Review: The Aeronauts

by Chris Feil

There’s an eyesore on the horizon with The Aeronauts, a cynically observed aerial adventure fatally encumbered by too many pixels. Reuniting the Felicity Jones and Eddie Redmayne after The Theory of Everything first welcomed both into the Oscar fold, this film is a strange amalgam of influences it fails to live up to. It’s part survival actioner, part vibrant costume drama, and part uplifting women-in-science empowerment tale. But the film’s blending of the three, and its attempts to infuse some modernity to the storytelling, is too clumsy to satisfy any of its points of entry.

The film stars Jones as Amelia Wren, a mid-19th century balloon pilot grieving an unexpected personal cost of her professional on top of patriarchal limitations. Her expertise makes her a fitting partner to Redmayne’s scientist James Glaisher, aiming to prove the science of early meteorology against highly skeptical widespread thought. But Wren and Glaisher have their own clashing of methods and degree of determination. In their flight mission, Glaisher pushes for them to ascend higher than any balloon in history, turning their quest for information into a brief but dangerous fight for survival.

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The Best Production Design Oscar Race

By Cláudio Alves

Will a Tarantino movie finally be nominated for Best Production Design?

Let's take a look at the Best Production Design Oscar race. While period pieces and fantasy extravaganzas dominate the costuming category, production designers are more open to other styles, too, like sci-fi, contemporary excellence, and even superhero movies. That said, at least in regards to the films that have already opened, the major contenders are roughly the same as with the Best Costume Design Oscar race. 

THOSE WE'VE ALREADY SEEN

Rick Heinrichs designed Dumbo's spectacular sets.

Rick Heinrichs won an Oscar for a previous collaboration with Tim Burton (Sleepy Hollow) and his designs for Dumbo are quite good, like nightmare visions of an Art Deco Disneyland. I’m less enchanted with Gemma Jackson’s pseudo-Arabian designs, but it would be foolish to count Aladdin out of the race...

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TIFF Derring-Do Double: "The Aeronauts" and "Ford v Ferrari"

by Nathaniel R

Those magnificent men (and women) and their flying machines. What prompts people to build aerodymanic death traps in which to race at incredible never before accomplished speeds or go up up up to never before seen heights?  Today's double feature centers on just this type of man and their creations.  

FORD V FERRARI (James Mangold)
This very handsomely made film centers around a famous late 60s battle between the massive Ford Motor Company and the Italian boutique manufacturer Ferrari. How did Detroit's Henry Ford II come to battle Enzo Ferrarri in the European playground of Le Mans anyway? And how does the film get you to root for the Goliath rather than the David in this battle? That's the magic of this old fashioned well-paced movie. Older audiences might be familiar with this story but we weren't so it all played out like a fleet-footed and hot wheeled corporate drama mixed with inspirational sports movie...

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Best Costume Design. What we've seen and what's to come.

Please welcome new contributor Cláudio Alves...

Multiple Oscar winner Colleen Atwood on the set of "Dumbo"

As we head into the heart of festival season, the Oscar race is about to take shape. Many of the buzzier titles are finally being seen and, some will emerge as major contenders while others will fall by the wayside. That is true for most categories, but not always true for Best Costume Design. That wonderful craft award, oft celebrated here at The Film Experience, is less dependent on Best Picture buzz as other craft prizes. Let’s not forget the sole nomination likes of The Tempest, W.E. and The Invisible Woman.

It’s quite likely we’ve already seen at least one of the eventual nominees. Let's take a more thorough look at the contenders for this award...

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