulliver McGrath (David, a troubled boy who believes he sees the dead), Bella Heathcote (Victoria, the new governess), Depp (Barnabas the vampire... ancestor of this family), Ray Shirley (Mrs Johnson, the ancient maid), Jackie Earle Haley (Willie the shady groundskeeper), Jonny Lee Miller (Roger, David's father), and Michelle Pfeiffer (Elizabeth Collins Stoddard, the steely matriarch under seige by witches, family troubles, and the arrival of Barnabas).
I noticed some time ago while tinkering around backstage on the site, that I tend to post a lot about Tim Burton movies before they arrive only to be mildly (Sweeney Todd) or wildly disappointed (Eyesore in Wonderland) once they arrive. The wild haired auteur always finds at least one element to keep me interested... in this case his reunion with you-know-who who gave his filmography its very best performance (Catwoman!) give or taken Martin Landau in Ed Wood.
I must say that Colleen Atwood's costuming -- always an Oscar threat -- is a little more sedate than usual which I count as a good thing. I especially like Pfeiffer's belt although I think giving Helena her Red Queen coloring all over again is probably not the best move.
Looks like it'll be television giant Ryan Murphy (Nip/Tuck, Glee) in the directing chair for the first film version of Larry Kramer's AIDS drama The Normal Heart. That righteously angry 80s play, which has long flummoxed would be adapters (most famously Barbra Streisand), was all the rage on Broadway this past season during its revival (I was less impressed than most but boy did the Tonys love it).
According to Playbill Murphy is planning on going with Mark Ruffalo in the lead role of Ned Weeks and wants his Eat Pray Love diva Julia Roberts in the awards-magnet supporting part of "Doctor Death". That part won Ellen Barkin the Tony and throat pains (we're guessing. It's very shouty!) but apparently not enough renewed career heat to get her an offer for the film version. Between this role and "Barbara" the eldest daughter in August: Osage County Julia seems to cornered the market on famously angry/exhausted stage-to-screen female roles.
But before we scream "Oscars all around in February 2013!", it's wise to remember (always) that that stage-to-screen teleportation magic is an eternally difficult trick to master. Murphy is enjoying great success with Glee but both of his films thus far, Eat Pray Love (2010) or Running With Scissors (2006), have had mixed results critically and at the box office. One of the dangers of success is that artists get spread very thin and that could obviously be a problem here with Glee still going strong despite its own occasional "spread to thin" feel.
on the set of Eat Pray Love
But we wish him good luck. He was once the president of a Meryl Streep fan club ferchrissakes. And though I couldn't find the copy that interview that Playbill is quoting he supposedly recently expressed regret that he had to turn down writing the Annie remake meant for Willow Smith, saying:
So now she's got Emma Thompson who is 50 million times better than me. LOVE HER.
So, see? Murphy really loves actresses and musicals. The Film Experience officially has no choice but to root for him.
Is Zimbio trying to tell us something with that headline? I don't know why the actresses are hanging out in Montreal together but it's adorbs that they have matching pants and shoes. Clea's mostly been doing TV guest spots lately (The Event, CSI: Miami). Meanwhile Ellen Page heads off to Rome soon to join the huge ensemble of Woody Allen's Bop DeCameron (2012).
But hey... FREEHELD. That previously announced movie popped right into my head.
Unfortunately there's been very little word on what's happening with Ellen's most-promising sounding future film. Freeheld would be the story of New Jersey mechanic Stacie Andree's (Page) and her girlfriend Laurel Hester's (as yet uncast) legal battle to save pension benefits when Laurel was diagnosed with a terminal illness. It sounds like such a promising direction for Ellen (Oscar nom #2?) who should challenge herself as an actress real soon; It's not like expository roles in green screen epics are pushing her gift.
Freeheld (2007), Best Documentary Short WinnerThe documentary short Freeheld, which first told this story, won an Oscar three years ago. And given the hot topic of gay marriage (just passed in New York but New Jersey's Republican governor vows to fight against it.) the time seems ripe for more social dramas that passionately deal with contemporary fights. I don't know about you but I firmly believe that the reason the whole subgenre of films dealing with social issues, civil rights, and prejudice have such a middlebrow rep and always feel safe and weaksauce is because, generally speaking, they set them so far back in the past that they're all cushioned from the world as we know it. Hollywood needs to deliver more Do The Right Things and less Driving Miss Daisys, is the point even though that reference itself is itself cushioned with rosy nostalgia. Oops!
The starry gay dramas that do get made (Milk, Brokeback Mountain) are also set in the past. Not that we don't need the reminders but contemporary balance would be great. Catherine Hardwicke (Red Riding Hood) was originally attached to Freeheld but it doesn't have to be her. Actually, and though it pains me to say this since I was a huge fan of her debut thirteen (2003), it might be better if it wasn't her. Somebody needs to is the point.
Monday, October 31, 2011 at 10:00AM 
In seems fitting yet not too obvious that Peter Jackson's birthday would be on Halloween. Imagine the costume fun one could cull from his films alone? 
