The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Wednesday, May 2, 2018 at 11:15AM 
Amuse us with a line of dialogue or a caption for this first image of Uma Thurman with Matt Dillon in serial killer film The House That Jack Built. A new poster and Cannes news after the jump...
Sunday, March 11, 2018 at 3:44PM by Jorge Molina
Because of the backwards narrative style, the entire second season of American Crime Story has been one big origin story for Andrew Cunanan, his relationships, and the motives that eventually led to his string of murders. The seventh episode, titled “Ascent”, was the episode that we’ve been leading up to all along to fully get a changing point in Andrew’s life.
Last week’s episode (titled “Descent”, in parallels that were evident throughout) was about Andrew losing everything he built for himself. This week we get a peek into how he started putting it together...
Friday, February 9, 2018 at 3:59PM by Jorge Molina
The greatest strength of the second season of American Crime Story has become the amount of care, attention, and empathy devoted to Andrew’s other victims. For the second week in a row, the show steps away from the titular Versace case to tell a self-contained story about the humanity of one of them. This week we focus on David Madson, a boy that Andrew was infatuated with...
Wednesday, October 25, 2017 at 11:00PM by Nathaniel R
Continuing our look at Mindhunter. Let's discuss the middle bulk of the first season, shall we?
How would most men feel if they were being intimate with a woman and they sensed that she wasn't enjoying herself... [no response] Come on, be scientists.
Sunday, October 22, 2017 at 10:00AM by Eric Blume
There aren’t words in the English language which can adequately describe how terrible The Snowman is. Talented director Tomas Alfredson (Let the Right One In and Tinker, Tailor, Soldier, Spy) has let the press know that “10-15% of the screenplay” was never shot during principal photography, which certainly explains why nothing in the movie makes a shred of sense.
The film might be about a detective (Michael Fassbender) who is partnering but not partnering with another detective (Rebecca Ferguson) to track someone who may or may not be a serial killer, the identity of whom may or may not be traced back to a prologue which is undeniably heavy-handed and portentous...
