Doc Corner: The 2019 Oscar Nominees!

By Glenn Dunks (returning from a writing break, I hope y'all missed me)

Following last year’s surprising line-up for Best Documentary Feature that ignored multiple major box office hits and favoured critical and festival hits, I asked how much the Academy’s changing dynamics had affected the nominations in this category that was often considered a musty piece of furniture. It was undeniable that a significant shift had been made and I am thankful to say that it wasn’t a fluke. The 2019 nominations for documentary have yet again marked the branch as one on its own course through the greater Oscar season narrative. A narrative that is otherwise marked by predictability, a distinct lack of adventurousness, and even outright laziness.

This year’s nominees took us from the bombs and missiles of a warzone of Syria (two times! The Cave and For Sama) to the silent beekeeping traditions of North Macedonia (Honeyland), through the muddy democratic waters of Brazil (The Edge of Democracy) and the blue collar working yards of America's midwest (American Factory). They represent American and international filmmaking at their finest made by newcomers and veterans alike...

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International Documentary Association winners announce

By Glenn Dunks

The International Documentary Association announced their winners this past weekend with the Syrian-UK For Sama taking the top prize among a field of ten nominees. IDA aren’t the best gauge of where the winds are going to blow for the Academy Awards – the last three years alone, the Best Feature prize has gone to Minding the Gap (Oscar nominated), O.J.: Made in America (Oscar winner) and Dina (not nominated). So, make of these results what you will.

Nevertheless, this win when combined with its recent BIFA win for Best British Independent Film and a swag of other nominations does position it nicely for a slot on the short list and inching closer to a nomination (although I am less a fan of it than most).

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Doc Corner: To Syria in 'The Cave' and 'For Sama'

By Glenn Dunks

The sheer audacity of making a documentary in Syria is something that astounds me. But part of what makes Syria such a fascinating subject for continued exploration is that theirs is a story we have seen unfold in real time. From its initial uprising to its deafening destruction and their continued traumas, the last decade have granted audiences a unique interior look into many facets of the Syrian Civil War from the side of rebels and side of the radicals, humanitarians and civilians.

So when I say that Feras Fayyad’s The Cave is easily among the very top of the docket, I don’t do so lightly. Fayyad is already an Oscar nominee for Last Men in Aleppo about the men known as The White Helmets. Here he has shifted gears to focus on the women doctors of what’s known as The Cave, an underground hospital network underneath the city of Ghouta. Mostly medical students who stayed behind to help those in need, the spotlight lands firmly on 30-year-old aspiring paediatrician Dr. Armani Ballour whose calming presence amid the storm of shells and fire around them is as compelling a non-fiction subject I have seen in a very long time...

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