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Entries in Robert Eggers (10)

Tuesday
Oct112022

Streaming Roulette (Oct 11th-16th): Tuneful agents, teenage ladies, and werewolves (by night)

by Nathaniel R

In the Streaming Roulette series we spotlight a few new-ish watches and freeze them randomly on the scroll bar. Whatever scene that comes up is the image we use.  Usually we mix it up in terms of services but this week Amazon Prime is hogging our conversation. Your streaming assignments for the week, should you choose to accept them... 

- Does he look like the Archangel Michael?
- No. No dead saint could be as beautiful as he.

CATHERINE CALLED BIRDY (2022) on Amazon Prime

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Tuesday
Apr262022

I Wanna Link With Somebody

Vanity Fair Jamie Lee Curtis answers the Proust questionnaire
Esquire Candid interview with Josh Charles who talks his HBO show We Own This City as well as delivering Aaron Sorkin's dialogue in the past
EW Ewan McGregor and Mary Elizabeth Winstead got married over the weekend
Slate on the sexual landscape of TV at the moment. interesting take

Viola Davis, Singin' in the Rain, The Northman, CinemaCon and more after the jump...

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Wednesday
Apr202022

What's a Vamp Gotta Do

by Jason Adams

It's been a lousy couple of weeks for Vampires and the people who love them -- first there was Morbius, full stop. Then there were those pretty iffy-looking photos from the upcoming AMC series adapting Anne Rice's Interview With the Vampire. And then this week the bloodsuckers we love to watch suck have taken two more great big hits...

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Monday
Dec202021

Yes No Maybe So: "The Northman"

The 2021 film year will stretch well into 2022 -- that happens with late Oscar ceremonies -- but we finally have a title we're really excited about to look forward to the month after the Oscars. Robert Eggers' viking drama The Northman starring Alexander Skarsgård hits theaters on April 22nd. Let's discuss the trailer with our Yes No Maybe So™ system...

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Tuesday
Aug252020

Horror Actressing: Anya Taylor-Joy in "The Witch"

by Jason Adams

There is model beauty, and then there is movie star beauty, and they overlap less than you'd imagine. The thing about movie stars is they've got faces that are interesting more than they are perfect, and once our interest has found them their so-called "imperfect" curiosities -- Michelle Pfeiffer's mouth, Daniel Day-Lewis' nose, to be all Age of Innocence example about it -- become in turn cache. Nobody was walking into a plastic surgeon's office asking for Michelle Pfeiffer's lips before 1982 but you can be sure there was a spike in such utterances once "Cool Rider" had come and gone.  

I begin with this to say I knew the second I saw Anya Taylor-Joy's eyes that a star was being born right in front of me. I might have actually missed several important details plot-wise watching Robert Egger's The Witch that first time in 2015, so lost was I in trying, and failing, to find footing astride those eyes' ginormous bedevilry. The film opens on them... perched as they're wont on the the two separate sides of her face, anime teardrops wandering in opposite directions. You wanna live deliciously you stare into those eyeballs for an hour and a half, that's my recipe.

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