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Entries in Rebecca Hall (24)

Friday
Nov122021

Passing: Finding the Grey between Black and White

by Patrick Ball

In Rebecca Hall’s devastatingly delicate Passing, light plays a powerful role. One I haven't seen in many films before. The use and placement of natural and artificial light introduces and reintroduces us to the characters over and over. Depending on how the situation suits them, they bask in it, hide from it, are able to play up their ruses, daring us to look a little closer, or cling to shadows, to the safety of the shade. 

As many of us in America came to a new and widened understanding of the foundational race issues in our country following the deaths of George Floyd and Brianna Taylor last year, and the resulting national reckoning that came after, I spent a lot of time considering how my experience as an “ethnically ambiguous” mixed-race black person has shaped my perception of race, and of media. In Passing, Tessa Thompson’s Irene wryly remarks to a white acquaintance that “we all are passing for something or another, aren’t we?” And isn’t that at the heart of the imposter syndrome we all feel at a new job or opportunity, the shades of ourselves we put on in social gatherings, the walls we build to hide our flaws and insecurities? There is something universal in the facade...

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Thursday
Feb042021

Sundance: "Passing" review

by Jason Adams

I hope that after fifteen years of me writing on the internet you all will have an inkling of what a big deal it is for me to start a film review off with talk of Awards, a subject I normally pay very little attention to. Perhaps it's that this is my first Sundance -- I've heard people get exclamatory brains in these places, although it being virtual this year I don't have the excuse of the mountain's thin oxygen supply. But here's the deal -- if every single person involved with Rebecca Hall's directorial debut Passing isn't nominated for awards next season I'll eat my shoe. Hell I'll eat one of Ruth Negga's shoes, and they look complicated. Buckles and snaps. But seriously. Everybody gets an Oscar. Do they have Oscars for Craft Services? Give them an Oscar. They kept these geniuses fed well enough to make this beautiful, blessed film...

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Thursday
Jan212021

Supersized "Nomadland"... what will Searchlight do for a follow up?

by Nathaniel R

Click for the full illustrated new poster

The prolongued 2020 Oscar season is going to make 2021 weird, isn't it. Take Nomadland, for instance, which is just a smidge over HALFWAY through its long trek to Oscar night after its September bow). Hopefully the Biden Administration can figure out a way to speed up vaccine distribution and we can all get back to our favourite pasttime -- MOVIEGOING -- by summer 2021 when the new stuff starts arriving. Alas, that's too late to enjoy Nomadland on IMAX screens, beginning January 29th, which frankly sounds like heaven to us after watching it on a bad streaming link with a watermark across it.

Though Nomadland is not my #1 film of the year -- top ten list coming in a few days! -- there isn't a single film from 2020 that I'd rather see on the most gigantic screen possible. Joshua James Richards' cinematography and the beautifully aged resilient face of Frances McDormand deserve it.

After Nomadland's Oscar run, whether or not it wins the biggest prize in Hollywood, here's what Searchlight (now owned by Disney) will be releasing in 2021...

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Monday
Jul152019

Showbiz History: Ryan Phillipe's debut, Diane Kruger's next project, and the Luu brothers

7 random things that happened on this day (July 15th) in history as it relates to showbiz

1858 Emmeline Pankhurst is born in Manchester. She becomes a major and controversial leader in the suffragrette movement in the UK. She became so culturally famous that Glynis Johns even sang about her in the family musical Mary Poppins

Political equality and equal rights with men!
Take heart for Missus Pankhurst has been clapped in irons again! 🎵

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Friday
Mar152019

SXSW: Elle Fanning has "Teen Spirit"

Abe Fried-Tanzer reporting from SXSW

It feels like every other movie these days is directed by a famous actor. There are a handful of them at SXSW this year, including Olivia Wilde’s Booksmart (reviewed) and Logan Marshall-Green’s Adopt a Highway starring Ethan Hawke. Both of those make sense given the type of films those actors have starred in, which match up decently with what they have made behind the camera. Max Minghella’s Teen Spirit, on the other hand, is a less expected debut.

Minghella is probably most recognizable from his starring role as the kindhearted Nick on The Handmaid’s Tale, and he also had a memorable part in The Social Network, among other things. His father was the late Oscar-winning Anthony Minghella (The English Patient). That piece of trivia makes the subject of Max’s first film even stranger since it doesn’t track with that kind of serious prestigious filmmaking either...

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