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Entries in Reese Witherspoon (88)

Thursday
Nov202014

94 Days Til Oscar. Reese Strayed.

94! That's how many days it took Cheryl Strayed to hike the P.C.T. as dramatized beautifully in Wild (opening December 5th). So if you'd like to pretend that Reese is going to win her second Best Actress prize you can view the next 94 days as her red carpet hike stroll to the podium.

Dear Reese,

Loved you lots in this movie. My mind flashed back to your Election and Legally Blonde heyday, not from content -- duh! -- but from quality. Please make more movies this good. XOXO,

       ♥  Nathaniel 

Sunday
Nov162014

A Multitude of Links

Some of these links (which I collect until I have a moment to share) are a few days old and some are brand new. But it's time to clear out the cache!

We Are Movie Geeks recounts highlights of AFI and the fest winners including Ukraine's The Tribe and the Olympic documentary about Russia's Red Army hockey team which has major Oscar dreams and might achieve them since it's quite entertaining!
Pajiba a fun look at Jessica Chastain's career before she broke out in movies: L&O and E.R. and so on
Vulture interviews Bill Irwin, one of our favorites, on his work as "Tars" in Interstellar 
In Contention moderates a SAG Q & A for The Grand Budapest Hotel. I've been meaning to watch that one again 


Dissolve First look at Bryan Cranston as Trumbo in the 2015 feature. (Sad that there's not much in the way of costume here because I had lunch with the designer Daniel Orlandi when I was in LA. Will this HBO blacklist drama be up for Emmys in 2015? What'cha think?)
Interview Magazine Stanley Tucci interviews his pal Patricia Clarkson, looking better than ever 
In Contention Stephen Hawking weighs in on Eddie Redmayne's performance of him in The Theory of Everything
Speakeasy Finn Wittrock on his breakout year via American Horror Story 

Friends & Collaborators of TFE
The Atlantic Joe thinks the Oscar race for Animated Feature is between Big Hero 6 and The LEGO Movie. I disagree. Has everyone noticed how hard Dragon 2 is pushing? 
Antagony & Ecstacy Tim discovers Gloria (remember how wild I was about that one last year?) 
My New Plaid Pants Jason has a great (mixed) take on A Most Violent Year 

 

Must Reads
LA Times great piece on how social media has affected awards season
Grantland Wesley Morris pays homage to America's Bitter-Sweetheart Reese Witherspoon (Wild).
AV Club An instant classic article on "fake deaths and cheap resurrections" in entertainment. This is a month old piece which maybe I've shared before (?) but if you haven't read it you simply must. I can't get over it. This has long been something I've struggled with in movies and TV and it's beautifully put to words here by William Hughes.
Slate interesting essay about the decline of the serial killer in real life and its 'golden age' (blech!) in film and television  

Today's Watch
Got an hour? Here's Bennett Miller giving a "Master Class" talk on directing to promote Foxcatcher. This is from the NYFF but it's just available now in its full form.

 

Finally...
You may be wondering why I didn't watch, tweet, or blog about The Hollywood Film Awards. 

It isn't a competition so much as a publicity arrangement.

Let's just say I agree with Sasha Stone's quote about it (<--- and look, I finally met her in L.A. after 10+ years of knowing each other online!). Since that is true, and since it's a fake awards show and we already have enough of real ones, why give it any space? If you need further evidence of how disinterested people are read these bitchy quotes from Tim Gray's article in Variety

Sunday
Nov092014

Red Carpet: Governors Award Fashions... Let the Campaigns Begin

Jose here. As Nathaniel noted, the Governors Awards were held last night in Hollywood (yay Maureen O’Hara!). As usual they were pretty much a rehearsal dinner for the Oscars next year. While their red carpet is more subdued than Oscar’s - they’re there to pay tribute to legendary honorees, not to steal their thunder - there were a few exceptions to the rule. After all, if you want people to vote for you, you gotta make sure they remember you.

Let's take a look at what 16 of the Oscar hopefuls wore. What might it mean in the larger scheme of things?

 

Emily Blunt has worn this exact same thing to at least 10 other award ceremonies, color variations aside. Don't get me wrong, she's stunning etc. etc. etc. but will it help The Baker's Wife's Oscar cause, to look so every-year Blunt? The under-nominated actress should start experimenting and leave her go-to silhouette behind - wear a massive ball gown that tells people...

you've changed! you're daring! You're different in the woods!  ♪ ♫

Reese Witherspoon, too, looks the same, except it works to her favor. She's paying homage to Elle Woods, reminding voters how funny and cute she was in Legally Blonde, and how complex and dark she is in Wild by contrast. I rest my case.


Now two Best Actress dark horses, Gugu Mbatha-Raw has been in our minds all year long with her breakthrough performance in the sleeper box office hit Belle, and as she prepares to do the publicity rounds for Beyond the Lights it was delightful to see her attend. Perennial nominations-bridesmaid Marion Cotillard showed up with the Dardennes to remind people how terrific she is in Two Days, One Night, while I'm not particularly in love with her Dior dress (pretty much an altered version of what J.Law wore at the Oscars this year) I hope she talked to everyone at that party (it was 600 people) to convince them to vote for her.

 In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at this year's ceremony. I hope that helps her cause! Jessica Chastain was there too, as she always is nowadays and rightfully so, and of course she was campaigning for her three or four scenes in Interstellar because it's November and she has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick...I seriously don't.

In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at the Oscars. Will it help her campaign subliminally? Jessica Chastain was there too - where isn't she nowadays? -- and of course she was campaigning for her three or four scenes in Interstellar because it's November and she [ahem] has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick with Oscar Isaac in which she's giving us Michelle Pfeiffer in Scarface ...I seriously don't.

 Literally, every single person involved in Boyhood was there. All. Of. Them. Look!

Moving on...

If there was such a thing as prom king and queen of awards season red carpet, this year would continue to be a popularity contest by way of The Imitation Game vs. The Theory of Everything. (Cumberbatch may have won round 1 in Toronto but round 2 on the early campaign trail has gone to Redmayne.) Just look at how cute they all are! Will people who vote for Eddie Redmayne feel like they must vote for Felicity Jones too? Can Benedict Cumberbatch win without Keira Knightley? For now, all I can say is that not since Kate & Leo have I wanted two screen couples to get married like I want these Brits to do.

 All of these handsome men below are potential Best Actor spoilers, and all of them seem to have shown up primarily to remind voters "hey, we clean up nice too!" since none of them play particularly glamorous characters. I'm especially bowled over by Oscar Isaac's bold brown tux with Clark Gable mischievous mustache accessory. Which one is making you swoon?

About that not-stealing-honorary-thunder business...

When does Tilda Swinton not steal everyone else's thunder? At first it seems strange she was even there until you remember "Remember that weird lady in Snowpiercer !" She undoubtedly has to remind people many times that that was her, which makes her instantly praise worthy. From frumpy to avant garde, now that's how you get votes. Similarly David Oyelowo showed up in one of the only tuxes worth talking about. 

Which of these dazzling stars will we be seeing in every red carpet from now until Oscar? What were some of your favorite looks?

Wednesday
Sep172014

157 days 'til Oscar

We're still five months and a few days away from Oscar night so is it possible that things are starting to lock up? Ehhhh yes but mostly no. Every year all over the web casual movie fans and awards nuts like to start shouting LOCK as early as May for various things (usually centered around something becoming a massive hit or winning something at Cannes). But that's not really how it works. So here we are in September. A lot can happen in the last three and a half months of the calendar year leading up to the nominations. We've still got a long way to go and, conceivably, brilliant or lazy campaigns and smart or clumsy moves and release date shifts can still change everything... even if things are looking terribly good or just dismal for whomever or whatever. While I don't technically like to call anything or anyone a lock before it's actually opened (and thus eligible) the closest thing we have within the four acting categories are two, both in lead races: Reese Witherspoon (Wild) and Eddie Redmayne (The Theory of Everything). They have all the ingredients you could want in a lead push -- the right release dates, the right kinds of roles with the right kinds of hooks, the right level of quality in the actual acting, the right early critical response, the right time in their careers, and a release strategy already carefully mapped out by the right studio. 

There are other "likely!" contenders at the moment of course (Still Julianne, holla / Imitation of Benedict: The People's Choice) but I'd argue that Reese & Eddie are the closest to securing nominations.

And I'd argue that the Supporting Actress category is the most volatile where no one is particularly close It's easy to imagine my current predicted lineup being exactly right but it's almost as easy to imagine not one of the five of them making it if the films that still haven't screened or those that could yet gather more power or lose it, happen to shake up this category. Nobody is remotely safe yet. People like to claim that Patricia Arquette is a done deal for Boyhood and though I hope so I don't think so. We're still four months from nominations and pictures praised for being directorial visions are often where you end up with weird blindspots when it comes to the acting branch. 

MAJOR UPDATES, MOVEMENT, NEW PLAYERS ON ALL FOUR ACTING CHARTS

ALSO UPDATED

Who or what do you think locks up next?

Friday
Sep122014

TIFF: Wild, Or How Witherspoon Got Her Groove Back

Nathaniel's adventures in Toronto. Running on fumes... 

Color me surprised that my favorite among the consensus Best Picture hopeful Oscar launches from festival season (the others being Foxcatcher, Imitation Game and Theory of Everything... though I have yet to see Birdman which didn't play here) is Jean-Marc Vallée's Wild, an adaptation of the memoir by Cheryl Strayed. How could a months long solo hike across the Pacific Crest Trail be so cinematic? The answer is in its smart mosaic, visual and aural, as Reese hikes through expansive physical and intimate mental terrain. The present and the past converse and overlap consistently in the sound design like fragments of song sung, hummed or played as if remembered - who is singing? and snippets of dialogue the same evocative way. 

There's not much to say about the plot, the film's most recent kin being Into the Wild though Wild is the stronger film. Reese Witherspoon reminds us why we were all so excited about her in the first place with effortless star magnetism. She doesn't turn on any megawatt charm or do anything strenuous at all with it other than trust that innate cinematic charisma to walk with her on the trail as film-elevating protective gear. That's gear Cheryl needs because those boots aren't made for walking and good god she's got a lot of baggage, both literal (her comically large backpack) and metaphoric, having let herself completely spiral towards a personal abyss with the death of her mother.

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