Review: The Last Vermeer

By Abe Friedtanzer

I know that 2020 has felt like an eternity for a number of reasons, but how is it possible that this never-ending year has given us not one but two lackluster movies about art starring Claes Bang?

The Burnt Orange Heresy, about an art critic and a reclusive painter, was released in theaters by Sony Pictures Classics right before the pandemic hit and then rereleased in August since it barely had any time to make an impression (not that the experience of seeing it does that either). Now, Bang is back as a Dutch Jew investigating the actions of an eccentric artist accused of collaborating with the Nazis in the immediate aftermath of World War II in The Last Vermeer…

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Review: Sarah Paulson in Hulu’s "Run"

By Abe Friedtanzer

Is there any project that wouldn’t be able to write in a great part for Sarah Paulson? The Emmy-winning actress is a frequent Ryan Murphy collaborator, most recently working with him in the title role of Netflix’s Ratched, which finds a role almost tailor-made for her as a passionate nurse with subversive aims and a formidable will to achieve them. She was also very memorable as one of the few fictional characters in Mrs. America, a stoic supporter of conservative activist Phyllis Schlafly who undergoes a fascinating transformation over the course of the limited series. Now, she’s back on streaming in the Hulu movie Run, a tense thriller not to be confused with HBO’s recent dark comedy effort.

Paulson stars as Diane, a woman who is devastated to learn upon giving birth that her daughter is afflicted with a number of conditions that will make her life very difficult...

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Streaming Review: "A Teacher" on FX/Hulu

by Christopher James

A Teacher is an odd little show. Hannah Fidell’s adaptation of her 2013 feature once again explores an illicit relationship between a female teacher and her male high school student. The miniseries sometimes feels like an Adrian Lyne movie by way of a 2013 indie film. It’s both muted and salacious. This makes for an odd viewing experience, given the subject matter. However, at less than 30 minutes a pop, A Teacher is still a quick and satisfying binge.

Kate Mara plays Claire, a thirtysomething English teacher in Austin, Texas. Her home life feels incredibly familiar. She has a nice, if distant, husband (Ashley Zukerman), a lovely suburban home and is in the process of trying to start a family. Still, there’s something in Claire that chafes against this life she’s built for herself. When she reads Dylan Thomas’ poem “Race against the dying of the light” to her senior AP English students, she captures the eye of Eric (Nick Robinson), a golden boy senior.

It all begins seemingly innocent enough...

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Review: Jungleland

By Abe Friedtanzer

There is a certain general structure that can be expected in films about fighters. A boxer or wrestler will be driven to succeed through sheer strength and commitment to their craft, and will usually have a firm supporter in their corner egging them on and ensuring that they don’t falter. Inevitably, an injury or some outside factor will threaten their physical ability, and that will be precisely the moment that everything is riding on their performance, including a large sum of money that will make or break their future. If that’s essentially the narrative framework, the richness of the characters and the performances is what’s needed to differentiate a specific film from the pack.

Let’s take a look at a new theatrical and VOD release, Jungleland…

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Borat's return in "Subsequent Moviefilm"

by Eric Blume

Borat Subsequent Moviefilm, the sequel to Sacha Baron Cohen's 2006 smash hit, has arrived on Amazon, and just within the first days of its arrival, the film has the country buzzing on whether or not Rudy Guiliani thought he was going to get laid by a teenager, plus registered a hateful tweet from Trump (and a hilarious comeback from Cohen to Trump).  When is the last time a movie provoked that kind of high-level anxiety?

The original Borat movie was revelatory at the time, an extension of the mockumentary style we'd seen since the Spinal Tap days, but roping in the clueless general populace to create a brutal takedown on American stupidity, racism, and sexism.  But the approach from the Borat creative team felt fresh...

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