Almost There: Julianne Moore in "A Single Man"

by Cláudio Alves

As part of its efforts to spotlight American independent cinema, the Criterion Channel is now streaming A Single Man, that 2009 Christopher Isherwood adaptation that saw Tom Ford step away from the fashion atelier and into the film set. Terminally stylish, the picture proposes a study on grief that appears deadened itself. Stretch your senses and you'll feel the cold of cadaver skin buried under powders meant to give back the blush of life. And as much as your nose might search for rot, that stench has been suppressed. Instead, one inhales the aroma of mortuary makeup, the nostril-burning cleanness of embalming fluid, the floral notes from perfumed tissue paper stuffed inside the cheeks to fill them out, gift-like. It's all fake, yet its splendor can't be denied. 

Within this extended perfume commercial, a couple of performances shine bright. There's Colin Firth's Oscar-nominated turn as a suicidal gay man in the early 60s, while Julianne Moore plays his devoted friend, Charlotte – Charley for short…

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Review: "Fancy Dance" is a showcase for Lily Gladstone

by Cláudio Alves

Four years ago, Erica Tremblay's Little Chief provided a fascinating sketch in little more than ten minutes. Through smart writing and direction, not to mention Lily Gladstone's performance in the lead, the short conveys a complex sociopolitical milieu while also insinuating a whole lot about its characters' situation. Their lives stretch beyond the narrative frame, and we can grasp them even if their particularities elude the viewer. As a cineaste's calling card, Little Chief is a tremendous little thing, far from innovative yet promising great features in its maker's future. And so it is, and so has happened, with Fancy Dance fulfilling that pledge.

Not that this feature debut is exclusively a proof of Tremblay's potential. It's much more, including one hell of a showcase for Lily Gladstone...

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Celebrate Dev Patel with "Monkey Man"

by Cláudio Alves

Happy birthday, Dev Patel!

The erstwhile Skins actor turned hottest living Oscar nominee is 34 years old today and, as if to commemorate the occasion, Monkey Man just became available on PVOD. The India-set action movie is Patel's feature directorial debut, though he's more than just the guy calling the shots from the director's chair. The multi-hyphenated artist also produced and wrote the revenge flick. Oh, and he stars in it, too, doing most of his stunts, which resulted in a broken hand on the first days of shooting. Overall, it was a challenging project to bring to fruition, made more so when Netflix dropped Monkey Man in response to its political content. Thankfully, Jordan Peele came to the rescue, guaranteeing the film a theatrical release that, if nothing else, confirmed Dev Patel's promise as a bonafide movie star…

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Natalie Portman: Queen of Artifice

by Cláudio Alves

Some actors thrive through mimesis, reaching for realism when performing. In cinema, they bring the actuality of everyday life to the screen, psychology and material terms. Or they replicate others like straight mirrors. Since midcentury developments, that approximation of off-screen life has been standardized into what most recognize as "good acting." It's the mainstream, the rule, the de facto way of doing things. But is it the only way? I would think not and have grown to appreciate those who step outside those lines, whether deliberately, through their director's influence, or by mere accident.

When done right, embracing fakery may feel more honest and insightful than the attempt to copy - realer than real, truer than truth. All this to say, I love Natalie Portman at her most artificial and absurd…

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Audra, please make more movies

by Cláudio Alves

With Rustin now on Netflix, cinephiles worldwide can enjoy one of the season's top Best Actor contenders. However, one shouldn't presume there's no more to George C. Wolfe's picture than Colman Domingo's spirited turn. Indeed, there's a vast pool of brilliant Black actors around him, breathing life into civil rights icons left and right. Among them, Broadway's First Lady and Tony champion Supreme stands out, the one and only Audra McDonald as Ella Baker. She's only in a couple of scenes but leaves a lasting impression, embodying strength and conveying a rich history between the activists that goes beyond the narrative's limited scope.

As of late, that's McDonald's big screen specialty, serving excellence for a scene or two, and then – poof – she's gone. Just look at her other 2023 movies…

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