Showbiz History: The Help, Madame Butterfly, and the first superhero comic?

7 random things that happened on this day, February 17th, in showbiz history...

1904 Puccini's beloved opera Madame Butterfly premieres in Italy in what was essentially rough draft form. After audiences booed, he revamped it for four months and the streamlined version became a global success. The opera was based on the play by David Belasco. The story has made it to the big screen six times beginning with the silent film era. Two of the subsequent films were versions of the opera itself, one a Japanese film in 1954 and the other a French film in 1995. Have you seen any film version of this or the opera itself?

1936 The daily newspaper comic strip The Phantom launches (and is still running if you can believe it) essentially giving rise to the superhero genre...

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Year in Review: Style Icons of the Big Screen

by Cláudio Alves

As an obsessive list-maker, to write a top ten for The Film Experience's Year in Review was more of a dream come true than a challenge. As we're in festive times, I decided to give myself a gift, by fusing one obsession with another. Cinema, costume design and list-making all consumed my Christmas Eve afternoon in a haze of sartorial glory. Looking back at the movies of 2019, from opulent period pieces to humble contemporary dramas, I went in search of the year's greatest style icons. Not those of real life, obviously, but the ones who graced the silver screen.

In decades to come, we may look at them as we now look at Darth Vader's sinister countenance or Holly Golightly's Givenchy clad figure. Who knows? More than predicting future icon-status, this is a list of personal favorites, though.

Without further ado, let's celebrate 2019's style icons, but first, some honorary mentions…

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"The Irishman" leads the nominations from the Online Film Critics Society

The OFCS was founded back in 1997 just as film criticism was exploding on the web but still disrespected by old media. Since their founding 22 years ago there is less reason for their existence (all critics are primarily "online film critics" these days) but we've always liked them because the taste level is consistent. Let's start with their nominees and move on to other winners from other associations, at home and abroad.

OFCS
(Online Film Critics Society)

Best Picture

• 1917 
• The Irishman 
• Jojo Rabbit 
• Knives Out 
• Marriage Story 
• Once Upon A Time...In Hollywood
• Parasite
• Portrait Of A Lady On Fire
• Uncut Gems 
• Us

Best Animated Feature...

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Interview: Nadav Lapid on 'Synonyms' and who gets to tell which stories

by Murtada Elfadl

Using his own experiences as a blueprint Nadav Lapid (The Kindergarten Teacher) made a furious, kinetic and altogether astounding film about being disaffected and seeking a new life, ideals and country. In Synonyms (opening today in limited release) Tom Mercier plays Yoav, a young Israeli who flees Tel Aviv for Paris and tries to completely erase his former identity. The movie is not easy to describe, it’s better to dive in and enjoy the experience. It won numerous accolades around the world this year starting with the Golden Bear at the Berlinale. While in New York to present his film in the main slate of the New York Film Festival, we got the chance to talk to Lapid about his film, his powerful lead actor and who owns the rights to tell which stories. The interview has been edited and condensed for clarity

Murtada Elfadl: Can you talk about the beginning of the film. The first 10, 15 minutes are hypnotic, confusing, and disorienting, throwing the audience into the story with no introduction.

NADAV LAPID: I felt that the movie should start with a vibration, with movement. In a way the biggest challenge of the filmmaking was to create this movie that doesn't have a clear narrative line. I didn't want the film to become a series of anecdotes. We had to have something attached to that feeling, that vibration. It's a movie that's based on compulsion, on an urge. You cannot imagine an introduction to such a movie...

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TIFF: "Synonyms" is essential viewing

by Chris Feil

Unfolding with the wonder of a contemporary fable, Nadav Lapid’s Synonyms takes a sometimes witty but often breathtaking approach to displaced national identity. Already awarded the Berlin International Film Festival’s Golden Bear, the film is an unpredictable existential examination of redefining oneself in a world that exploits you, and the limitations of willful self-reinvention.

Newcomer Tom Mercier stars as Yoav, a young Iscraeli man relocating to Paris after a term in the military. He’s quickly robbed of all his belongings while squatting in a posh apartment, begging for help naked throughout the building before being found near death by young couple Caroline and Emile (Louise Chevillotte and Quentin Dolmaire). They possess the prototypically French persona that Yoav wants to adopt, and are all too generous and willing to play welcoming committee...

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