The Furniture: The Lobster's Phony Flowers

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber... 

In a 2014 interview, production designer Jacqueline Abrahams described her job as “creating an environment that is credible but sometimes incredible...always aiming to be authentic in spite of being made up.” As this was two years ago, she may not have had her work on The Lobster in mind. Yet the sentiment couldn’t be a more perfect fit for the weird universe of Yorgos Lanthimos.

The dystopia of The Lobster, after all, is not particularly flashy. It’s a world just like our own, only a little grayer. If every frame held immediate physical evidence of a dramatically different future, the carefully calibrated mood would collapse. Instead, the dystopia emerges subtly, through little gestures of performance and design.

Abrahams, a BAFTA-winner for her work on BBC’s Wallander, is an integral part of this achievement. Her presence is felt from the first shot, in which she makes her acting debut as the woman who shoots a donkey on the side of the road. Her design contributions are even more memorable.

The hotel for singles is a triumph of carefully planned ennui. If you look closely, you can pick up the tone from the very first scene within this last resort...

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Review: Meryl Streep as "Florence Foster Jenkins"

This review was originally published in Nathaniel's column at Towleroad

It takes a gifted singer to sing this horribly. Every other note is wrong. No phrasing goes unmangled by shortness of breath. No lovely moment meant to soar cannot be shattered by a flat ear-piercing decibel. The central conceit of Stephen Frears new comedy Florence Foster Jenkins is that Florence, a considerably wealthy patron of the arts played by Meryl Streep, lives for music but is ghastly at it. The inside joke, given the casting, is that we all know La Streep can sing with the best of them. She followed the "is there nothing she can't do?" revelation of Ironweed's tragic showstopper "He's Me Pal" (1987, Oscar-Nominated) with transcendent country crooner feeling in Postcards From the Edge (1990, Oscar-Nominated), and just kept on singing whenever a movie gave her the opportunity all the way up through last year's Ricki and the Flash which was practically a concert film there were so many scenes of Streep at the mic, rocking out.

Florence Foster Jenkins doesn't rock out. Florence is not that kind of girl and Florence, also, is not the kind of movie...

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'Moonlight' Rising

by Chris Feil

We've been excited at The Film Experience for Barry Jenkins's Moonlight, the follow-up to his 2008 tiny but magnificent debut Medicine for Melancholy (which is available on Netflix - you're welcome).You're going to want to catch up to that film if you haven't because if the buzz is to be believed on Moonlight, the writer/director has something special coming our way.

This week the film was announced as part of the lineups of both New York Film Festival and Toronto Film Festival. In Toronto, it will compete in the Platform section meant to launch auteurs to the next stage of their career. If the just released trailer is any indication, Moonlight has the goods to do just that - take a look at this stunner:

Consider our breath offically taken. Not only does the trailer make good on the buzz we've been hearing for Naomie Harris's performance, but the images are full throttle gut-punchers running the spectrum from sexy to devastating. If the film itself is as visually arresting and emotionally investing as these short two minutes, then we are in for something special indeed. A24 also has Mike Mills's 20th Century Women coming this Oscar season, but their success with Room last year shows what they can do with a modest emotional powerhouse like this.

Moonlight opens on October 21. Which moment from the trailer took your breath away?

Review: Ira Sach's "Little Men"

This review was originally published in Nathaniel's column at Towleroad

Feeling fatigued by summer movie season's emphasis on loud and flashy but ultimately empty spectacles? You're in luck. Little Men, now playing in limited release, is the perfect antidote: quiet but insightful, memorable and substantive. It's not a spectacle by any means but you should still see it inside the movie theater because it's the kind of careful storytelling that benefits from being fully inside of it. Getting lost in a story is much easier to accomplish in the pages of a great novel or the dark of a movie theater than if you wait around to Netflix and chill. The movie comes to us from one of our best LGBT directors, Ira Sachs. The New York based writer/director made his feature debut 20 years ago with The Delta (1996) but recently he's been on quite a roll.

Little Men is not an adaptation of the Louisa May Alcott sequel to Little Women, but it does feel like a rich unexpected sequel to a more contemporary future classic. Ira Sach's last film was the moving gay seniors drama Love is Strange starring John Lithgow and Alfred Molina whose marriage at the beginning of the film sets off a surprising chain of events which leaves them homeless and at the mercy of friends and relatives. That beautiful movie ended, rather intuitively, with a wordless and narratively inconsequential scene in which we followed their young nephew on his skateboard down the streets of the city at magic hour. The image was rapturous and watery... or rather just rapturous; I was watching it through cascading tears was all. [More...]

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Seventeen (Links) Again

• Variety TCA Awards announced with top honors going to The People vs OJ Simpson, Black-ish, The Americans, Mr Robot all of which enjoyed big Emmy nominations and Crazy Ex Girlfriend which did not. GRRRR
• TheaterMania Nina Arianda talks Florence Foster Jenkins (I just saw the movie and she's bliss to watch in it, so lively)
• The Observer Thelma Adams on John Waters restored Multiple Maniacs
• Broadway.com Glenn Close might be reviving Sunset Boulevard on Broadway
• The Film Stage Martin Scorsese says Silence will be ready for release this year as planned. (But that means Paramount has 4 major titles to juggle this Oscar season.)

• Interview talks to Little Men breakout Michael Barbieri who's already lined up two major projects afterwards
• i09 Deadpool 2 will take aim at superhero sequels in its jokey fourth wall breaking

Controversies
• Nerds of Color Why is the Kubo and the Two Strings cast, set entirely in Japan, so white? Good question. And why on Earth is Rooney Mara doing this again after being raked over the coals for taking Tiger Lily in Pan? I asked it about the also totally Asian Guardian Brothers which as an all white star voice cast (Kidman/Streep/etcetera) despite being about Chinese legends and people got mad at me, as if animated films should have different rules and it's okay because everyone does it. It's not okay. Stars with huge bank accounts need to stop accepting these roles, they have innumerable other ways to make a quick buck. It just looks bad for everyone. Animated studios need to stop doing this. The voice talent is not the stars of animation, it's the animation itself. ACCEPT YOUR STRENGTHS. Big ups to Disney who cast racially appropriate actors for Big Hero 6 and Moana, trusting the material was there and you don't need big movie star names on posters when their faces never appear in the film.
• After Ellen this is some bullshit - Delta Airlines edited the kisses between Cate Blanchett and Rooney Mara out of Todd Haynes' Carol
• Slate good piece on understanding angry conspiracy theory behavior via angry Suicide Squad defenders
• Slate another interesting piece on what's wrong with numbers based movie review systems
• Comics Alliance Cara Delevigne proves she has complete ignorance about modern film criticism when she announces that they just don't like superhero movies. Oh, Cara. no. They just don't like yours. If anything critics are too easy on superhero movies which usually win pretty favorable review percentages.

ALSO from Tonga. And one of 11 out male athletes at the gamesOlympic Fever
• Broadway.com 5 random Broadway talents that should be Olympic sports
• The New Yorker "Olympic Events I would win if they existed"  
• Towleroad on that Tongan flagbearer 
• Outsports a record number of out LGBT athletes are at the Olympics this year. Most are women, two of which are even married to each other.
• Outsports None of the male out athletes are from the US begging the question - why don't American male athletes come out? The out men are from the UK, Tonga, New Zealand, Brazil, Finland and The Netherlands.