Stream This: Mustang, The Big Short, Hello Dolly, The Painted Veil

In the effort to stay au courant we're going to try to do "new to streaming" weekly, alternating between Netflix and Amazon Prime sometimes, big lists, sometimes highlights. This will also give us a chance to link to previous coverage of the old films that are "new" again via the power of the internet. But first a last chance notice...

Last Chance Netflix (Expires July 16th)

-Y'all were watching I take it. Did you see us fight?
-No.
-Trap." 

Serenity
I've been curious to watch Serenity (and Firefly for that matter) again to see if you can easily chart Joss Whedon's growth from self-created warm-up to Studio-hire mega-success in The Avengers. He was always good at selling team dynamics, though. That was clear from the earliest episodes of Buffy. We previously covered Serenity in Season 3 of Hit Me With Your Best Shot. I miss Whedon as TV creator on his own urges -- Agents of SHIELD just did not do it for me.

New to Netflix
We've freeze framed nine more titles totally at random to share whatever popped up for your amusement. Here we go...

-Lot of smug looking people here.

- It's like someone hit a piñata filled with white people who suck at golf."

The Big Short (2015)
Remember when this was suddenly a major Oscar player last season. That took me off guard even though I was at the actual premiere. It won Adapted Screenplay at the Oscars. Serious films with funny memorable lines are often popular in those categories.

I've decided to join the human race again.

Hello, Dolly! (1969)
Babs. Babs. You're really overworking this monologue...

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Streaming: J Edgar Drinking Games & Elizabeth's Golden Foreshadowing

Do you purchase or rent DVDs movies anymore or just wait for streaming -- however long that takes? If you do the following titles have emerged in the past week on Blu-Ray or DVD: The Finest Hours in which Chris Pine gets a man vs. ocean movie cuz Chris Hemsworth got one;  Gods of Egypt which is terrible but in so-bad-it's-great way; How to Be Single which is better than you'd think but way overstuffed but you should probably see it for another great performance variation on "the boyfriend" by Jake Lacy (he's got that market covered but he's so good at it with no two characters feeling like the same guy); Pride & Prejudice & Zombies which is fun for what it is if nothing more; also new are Race, Risen, Triple 9, and Zoolander 2. 

But on to the fun part, New to Streaming. Because, to quote the one and only Carrie Fisher:

Instant gratication takes too long.

Let's do our fun little freeze frame game on new streaming titles. The following films were frozen on one image completely at random to see what showed up. They're all new on either Netflix of Amazon Prime. Ready? Let's play!

J Edgar (2011) on Netflix

Charles Lindbergh. Lindbergh's baby has been kidnapped.

A fun drinking came while streaming J Edgar in five easy steps
1. Take a drink every time you wish Clint Eastwood wasn't terrified of color
2. Take a drink every time you wish Tom Stern would throw a damn light on the set for once
3. Take a drink every time you see bad old age makeup in closeup
4. Take a drink every time you're glad AMPAS dodged a bullet on this one and it's not part of Oscar history
5. Die of alcohol poisoning. 

Six Degrees of Separation (1993)

You said when artists dream they dream of money.
...I must be such an artist.

Love this movie. Stockard Channing was just sensational in it. (And what a great Best Actress year 1993 was)

Elizabeth: The Golden Age (2007) and more after the jump...

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20 Years of TV History

what TVs looked like in the 90s (history of sets here)Here's a must read for the day. Over at HitFix, Alan Sepinwall has reached his 20th anniversary as a TV journalist/critic . It's a fascinating piece on 20 years of writing about TV and how much has changed in that medium since 1996. It's a fun history and nostalgia ride, particularly if you're interested in serialized TV (the best assett of TV but it took decades for TV to get there). I love most of the article and I'll save the highlights for your reading there.

But I do want to vehemently disagree with this statement I've bolded below even though the general idea now that "everything is better with TV" is totally true.

I can appreciate nostalgia for those days, if for no other reason than that the beat was easier to cover when there weren't 400+ original scripted series airing every year. But nearly everything about watching and writing about TV is so much better now than it was 20 years ago. The technology is better, giving us stunning imagery (imagine Lost or Breaking Bad shot for standard-def in the old aspect ratio) and easy access not only to the best of what's on now, but most of recorded TV history.

As someone who likes to curate my own viewing experiences, rather than leave the programming to the fancies of contracts/conflicts  between studios with both Netflix and Amazon, I am growing increasingly frustrated with acccess to both movies and television. It's getting worse not better (especially with movies) as everything splinters with "exclusivity" and things either stream or are  just not available since physical media is going the way of the dinosaur. Many TV shows I've tried to watch for research purposes or silly side pieces over the past few years have been unavailable to stream anywhere with prohibitively expensive DVD prices (if they're on DVD at all) like, oh, say Emmy favorite "Family" (1976-1980) or even something as recent as the failed CW show "Tarzan (2003)" which I had hoped to include in the Swing, Tarzan, Swing! series we've been doing on weekends. That's just two examples that have come up recently. But lots of times when we're considering a Centennial series on a famous star, their TV work is unavailable, period. Not one bit of it. That's especially true of telefilms which seem to evaporate as soon as they air, unless they were made in the last 15 years when everyone starting taking TV more seriously. When we were celebrating Mercedes McCambridge recently it felt like the exception and not the rule that I was able to rent her appearances on both "Bewitched" and "Charlie's Angels". Hell, even if you just want to watch something from last season (like "American Crime" S2) often streaming services will only let you watch the last few episodes aired and not the whole season, so if you're late to a show you probably have to wait a year or two until one of the streaming services picks it up.

But enough complaining. What are you most grateful in the evolution of this medium?

10 questions for your new home viewing adventures

I expect honest answers in the comments! 

Newish to DVD/BluRay
• The Boy -have you ever been scared of a doll? 
• Deadpool - What did you think of that junkyard finale?
• Dirty Grandpa - Do you think Robert de Niro feels any shame about his filmography or just laughs all the way to the bank? 
• Janis: Little Girl Blue - Will Amy Adams will ever actually make that Janis Joplin bio and how many movies do we really need about the singer anyway? 
• The Program - Ben Foster. Scary or sexy?
• The Witch - Wouldst thou live deliciously?

Also new: Where to Invade Next, Captive, War & Peace (series), Theeb, Orange is the New Black Season 3

I am a boxer for the freedom of cinematic expression!
-Sergei Eisenstein (in Eisenstein in Guatanjuato)

Streaming
• 99 Homes - Was Michael Shannon robbed of an Oscar nom?
• Eisenstein in Guanajuato - Have you ever seen a Peter Greenaway movie? (They're so bonkers and, nowadays at least, underappreciated. Including this one)
• Hot Pursuit- Should Reese make more comedies or pursue Oscar #2 with more Wilds?
• Humans S1 - Would you feel bad about having sex with a robot programmed to serve you since they can't really give consent? 

Also new: Tell Me You Love Me (S1), Regression, Kindergarten Cop 2, Goosebumps

Trippy Best Shots: "True Skin" and "World of Tomorrow"

Tonight's edition of Hit Me With Your Best Shot is our annual short film episode. The genre is sci-fi but we're looking at two trippy but altogether unalike films.

The first is True Skin (2012) which has rather extraordinary visual effects considering it comes from the DIY world of short filmmaking. It was once earmarked for the feature film treatment but when that didn't work out earlier this year Amazon snatched it up to develop into a TV series. The second film is recent Oscar nominee World of Tomorrow (2015) from animation legend Don Hertzfeld. (His career being Oscarless is just not right.) Lets look at the "Best Shots" as chosen by your host and the volunteer panelists elsewhere after the jump. 

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