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Entries in Oscars (16) (339)

Thursday
May262016

Rachel Weisz: A Brewing Renaissance?

Currently on screen in Yorgos Lanthimos’ The Lobster, Rachel Weisz has so many upcoming movies, she got Murtada wondering if a renaissance is brewing...

My Cousin Rachel

The Lobster is doing gangbusters in limited release and with critics. To these eyes it is uneven and Weisz is absent from its best part. In fact her performance is so bland, it weakens the second half of the movie particularly in comparison with the highly entertaining first act where Colin Farrell and particularly Olivia Colman are exultingly funny. Even when Weisz is front and center she seemed lost, not sure of the rhythm of the film. A supporting player like Lea Seydoux, with much less screen time, was more in sync with Lanthimos and the rest of the cast and outshines Weisz in the section they share...

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Sunday
May222016

Cannes Winners 2016

Despite what was generally regarded as one of the strongest Cannes lineup in many years, George Miller's jury wasn't having the critical consensus. At all. They didn't remotely follow the "buzz" whilst handing out their honors...

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Thursday
May192016

Who or what is the MVP of "Sing Street"?

Sing Street, the latest film from our most musician obsessed auteur John Carney, has been expanding with more theaters each week at a fairly strong clip. Six weeks in, there's no expansion (a very crowded weekend) but its fanbase keeps growing exponentially as more people "discover" it. Like Carney's previous music-based indies, the Oscar winning, transcendently low-fi Once and the more mainstream but surprisingly rewatchable Begin Again, whatever you might want to say about Sing Street an adjective that could safely and accurately describe all three films is "endearing"...

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Wednesday
May182016

Red Carpet Lineup: Cannes Best Actress Watch

We'll update the Oscar charts when Cannes wraps up but for now let's talk about the buzziest actresses of the festival. We should note, however, that Cannes juries are notoriously hard to predict and there are still a few competition films left to premiere. What's more, every year people say "this is a shoo in for that!" and it does not come to pass -- especially when it comes to the acting prizes.

But here are five gorgeous and talented actresses at their premieres* who have garnered enough buzz to make us go "hmmmmm"

From left to right...

Sandra Hüller stars in the nearly 3 hour comedy Toni Erdmann about a prank loving father and his overly serious daughter. The film comes from German director Maren Ade who had a critical hit several years back with Everyone Else (2009). Hüller's chief claim to fame is the drama Requiem (2006) for which she won Best Actress in Germany.

Ruth Negga, best known to date for her television work in the UK and in the US, definitely has Oscar buzz for the 50s interracial marriage drama Loving (alongside screen husband Joel Edgerton) but Oscar buzz is only rarely equivalent to Cannes buzz so only the jury knows if this is one of those times. Loving comes to US theaters in November.

Isabelle Huppert stars in Paul Verhoeven's revenge thriller Elle (*which has not yet premiered from my understanding). But ahead of its premiere Sony Pictures Classics picked it up for distribution and word on the performance is hot. That said, until tastemakers truly get a look at it we can't know if that's just PR buzz or something deeper, like another milestone in her legendary career. Huppert has never been Oscar nominated -- she probably frightens the Academy -- but it may surprise you to hear that the equally controversial Verhoeven has, for all intents and purposes. One of his earliest films, Turkish Delight (1973) was nominated for Best Foreign Language Film. Yes, yes, technically that nomination belongs to the Netherlands rather than to Verhoeven himself but we think of it as also belonging to the director since generally speaking the directors are the ones that pick up the statue and say their thank yous. Verhoeven hasn't made a full length feature since his terrific uncomfortably sexy World War II thriller Black Book (2006) so we'll await this with eager eyeballs.

Kristen Stewart starred in the opening night film Café Society (reviewed here) but she's also the lead of the polarizing ghost story of some sort (we're trying not to read reviews) called Personal Shopper. It's been both booed and raved. Will the jury love it or hate it? It's worth noting that her last duet with Assayas (Clouds of Sils Maria) nabbed her the best reviews of her career, multiple awards notices, and the French César. 

the ever gorgeous Sonia Braga

Finally, there's the enduring 65 year old star Sonia Braga who headlines the Brazilian picture Aquarius. It's getting the kind of reviews that leave us salivating, both because of a juicy lead role for this fine actress (who Oscar totally stiffed in 1985 for her prismatic fascinating star turn in Kiss of the Spider Woman), and for the possibility that Brazil could make some headway in the Oscar race. Consider this tweet from our friend Tim Robey:

 

 

Brazil hasn't received a foreign language film nomination since Central Station (1998, a category they should have won) and they've yet to win the Oscar. The director of Aquarius, Kleber Medonça Filhou was previously submitted by Brazil for Neighboring Sounds (2013, reviewed).

Do you want to place any bets on the Jury prizes this year?

Thursday
May122016

YNMS: "Billy Lynn's Long Halftime Walk"

Not to be outdone by all the Cannes buzz starting this week, we have our first teaser trailer for Oscar hopeful Billy Lynn's Long Halftime Walk. Ang Lee follows up his Oscar winning Life of Pi with this film about a young veteran's Victory Tour after fighting in Iraq. Like Pi, his new work blends a flashback narrative with technical wizardry: Lee utilized a high frame rate to create hyperreal action, aiming to create unprecidentally real 3D.

Backed by a massive ensemble including Kristen Stewart, Vin Diesel, Garrett Hedlund, Chris Tucker, Ben Platt, and Steve Martin, the master director looks to be back in the Oscar hunt once again.

Let's break down the highs, lows and inbetweens of the first look:

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