Streaming Roulette April '22: Sweet Birds, Edgy Postcards, and Moon Knights

Bridgerton Season 2.

Are you watching Bridgerton Season 2? I'm trying to pace myself but I'm watching it too fast because I am eager for the extremely beautiful pair of Jonathan Bailey and Simone Ashley to consummate their love instead of just staring angrily at each other. I will never get over how widely accepted the trope of 'people who hate each other are obviously in love!' is in movies and television since it has no parallel in real life. I've never met a couple in real life who discovered their love because they aggravated and hated each other so much. Have any of you? 

Okay, time for this month's streaming roulette. You know the rules. We highlight new-to-streaming movies and an occasional TV series by freezing them on the scroll bar at entirely random places and just sharing what pops up. No cheating*!

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"Won and done." The curse of finally winning an Oscar

by Baby Clyde

I recently watched Susan Hayward all but demanding voters hand her the Best Actress Oscar in-movie during 1958's I Want To Live. It got me to thinking about her fellow Academy favourites, whose eventual triumphs were also their Oscar swan song.

If an actor who achieves multiple acting nominations is going to win it’s usually early on. It’s common to bag the statue and then spend the rest of your career chasing another. Bette Davis won on her first 2 attempts and then suffered 8 consecutive losses. Spencer Tracy won on attempts 2 and 3 and then spent the next 30 years and 6 nominations waiting for his name to be called again. Sometimes a veteran actor with multiple nods will finally get the prize and continue on in Oscar good books, like Paul Newman who won on nomination 7 and scored two more in following decades. But a surprisingly high amount of winners who have been made to wait find that their greatest triumph is also their last. 

If you win on your 5th nomination (or later) odds are high that you won't be invited back. Consider...

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Months of Meryl: An Epilogue

John and Matthew watched every single live-action film starring Meryl Streep. 

Meryl has been a superstar for 40 years now

MATTHEW: You never forget the performers who first reach out to you from an illuminated screen and lay claim to your gaze, mind, and devotion. Before I knew anything about the art of screen acting, I knew about the miraculous and almost mythic marvel that is Meryl Streep. Months of Meryl was an undertaking that exhausted and aggravated me without end: for every unparalleled Silkwood in Streep’s filmography, there are at least two The House of the Spirits; for every forgotten or underrecognized gem like The Seduction of Joe Tynan, One True Thing, or A Prairie Home Companion, there are at least three Still of the Nights, Primes, or Dark Matters. But, more importantly, this project illuminated a great deal about a veteran artist whose empathetic interest in the lives of others moved me at such an impressionable age and will never cease to do so.

Watching and writing about Streep’s films side by side by side for well over a year has not taught me a single overarching lesson, but only deepened my appreciation for her mastery...

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Months of Meryl: Postcards from the Edge (1990)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

 #17 —Suzanne Vale, a recovering drug addict and B-list actress of royal Hollywood pedigree.

MATTHEW: It has always been impossible to escape the metatextual associations of Carrie Fisher’s Postcards from the Edge, which really means it has always been impossible to escape the shared history of two artists: Fisher and her famous mother, Debbie Reynolds, a relationship that is the very bedrock of Fisher’s 1987 novel and Mike Nichols’ subsequent screen adaptation. To watch the latter now, in a world without Fisher or Reynolds, is an experience of unavoidable and indescribable bittersweetness. It helps, however, that Fisher confronted even the most harrowing episodes of her lifelong addiction with a sly, battle-ready smirk and a tart tongue, which always ensured that she — and she alone — would get the last word. On the screen, Postcards from the Edge remains a salty, joyous, yet tough-minded immersion within the rocky recovery of its Fisher-like heroine, Suzanne Vale, and a prickly heartwarmer that continually confuses our inclinations towards laughter or tears.

This is largely because of Fisher, whose hysterical one-liners are an art form unto themselves. Consider, for a moment, that such gems as “Do you always talk in bumper stickers?” and “Instant gratification takes too long” and “What am I supposed to do, go to a halfway house for wayward SAG actors?” are all spoken within the first 20 minutes of the movie, and there are plenty more where those came from...

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Beauty vs Beast: Monkey Business

Jason from MNPP here for another round of "Beauty vs Beast" - today is the 86th anniversary of the grand opening of the Empire State Building, aka the most famous building in the world. And so in its honor we're finally tackling the movie that not only birthed its legend but also gave this series its name...

"It was beauty killed the beast."

The Empire State Building was opened on May 1st 1931. President Hoover pushed a button in the White House in DC and the lights to the tower in NYC flicked on for the first time. Just under two years later the movie King Kong would be released (director Merian Cooper supposedly came up with the idea of the plane battle at its top), immediately branding the iconic skyscraper and its most famous big monkey occupant - and his little blonde friend (Fay Wray) - onto every human brain, and forever thereafter.

PREVIOUSLY Last week's contest faced down the mother-daughter duo of Postcards From the Edge and once again proved you should never bet against Meryl Streep - she stomped right over birthday gal Shirley MacLaine with 61% of your vote. Although forever1267 really summed up my own thoughts on the question:

"Where is the "Both" button?"