22 Oscar Tweets

Though liveblogging and livetweeting has its drawbacks -- I always miss something when i"m typing, Social Media has kept "events" in event status so we welcome it. Here are some tweets that had me screaming or thinking or nodding or LOLing on Oscar night and the morning after.... plus a couple from me because Michael Keaton thanks Narcisuss at the Indie Spirits so I'm allowed. 

pic.twitter.com/ErtsNUxWDX

— Daniel Switzer (@daniel_switzer) February 23, 2015

On Oscar Day I start rooting for chaos. What if Cooper wins Best Actor? What if Anderson wins Best Director? Release the hounds!

— kateyrich (@kateyrich) February 22, 2015

Meryl Streep doesn't lose. She let's other people win.

— Sam Stryker (@sbstryker) February 23, 2015

if u watch the oscars backwards, a select number of white peopel bring golden statues on stage and give them to a bureaucracy

— jomny sun (@jonnysun) February 22, 2015

Redmayne, Desplat, Cotillard, Gaga, and NPH bombing after the jump

Click to read more ...

BAFTA Nominations: "Grand Budapest" is "...Everything"

Despite having an industry filled to the brim with talent, the British Academy of Film and Television Awards regularly prefers American films these days and this year would be no exception but for the two behemoth Brit biopics that have been doing spectacularly well all season on the other side of the Atlantic: The Imitation Game (suspiciously deemed "American" for AFI) and The Theory of Everything. Unsurprisingly they're nominated for both of BAFTA's top prizes, "Film" and "British Film," the latter of which amounts to the kiddie table I suppose even though it shouldn't -- this being the British Academy -- since those films rarely score as many nominations at home as their American counterparts do. It's actually amusing in a perverse way when you consider the theory that AMPAS here at home is obsessed with British actors and considers anything they do "prestige."

BAFTA was notably stingy to Mike Leigh's Mr. Turner in all but the below line categories (no actor nomination for Spall or British film citation), but found room for our beloved Pride in a few places as well as the thrilling '71. The latter, starring Jack O'Connell who is dropped directly into the center of The Troubles for one violent night (that is not a spoiler -- that's just the very minimalist plot), hasn't opened in the States yet but it's an armrest gripper so be prepared. 

In the final tallies the two nomination leaders were The Grand Budapest Hotel (11) and The Theory of Everything and Birdman tied for second (10). Titles that did pretty well considering how quiet their buzz is at home were Interstellar (4) and Big Eyes (2). Completely shut-out: Unbroken. What happened to:  A Most Violent Year and Selma? They also received zero nominations but unless they received qualifying releases -- some believe Selma did and they got screeners but that's hard for me to believe until I see official BAFTA.ORG proof since Selma didn't even send screener to American guilds -- they would not have been eligible as they haven't yet opened in the UK.  

A full list of nominations with comments is after the jump.  You can check out if, in the words of Unbroken's Jack O'Connell, you fancy it.

Click to read more ...

27th USC Scripter Nominees Turn the Page

Books, books, nothing but books.
Pages, letters, paragraphs and sentences,
Adjectives and syllables and
Consonants and adverbs-!

I said alright,
But it wasn't quite,
Cause he wasn't nominated
For a Scripter last night.

Glenn here, and while Into the Woods did not receive a nomination today from the USC Scripter organization, I just have the prologue stuck in my brain. Still. It will not leave, how about you?

The Scripters award both a film's screenwriter and the writer of the original work. They used to only be open to adaptations of novels, which meant - much like the WGA - certain films were not allowed to be nominated. In recent years I believe they have started to allow comic book adaptations and short films expanded to feature length (like District 9); they've never nominated a stage musical or play adaptation so I'm not even sure if they're eligible. The rules seem kind of vague. Like most organisations that started before the modern award season made for homogenised lineups, the group have some curious wins in their early years including in its first year a film that didn't even get any Oscar nominations (84 Charing Cross Road).

In 1997 they expanded to include nominees and since then have always been quite a respectable award to win (last year's nominations for What Maisie Knew and The Spectacular Now were particularly welcome). They still do not allow for foreign language films, but... well, baby steps, I guess. Last year's winner was 12 Years a Slave for John Ridley and Solomon Northup, but what do you think will take the prize this year? The hiking woman, the British code-breaker, the gone girl, the physisist's wife, or the stoned investigator?

• GONE GIRL
  Author: Gillian Flynn; Screenwriter: Gillian Flynn
• THE IMITATION GAME
  Author: Andrew Hodges; Screenwriter: Graham Moore
• INHERENT VICE
  Author: Thomas Pynchon; Screenwriter: Paul Thomas Anderson
• THE THEORY OF EVERYTHING
  Author: Jane Hawking; Screenwriter: Anthony McCarten
• WILD
  Author: Cheryl Strayed; Screenwriter Nick Hornsby

These are the exact same five films that Nathaniel is predicting, although we're not entirely sure what methods this group use to find their nominees. Are they considering Foxcatcher, for instance, which uses a novel as its jumping off point? Presumably they didn't buy into the "Whiplash is adapted" from just the other day, either. And after they nominated Iron Man in the past, one must assume that Guardians of the Galaxy wasn't that far off. I must say, doesn't Wild feel like it could drop out of the Oscar lineup at any moment? Apart from Reese it hasn't caught on with awards, which can mean odd films with pockets of feverish love can surprise like an American Sniper (although with WGA that would hardly be a surprise anymore) or Guardians of the Galaxy or, gosh, maybe even Into the Woods? Maybe somebody knows the stats better than I, but how often do films only get actress and screenplay nominations? Was Frozen River the last one? Hmmm... food for thought?

Interview: James Marsh on (True) Storytelling from "Man on Wire" to "The Theory of Everything"

It's rare for acclaimed documentarians to make a dramatically successful leap into narrative features but with The Theory of Everything, a marital drama about Stephen and Jane Hawking, the 51 year old British filmmaker James Marsh (of Man on Wire and Project Nim fame) is finally doing just that. Man on Wire was one of the most successful documentaries of the past decade but his new affecting biopic, which is actually Marsh's fourth narrative feature, is already his most successful film having racked up an impressive $26 million and counting worldwide to date.

It's also been collecting plentiful Oscar buzz.  The Film Experience had a chance to chart with this articulate thoughtful Oscar winner so we jumped right in. Here's our conversation:

Nathaniel R: Given your filmography, both documentaries and features, The Theory of Everything is...

JAMES MARSH: Go ahead. You can say it.

Nathaniel R: Ha. Well, it's a much different direction for you. It's romantic drama and it's also old school biography. What prompted your interest?

JAMES MARSH: You’re right in terms of its scale for sure and perhaps its emotional spectrum. But it’s a true story and that’s my background in films I’ve done. It’s a story of a marriage as much as a biopic. That felt like an interesting challenge: to try and examine a relationship that evolves and changes over time given all the impediments and unusual and very difficult circumstances. It felt also that I could go somewhere that a documentary could not go in terms of the intimacy of the relationship. 

You're right that it's different but it does have curious connections with Man on Wire. [More...]

Click to read more ...

Best Actress Battles: Felicity vs. Reese?

With the internet strenuously erecting a ring in which Julianne and Jennifer can mud wrestle, let's look at two or three other imaginary Best Actress Battles. First up is the "I'm just happy to be nominated" tussle.

"consider EVERYTHING" ??? Greedy!

Felicity vs. Reese
Reese Witherspoon looked like a major force in the Best Actress race when Wild first premiered in September as the wandering self-redemptive Cheryl Strayed. Sadly the year-end party hasn't thrown much confetti her way. To date, she has won just one (maybe two?) small regional critics prizes. I blame the lack of awards on three things: the movie wasn't released in the fall where its contemplative moods would not have been in direct opposition to the bustling holidays surrounding it; Reese has already had her Oscar coronation which often kills future prospects for actresses; and, finally, the "Reeseurgence" never caught on in quite the way the McConaughissance did in its year, partially because there was no Magic Mike pop culture hit kicking the movement off in the first place a year prior.

Since her Oscar win Reese has been divorced, remarried, had a third child, and made a dozen more movies.So the Southern Belle finds herself in the odd company of Felicity Jones (Theory of Everything). Jones is about as diametrically opposed to Reese in terms of celebrity persona and acting style as you can get. Both the Nashville spark plug and the demure English flower are consistent figures in shortlists (the trifecta: SAG, BFCA, Globes) but neither appear to have generated the excitement that leads to #1 ballot placements. Though it should be noted that Oscar pundits, myself included, make far too much of preferential ballot systems since every year Oscar lineups are peppered with people and movies that are extraordinarly difficult to imagine as #1 favorites.

Do these two beautiful women have hidden reserves of campaign power and industry support to draw upon still?  Are either of them in danger of not hearing their names read out on January 15th?

HAVE YOU: Liked us on Facebook? Followed Nathaniel on Twitter? Tis the Season
PREVIOUSLY: BEST ACTRESS BATTLES: JULI vs. JEN
RELATED: ACTRESS Chart & All Current Oscar Predictions