Gay Best Friend: Dolly Pelliker in "Silkwood" (1983)

 a series by Christopher James looking at the 'Gay Best Friend' trope 

This is a place for legends only.All roads lead to Cher.

Her second major drama role after Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean the year prior, Cher won accolades and an Oscar nomination for Silkwood. As Dolly Pelliker, Cher brought humanity, warmth and vulnerability to Mike Nichols’ whistleblower drama. On the surface, she reads as the template for the lovesick, sad lesbian lusting after her best friend. However, in stretching herself for the role, Cher brings added dimension to what could’ve been a thin side character...

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Comment Party: What's a movie that's famous but you (still) think vastly undervalued?

Just a question I've been thinking of today for no apparent reason. What's a movie you think is vastly underrated that also happens to be respected / famous? Usually respected and famous things aren't exactly "underappreciated", you know? I'll give you four examples off the top of my head that I would use to answer this question in that I think they're genuinely great movies, in addition to being whatever else they happen to be. 

• Bob & Carol & Ted & Alice (Paul Mazursky, 1969)
• Silkwood (Mike Nichols, 1983)
• Marie Antoinette (Sofia Coppola, 2006)
• Magic Mike (Steven Sodebergh, 2012)

What's your answer? 

What should have been Meryl's third?

by Cláudio Alves

Daniel Day-Lewis may be the best triple Oscar winner among actors, but that doesn't mean he's the best performer of the bunch. It just means that he's had the luck of getting awards for his very best efforts. Historically, if we can count on the Academy for something it is to award the right people for the wrong movies. That started early -- Katharine Hepburn won her first Oscar for Morning Glory in the same year she was eligible for George Cukor's Little Women?

In any case, neither Hepburn or Day-Lewis are the subjects of this piece. That would be Meryl Streep, the most nominated actor ever and proud winner of three Oscars. Her first two victories, for Kramer vs Kramer and Sophie's Choice, are usually considered among the best in their respective categories, but the same can't be said for her third triumph...

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Months of Meryl: An Epilogue

John and Matthew watched every single live-action film starring Meryl Streep. 

Meryl has been a superstar for 40 years now

MATTHEW: You never forget the performers who first reach out to you from an illuminated screen and lay claim to your gaze, mind, and devotion. Before I knew anything about the art of screen acting, I knew about the miraculous and almost mythic marvel that is Meryl Streep. Months of Meryl was an undertaking that exhausted and aggravated me without end: for every unparalleled Silkwood in Streep’s filmography, there are at least two The House of the Spirits; for every forgotten or underrecognized gem like The Seduction of Joe Tynan, One True Thing, or A Prairie Home Companion, there are at least three Still of the Nights, Primes, or Dark Matters. But, more importantly, this project illuminated a great deal about a veteran artist whose empathetic interest in the lives of others moved me at such an impressionable age and will never cease to do so.

Watching and writing about Streep’s films side by side by side for well over a year has not taught me a single overarching lesson, but only deepened my appreciation for her mastery...

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Months of Meryl: Silkwood (1983)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#9 — Karen Silkwood, a real-life chemical technician turned labor union activist and whistleblower.

“Karen Silkwood has come to stand for so many things to so many people that I had to start all over again in trying to play her as a person, not a symbol. I really don't think we can know much about people after they're not there to tell us. All their real, real secrets die with them. At the end of this whole experience of making this movie, I thought about those minutes before Karen's car went off the road, and I missed her.”
— Meryl Streep, 1983

MATTHEW: Meryl Streep appears in every scene and what feels like nearly every shot of Silkwood, which marked the first but certainly not the last time that the actress would play a real person. Streep’s career was technically still in its early stages when Silkwood’s cameras began rolling in Texas in 1982, but it was already replete with shelves of awards and a peerless level of respectability that prompted co-star Cher to crack this gem about first meeting Streep: “I thought it was going to be like having an audience with the Pope” 

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