Streaming Roulette (Oct 11th-16th): Tuneful agents, teenage ladies, and werewolves (by night)

by Nathaniel R

In the Streaming Roulette series we spotlight a few new-ish watches and freeze them randomly on the scroll bar. Whatever scene that comes up is the image we use.  Usually we mix it up in terms of services but this week Amazon Prime is hogging our conversation. Your streaming assignments for the week, should you choose to accept them... 

- Does he look like the Archangel Michael?
- No. No dead saint could be as beautiful as he.

CATHERINE CALLED BIRDY (2022) on Amazon Prime

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Sundance: Lena Dunham Returns with ‘Sharp Stick’

By Abe Friedtanzer

Director Lena Dunham attends the Q&A at the virtual premiere of Sharp Stick, an official selection of the Premieres section at the 2022 Sundance Film Festival. © 2022 Sundance Institute.

It’s been twelve years since Lena Dunham broke through with her second feature film, Tiny Furniture, and just under five years since her Emmy-winning HBO series Girls came to an end. While she’s had a few small film roles since (including Once Upon a Time... in Hollywood) and worked behind the scenes on a trio of series (Genera+ion, Industry, and Camping) she has mostly been out of the media spotlight. Her latest feature, Sharp Stick, absolutely puts her back there. It's an interesting experience, to say the least…

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Here's Your Sundance 2022

by Jason Adams

The main line-up for the 2022 edition of the Sundance Film Festival was announced this afternoon -- can I get a huzzah? Running from January 20th through the 30th they'll be screening 82 feature films and assorted other cinematic ephemera over the course of those ten days -- they're keeping themselves to the middle space in between in-person and virtual for their 2022 edition, with everything premiering in person in Utah and then subsequently screening via their (truly outstanding) online platform for those of us who can't make it to the mountains, for whatever reason. Like, for instance, the still-happening pandemic, which is certainly my own personal reason for only attending virtually again this time, and which it would be irresponsible for me to not recommend you all take into account. (That said their safety protocols seem very much on point, so your own mileage may vary.) 

I've got the entire press release with the word on everything announced today way down below -- and you can check out each title even more thoroughly on the fest's website, of course -- but I figured before that megaton of information I'd go ahead and poison your opinions with my opinions, highlighting ten movies that are immediately leaping forward onto my face for one particular reason or another.  

Sharp Stick -- Lena Dunham's new movie, her first in over a decade, will surely, as with everything Dunham-related, invite enthusiastic conversation from all angles. That's one way to say it! People sure do have opinions on her and her work, and the story here... 

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Dunham and Konner May Pen "Toni Erdmann" Remake

Robert here! Remember a few months ago when we all learned that Jack Nicholson was making a long-awaited return to the silver screen to star with Kristen Wiig in an American remake of bonkers German comedy Toni Erdmann? No, no, it was not a St. Elsewhere style coma dream. That possibly brilliant, possibly ill-advised project is still well underway, and there has been a new development: universally beloved and totally uncontroversial creator, writer, director, and star of HBO's Girls Lena Dunham and her co-writer Jenni Konner are in talks to pen the script. More after the jump...

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Goodbye to "Girls"

by Chris Feil

This Sunday HBO ended the six season run of Girls, Lena Dunham’s caustic and compassionate take on millennial Brooklynites. The series ended much as it began: with a wide range of qualitative opinions, as frustrating as it was rife with conversation points, uneven but special.

The final season was its the choppiest since its earliest days, often one of its more unsatisfying. After seeming primed to get her shit together at the end of season five, that charged feeling of a new life chapter was delivered in the unexpected form of Hannah’s pregnancy. Marnie was running out of gas as her divorce finalized and her music career was on its most pathetic last legs. Elijah inched closer to Broadway. Jessa took a backseat as a villain without much of a story, and Shoshana was barely there at all, even less than usual. Despite its comic stride holding up from the previous season, this season’s form felt sloppy and scattered despite Hannah’s long-game story arc.

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