Smackdown '94 Companion: "Mrs King" and vague 'Women's Troubles'

Nathaniel R welcomes Erik Anderson, Nick Davis,  Itamar Moses, and Alfred Soto to talk 1994 movies

The Supporting Actress Smackdown of 1994 has just gone up and the panelists have gathered for a deeper conversation. 

Podcast (42 minutes)
In part one we discuss people we wish had been nominated in the category. We also discuss the comic tone of The Madness of King George, and there are split opinions on Helen Mirren's work and whether she's elevating or bringing down the movie. Surprisingly though she won the Smackdown Dianne Wiest's classic performance in Bullets Over Broadway isn't quite as loved as it once was. The panel also discusses Miramax style filmmaking of the 90s and the troubles with the 'approved' nature of literary biopics like Tom & Viv. 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown 94 Madness of Viv Over Broadway

Smackdown '94: Uma, Dianne, Jennifer, Helen, and Rosemary

Presenting Oscar's Chosen Supporting Actresses of the Films of 1994.

THE NOMINEES: The Academy wrapped up their love affair with a previous winner (Dianne Wiest) while starting a new one with a future winner (Helen Mirren). Two fresh-faced delights (Uma Thurman, Jennifer Tilly) and an esteemed veteran (Rosemary Harris) were along for the ride.

In a rare turn of events the shortlist leaned far away from tears and dove headfirst into stylized fun or outright belly laughs (Rosemary Harris was the only player in a traditional drama). A quick list of the roles sounds like a joke set-up or at least a wild party: A fertile queen, a pompous diva, a wealthy society matriarch, and not but one but two trouble-maker gangster molls who moonlight in acting. 

THIS MONTH'S PANELISTS   

Here to talk about these five nominated turns are, in alpha order: Erik Anderson (Awards Pundit), Nick Davis (Professor),  Itamar Moses (Tony-winning Playwright), Alfred Soto (Editor/Critic), and your host Nathaniel R from The Film Experience. [Apologies but the sixth announced panelist Sheila O'Malley -- who previously provided brilliant insight in our 1984 discussion -- had to attend to a last minute emergency so we'll have to catch up with her again down the road.]

Readers form the collective panelist each month (though there were weirdly fewer votes this round for such a recent year!). You broke the panel tie to determine the winner this time around. Now it's time for the main event... 

1994
SUPPORTING ACTRESS SMACKDOWN  

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The Furniture: The Cluttered, Musty Madness of King George

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in magnified detail.

by Daniel Walber 

Play adaptations are frequently criticized for not being “cinematic” enough. It’s as perennial a complaint as it is a silly one. Many of the best play adaptations don’t abandon their more theatrical elements, they use cinema’s unique capabilities as an especially potent additive. 

The Madness of King George is a great example, a film that juxtaposes the visual freedom of on-location shooting with the precision of period sets. Adapted by Alan Bennett from his own play and directed by Nicholas Hytner, it chronicles the Regency Crisis of 1788. King George III (Nigel Hawthorne), perhaps as a result of porphyria, lost his grip on reality. The Prince of Wales (Rupert Everett) petitioned Parliament to have his father removed from power, and to have himself declared regent. It very nearly worked.

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