Oscar Predictions, 1st Round: Best Animated Feature

by Nathaniel R

It's time to begin the annual April Foolish Predictions debacle. We say debacle and we call them "Foolish" not just as a pun on April Fools (even though yes, the bulk of these will be in May - shut up!) but because we know so little about the year's contenders this early in the year. After the jump the list of animated pictures that might be in play and the possibility that the two female breakouts from 2021's West Side Story may go head-to-head in this category as musical protagonists... 

THE CHART IF YOU WANNA SEE IT. BUT HERE IS MORE INFO...

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Spellbound @ 75 and the cinema of Salvador Dalí

by Cláudio Alves

Alfred Hitchcock's third and final film for producer David O. Selznick was released 75 years ago. During a time when psychoanalysis was gaining popularity and notoriety, Hollywood was quick to cash in on the phenomenon. They created psychobabble Pablum like Spellbound and its view on dreams are both too literal and ephemeral. It's a message picture in the costume of a radical polemic, devoid of authentic psychic unrest even though Selznick brought his own therapist to act as an advisor. All in all, it's rather mediocre with some blindingly bright highlights... 

For starters, this was Hitch's first collaboration with Ingrid Bergman, a partnership that would bear majestic fruit one year later with Notorious. She's not nearly as good in Spellbound, but there's an interesting tension between her and a profoundly miscast Gregory Peck. The two even had an affair on the set of the movie. Then, we have the score by Miklós Rózsa, an experiment in the use of Theremin for soundtracks that proved influential on the development of horror movie sonority. Finally, one can't talk about Spellbound without mentioning the surrealist sequence in the middle of its runtime. It was devised by none other than Salvador Dalí…

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