Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Rebecca Hall (24)

Thursday
Jul282022

Review: Rebecca Hall's Hot Streak Continues in "Resurrection"

By Ben Miller

Featuring a dynamic lead performance from Rebecca Hall, Andrew Semans' new film Resurrection will be a little too out there for some. Those who get on the film's wavelength, though, will be greatly rewarded.

Resurrection follows an unmarried woman named Margaret (Hall) who has an enviable life: a great job, a happy home life with her daughter, and a comfortable but casual relationship with a co-worker.  But one day at a conference, Margaret notices someone who looks just like David (Tim Roth), a mysterious man from her past and she begins to unravel. It would be a shame to give any of the actual plot away, though, because of the unexpected diabolical directions the film takes. Let's just say that Margaret must confront her demons to protect her daughter from the horrors she has long suppressed...

Click to read more ...

Friday
May202022

Cannes Gowns, Round 4 (and 'Armageddon Time')

Previously: round 1, 2 and 3 

Anne Hathaway is in Cannes to attend the premiere of James Gray's memoir drama Armageddon Time. Juror Rebecca Hall and Cannes mainstay Bollywood superstar Aishwarya Rai also walked the red carpet. Sheila Atim, who you'll recall just won the Olivier Award, is having a very good year. She was this year's actress honorary at Chopard's annual Cannes ceremony which spotlights one male and one female star each year (Jack Lowden was the male winner this year). The four most recent actress winners were Anya Taylor-Joy (2017), Elizabeth Debicki (2018), Florence Pugh (2019), Jessie Buckley (2021) so that's very good company to be in. Atim is onscreens now in a small role in Doctor Strange in the Multiverse of Madness and supports Viola Davis later this year in The Woman King.  

Armageddon Time has received very warm reviews which might bode well for a James Gray movie finally being in Oscar competition (*might* because his films aren't as sentimental as this genre and Oscar voters like to embrace). The movie is based on Gray's memories of his 80s adolescence. THR says "Hathaway does her best work since Rachel Getting Married" as the mother and both Entertainment Weekly and IndieWire single out Anthony Hopkins as the grandfather mentioning his golden late career phase and that he continues "to mine raw honesty from the depths of human frailty". The Guardian though didn't much like it describing it as "slightly laborious and self-consciously acted

Wednesday
May182022

Cannes Gowns, Round 2

Round 1 if you missed it


The stars came out for the Opening Ceremony, Opening Film (Coupez! - read Elisa's review) and an Out of Competition Top Gun Maverick premiere.

 

Tuesday
Apr262022

Cannes Jury 2022: Vincent Lindon will preside.

by Nathaniel R

Vincent Lindon in Titane (2021)

Hot off his incredible work in Titane (2021), for which he received numerous accolades including a European Film Award nomination, Vincent Lindon will preside over this year's jury at the Cannes Film Festival. Lindon previously won Best Actor at Cannes for his role in The Measure of a Man (2015). The other members of the jury are...

Click to read more ...

Friday
Jan282022

Interview: Edu Grau on "Passing", queer cinema, and first time filmmakers

by Nathaniel R

Black and white photography has been the hot trend this past year. Despite that, the incredibly specific and resonant visuals of Passing have been underdiscussed.  Some of that we attribute to the quiet nature of the film itself; the watchful, perpetually anxious drama focuses on Irene (a splendid Tessa Thomson) a woman in 1920s Harlem who is shocked to discover that her childhood friend Clare (brilliant Ruth Negga) is living as a white woman, and not just "passing" but boastful about her subterfuge and marriage to a proud racist (Alexander Skarsgård).

We were thrilled to meet with the cinematographer Edu Grau to discuss his fascinating movie. We broke the ice talking about his changing name in film credits. With a self-deprecating laugh he explained that he went by Eduardo at the beginnign of his career because it sounded more serious but changed his mind. "Only the police use Eduardo," he says laughing "Everyone calls me Edu". There are a lot of Edwards and Eduardos in America, he adds, reasoning "Edu is more special!" The Film Experience agrees and suggests that people should commit the name to memory...

Click to read more ...