The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Tie a yellow ribbon round the ol' Oscar ceremony this year. There are a lot of "welcome back" nominations at the 92nd Academy Awards since the nominations skewed towards senior actors as it occassionally does. Seven previous winners are in play again -- Bates, Theron, Zellweger, Pacino, Pesci, Hanks, and Sir Anthony Hopkins... all of whom have been missing in Oscar action anywhere from 15 to 29 years! Surprisingly none of them are close to the all time record for “longest gap between nominations”.
Still, two decades is a big long stretch of time since most actors of either gender have all of their Oscar activity in a relatively condensed period of time; when you’re hot, you’re hot. Gaps over 20 years are uncommon. Even Lee Grant and Ingrid Bergman, famously blacklisted or exiled for a spell before returning triumphantly to Oscar’s good graces, didn’t have to wait that long. So herewith a list of the only actors who returned to the mix after a 20 year absence.
The 25 Longest Gaps Between Oscar Nominations (for Actors)
Right now we... no, always, we really like her. So to does the Kennedy Center Honors, which has selected the two-time Oscar winner and three-time Emmy winner as one of their five recipients of the prestigious honor for contribution to the American arts. In addition to Sally Field, this year's star-studded December gala will honor the R&B band Earth Wind & Fire, the program Sesame Street, the conductor/composer Michael Tilson Thomas, and singer Linda Rondstadt (who is having a very big year because an Oscar-hopeful doc about her The Sound of My Voiceis also revving up for release). We tend to forget who the Kennedy Center has honored and who they haven't yet, so after the jump a list of all famous actors or director recipients to date...
Pajiba gird your loins - Dan Stevens is in everything Tracking Board Diane Keaton, Jane Fonda, and Candice Bergen to co-star in a comedy about a book club reading 50 Shades of Grey? This could be awesome or terrible...or both. Whichever way it turns out, we're there! Coming Soon Focus has acquired the new Jason Reitman / Charlize Theron collaboration Tully but we'll have to remove it from the Oscar charts. It's not coming until Spring 2018 now
AV Club NBC greenlights its first two series of the new year, one of them that used to be called Drama High (and sounds like it has potential) is now called Rise. Why does Hollywood love to go from specific to generic titles? Are their studies that show that generic titles do better or is it fear of specificity? /Film the first cast photo of Marvel's The Inhumans has been released and boy is it underwhelming. I've always loved Medusa but you really shouldn't be able to tell that it's such an obvious and stiff looking wig since the character is so tied up in her hair! I mean, couldn't they have gotten RuPaul's wig designers to do it if they wanted something both outlandish and real looking?
Tony Season Theater Mania hoping to dominate the original play Tonys next year, Harry Potter and the Cursed Child has announced an opening for the tail end of eligibility in 2018 Playbill did you know that Audrey Hepburn won her Tony Award the same WEEK as her Oscar? Isn't that crazy? She won the Oscar for Roman Holiday on March 25th, 1954 and then the Tony for Ondine on March 28th! DeadlineAmélie, a New Musical, based on the Oscar nominated French classic, is the first casualty of the Tony nominations, announcing its Broadway closing date for May 21st after a short run and zero nominations. Broadway World Despite a disappointing Tony showing (2 nominations) Anastasia, based on the 90s animated movie musical,announces a world tour. It helps to have that known "brand" going in. (Charlie and the Chocolate Factory, which was savaged by critics and received zero Tony nominations, is still doing well and the box office and is already working on the tour) THR Tony nominee anecdotes including Laurie Metcalf on the proposed Roseanna revival and Sally Field discussing the release she felt when she found her calling as a young girl:
It isn't something that I just decided one day or backed into it one day. I found a stage when I was 12 when I was lucky enough to be in a school that still had a theater arts department. And something inside of me changed, woke up, I could hear my own voice for the first time when I was onstage, and then when I would get offstage I had to be all the things that little girls in the '50s had to be, and all of that went back in the box. But when I got onstage I could be all the things I wasn't allowed to be anywhere else, so I could hear my own self.
Love ya Sally!
Exit Video Got 18 minutes? That might seem like a lot but this video essay really is compelling. It names a sci-fi fantasy trope that I haven't personally seen named before but which is as familiar as they come. He calls it "Born Sexy Yesterday" and it's all about the way genre fiction infantilizes women so that men are their natural superior.
At the very least it will make you rethink mermaid and sexy android movies, The Fifth Element and Splash a little bit.
As we do, we've frozen random new to Amazon Prime titles and grabbed the first screengrab that popped up. Though they're leaning heavily on 1990s titles at the moment, their quality of offerings is far outpacing whatever B pictures Netflix has been licensing of late. Comment Party: Which will you be watching and which of the "new" streaming titles would you most want to read a write-up on this month? I'll obey your consensus command.
Okay on to the random screengrabs.
Every morning the ground is soaked with blood. The workers believe I brought this terror since it didn't begin until my arrival. Whatever I try they seem to know. All the deaths are on me.
The Ghost and the Darkness (1996) Yes, yes, great Vilmos Zsigmond cinematography, a sound Oscar, and killer lions and but on a scale of 1-100 how kissable were Val Kilmer's lips in his prime? My vote: 118.
[no dialogue]
Sliver (1993) Remember when wealthy perv Billy Baldwin was spying on all his tenants including sexy Sharon Stone who caught on to him? The 90s were THE decade for erotic thrillers, which have gone completely out of fashion, just like romantic comedies.
It's not uncommon for theatrical "reinventions" to take place nowadays. Ivo van Howe has made it into a cottage industry of sorts, creating an intimate, visceral A View From the Bridge and a raw, elemental The Crucible in recent years. Sam Gold is of the same cloth. He made his name with an audacious revival of Look Back in Anger at the Roudabout in 2012, won the Tony in 2015 for his sensitive in-the-round staging of the musical Fun Home, and most recently directed a searing Othello with David Oyelowo and Daniel Craig off Broadway at the New York Theater Workshop.
But all those pieces benefit from a stripped back, in-some-cases radical rethinking. Tennessee Williams's memory play is a much more delicate thing, announcing as narrator Tom Wingfield does right at the start that this is a subjective work of art, a piece of memory that may or may not represent what actually happened. Productions of it generally take after the play's quietest character, the "crippled" Laura - they are generally fragile, gossamer things, as light and airy as a thought or memory hanging in the air in front of us...
Wednesday, January 15, 2020 at 10:00PM 
