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Today is National Hugging Day. Raise your hand if you miss them in this pandemic era of too little socializing!
A series by Christopher James looking at the 'Gay Best Friend' trope
Clueless is a perfect movie. The more time passes, the more the film is solidified as a bona fide classic. Writer/director Amy Heckerling turns Jane Austen’s Emma into an addictive and heartfelt tale of high school relationships and finding one’s impact on the world around them. Alicia Silverstone’s Cher is a pitch perfect heroine whose big heart is only outmatched by the size of her closet. Heckerling’s loving wit doesn’t just apply to our leading lady. The entire high school is filled with big personalities (and bigger wallets). One of my favorite characters has always been Christian (Justin Walker), an old soul who becomes the first (and likely not last) gay man that Cher falls for.
While mostly a supporting player, Christian isn’t solely defined by his sexuality. He gets to be a fully rounded connoisseur who seamlessly moves from a romantic interest to a gay best friend...
As previously mentioned in my "Emmas of Yore" miniseries, Clueless is one of the best cinematic adaptations of a Jane Austen novel. By modernizing the core narrative of Emma and stripping it of historical detail, Amy Heckerling was able to create a teen movie classic whose biting satire exists hand-in-hand with a sense of overwhelming affection for every character on-screen. Humor and romance are well-balanced, with the comedic element always taking precedence over the love story – as it should be when tackling one of Austen's prickliest and funniest novels.
That being said, to celebrate the 25th anniversary of Clueless' release, we're not going to focus so much on its genius screenplay or how it updates Regency-era social commentary to the Beverly Hills of the 1990s. Fashion is our concern this time around or, more accurately, we're exploring the costume design of Clueless. Since 1995, Mona May's colorful stylings have become as iconic as the screenplay's witty dialogues and, in a fair world, they might have even won the designer some well-deserved Oscar gold…
To celebrate the release of Emma, let's revisit the novel's previous iterations in film history. First up, the case of Amy Heckerling's Clueless (1995)
From 1940 to 1995, no motion picture was made with a screenplay based on any Jane Austen novel. There were some negligible low-budget miniseries along the way, but nothing major. Then came the 90s and everything changed. In 1995 alone, the world got to enjoy the pleasures of Roger Michell's Persuasion and the lavish TV adaptation of Pride & Prejudice with Jennifer Ehle and Colin Firth. Most importantly, Clueless happened, effectively showing that Jane Austen was cool and igniting the Hollywood trend of filming great tomes of classic literature reimagined as modern teen movies…
by Seán McGovern
The limit of list culture is the absolute bias of the person compiling it (except of course the Dewey Decimal System which is without imperfection). To compile theirs, the BBC polled 253 film critics - 118 women and 135 men - from 52 countries to determine what exactly are the "100 Greatest Comedies".
It's good to look at these lists to remind ourselves that since the majority of films are made by men, so too is the work that's considered both the funniest and the best. Right-on caveat aside, some great, female-centred comedies make the list: 2016's Toni Erdmann at 59; Mean Girls, which we can now call a modern classic, at 57; and Clueless (iconic) at a very healthy 34...