West Side Story... is forever.

by Nathaniel R

Rita Moreno, still sensational at 88 years young.It occurred to us last week while looking at photos from Steven Spielberg's 2020 remake of West Side Story that a huge swath of the original cast members from the 1961 Best Picture winner are still with us today. It's not just the legendary trailblazer Rita Moreno though she's the liveliest of the bunch despite being the oldest at a spritely 88. 

So after the jump all the surviving cast members!

We honor their contributions to an indelible piece of film history even though there are a great many of them that didn't say in movies thereafter. Anyway, thiis is us doing our small part to suggest and hope that they get a bit of attention when the new iteration of the greatest musical ever written arrives. Invite them to the December premiere at least, Spielberg, won'tcha?

Here they are...

Character names in white = the actor is still with us today

THE JETS

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West Side Story, Pt 3: Tonight Won't Be Just Any Night

Occassionally Team Experience passes a movie around amongst the team for a retrospective. This month's installment is West Side Story (1961), one of the most popular films of all time and winner of 10 Oscars.

Part One - by Lynn Lee
Part Two -by Eric Blume

Part 3 by Nathaniel R

Growing up I watched West Side Story as often as I could. It was surely my most formative film though as a kid I didn't really know the hows and whys of movies, only how they made me feel. Some movies were good for laughing, others for crying, and a lot of them just to get caught up in adventures and stories. West Side Story was, no, IS, all the things a movie could be in one massive tuneful package. I devoured it every chance I got as a kid. 

When Eric left us in Part Two Maria and Tony had just symbolically wed, lit by heavenly golden light, as they finished singing "One Hand, One Heart". A soft, reverent hush fell over the scene as the lovers kissed and the music faded. Then an abrupt cut to:

01:34:59  This impossibly bold red sky. It's a hard image with a blaring aggressive music cue signalling a major shift within the movie.  From here on out: tragedy. The juxtaposition of the wedding with this image, remains to this day, one of the most violent cuts I've ever seen in a movie. Red is the only choice for it. The camera then swoops down to street level as the Jets begin to sing "Tonight"...

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