The Top 100 Comedies: Screwball Dames and Male Auteurs

by Seán McGovern

The limit of list culture is the absolute bias of the person compiling it (except of course the Dewey Decimal System which is without imperfection). To compile theirs, the BBC polled 253 film critics - 118 women and 135 men -  from 52 countries to determine what exactly are the "100 Greatest Comedies".

It's good to look at these lists to remind ourselves that since the majority of films are made by men, so too is the work that's considered both the funniest and the best. Right-on caveat aside, some great, female-centred comedies make the list: 2016's Toni Erdmann at 59; Mean Girls, which we can now call a modern classic, at 57; and Clueless (iconic) at a very healthy 34...

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Dunham and Konner May Pen "Toni Erdmann" Remake

Robert here! Remember a few months ago when we all learned that Jack Nicholson was making a long-awaited return to the silver screen to star with Kristen Wiig in an American remake of bonkers German comedy Toni Erdmann? No, no, it was not a St. Elsewhere style coma dream. That possibly brilliant, possibly ill-advised project is still well underway, and there has been a new development: universally beloved and totally uncontroversial creator, writer, director, and star of HBO's Girls Lena Dunham and her co-writer Jenni Konner are in talks to pen the script. More after the jump...

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The Furniture: Toni Erdmann and the Dangers of Corporate Upholstery

"The Furniture" by Daniel Walber

[You can click on the images to see them in much more magnified detail.]

Toni Erdmann is a film about chairs. It is also a film about couches, though less so. Its grander themes, the culture of global capitalism and the relationship between parents and adult children, are excellent stuffing for oddly shaped poolside chaises and hideous hotel sofas. The milieu is convincingly skin-deep, punctuated by passionless objects that look blankly up at the uproarious behavior of the characters.

This satirical furniture represents some of the best production design of 2016, though Toni Erdmann may not be the first film to come to mind.

It plays a supporting role, commenting in muted colors. Yet Maren Ade’s comedy of personal and professional tension has a thoughtful design sensibility, perfectly attuned to the non-places that have been projected across the globe by transnational corporations...

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Joint Statement from Best Foreign Language Film Directors

The nominated directors from this year's Best Foreign Language Film nominees (Land of Mine, A Man Called Ove, The Salesman, Toni Erdmann, and Tanna) have released a joint statement about the Oscars, human rights, and the growing climate of nationalism around the world. It's a must read.

They write...

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Jack Nicholson and Kristen Wiig to Star in "Toni Erdmann" Remake

Robert here, and before I begin, no, you are not having a stroke. That headline truly does read “Jack Nicholson and Kristen Wiig to star in Toni Erdmann remake.” 

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Q&A: Overhyped Loveables, Depression Coping Tactics, and Best Foreign Film

Happy Hump Day Almost! Why do some weeks feel so much like surviving itself is the only goal / triumph? I have let the Q&A column go but we're getting back on the horse and will try to do them more regularly. Here are seven questions from last week and two from a long time ago.

Ready? Let's go! Questions about awards seasons calendar, Brie Larson, director/cinematographer teams, and coping with depression after the jump...

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