YNMS: "Suspiria" Teaser Kills, Making Lots of "Widows"

Chris here, reeling from the trailer feast happening this Monday. As teased in previous days, we get our first look at Luca Guadagnino's grisly Suspiria rehash and Steve McQueen's heist thriller adaptation Widows. Both films have a host of elements to bring our anticipation to a fever pitch (Suspiria: intriguing director/genre pairing, Widows: the powers of McQueen matched with author Gillain Flynn on writing duties) but that doesn't mean they don't also have their question marks. Do both films find the auteurs reaching for mainstream sensibilities? Is there any Oscar play here? And what of the sizeable female ensembles in both?

Both films are heavily speculated to launch at the Venice Film Festival, since both filmmakers have previously debuted films there. If you haven't already gorged on both (or need a second watch, third, fourth, etc). check out the two fantastic trailers after the jump and we'll break down the Yes No Maybe So)...

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Soundtracking: "A Bigger Splash"

This week, Chris Feil's series on music in the movies sits poolside with last year's steamer...

Confession: Luca Guadagnino’s A Bigger Splash has been something of a minor addiction for yours truly in the year since its stateside release. And it’s key use of “Emotional Rescue” by The Rolling Stones has put that track into heavy nonstop rotation as well. I mean how can you not fall in immediately love with a film that casts Tilda Swinton as a rock star named Marianne Lane. It is sensory overload, all mouthwatering cuisine and eye contact between actor and camera. But not least of its horny senses is its rock and roll soundscape, subtly infused throughout to appealing effect.

In Splash, the lasting impact of great music is just like to great sex for its lingering spell. Its cues and references are scattered throughout, recalling the visages of Bowie and Patti Smith to make its musical world more realized. Even more fluidly, it crafts character identity and relationship as one with the music in ways as subtle as how its reveals their shiftiness.

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The Many Delights of "Okja"

Chris here. Have you caught up to Okja on Netflix yet, readers?

The Cannes competition title arrived on the streaming platform this week (and a tiny sampling of theatres), becoming one of its boldest and best pieces of original programming. Bong Joon-ho's satire of the factory farming industry and consumer culture is a stunning blend of tones and ideas, from absurd comedy to tense thriller to heartwarming fable. At its heart, it is truly about a girl and her pet.

Okja is quite a feast for audiences, bursting with delights both unexpected and well-anticipated. The film has naturally proven somewhat divisive already, as anything so go-for-broke typically can be. But let's grant some hosannas for a film of many high points...

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I'll link you again in 25 years...

Cartoon Brew utterly savage (but 100% correct) on the Emoji Movie trailer
LA Review of Books on Netflix's Sense8 as metaphor for Netflix is. (I have no idea
why a book site is  reviewing this but the piece is absolutely terrific)
LA Times talks to Robin Swicord, only now with a second feature (Wakefield) long after the success of The Jane Austen Book Club. Her debut was profitable (always Hollywood's end goal) but Hollywood wouldn't hire her to direct? We've heard this story all too often!

Screen Daily in terrible terrible news they're still not going to let the once genius but totally played out Terminator franchise die and Arnold Schwarzenegger and James Cameron plan to be involved in the next one. Doesn't anyone in Hollywood want to do something original even more? It's not like Cameron couldn't get funding for literally ANYTHING he wanted to do. (sigh)
Film School Rejects on Disney's self cannabilization and the particular folly of trying it with Fantasia
Variety TV is invading Cannes with many auteurs now doing both
Vulture Tilda Swinton and Steven Yeun on making art in the new impossible-to-avoid-politics era
AV Club Janelle Monáe and Leslie Mann are joining Steve Carell in Robert Zemeckis's next film
MNPP Tom Hardy to play Spider-Man villain Venom in a standalone film
Jezebel the only reporting on the Roseanne revival which includes Luis Buñuel asides
Cinematic Corner visual parallels between Logan and Mad Max: Fury Road
Hugh Jackman 'see you soon Japan' - he's still on his Logan promo tour!
Out people are still shook about that shocking Drag Race elimination. (I rewatched it and it's astonishing how furious you can tell RuPaul is at Valentina for making her job so difficult)

Just For Fun
My Giant Nerd Boyfriend "Horror Movies" (I'm absolutely in love with this webcomic about this Asian girl with a super tall boyfriend)
Cards Against Humanity - cool story from the Emerald City comic con floor

Sage Advice
Daily Actor "18 Ways to Self-Tape Like a Pro" - smart ideas here about self-taped auditions (which are increasingly popular

Twin Peaks is here!
Twin Peaks Season 3 begins today so it's probably a good idea to reacquaint yourself with the previous two seasons and Fire Walk With Me. If you don't have time to rewatch them (*raises own hand in solidarity*) there are articles around to jog your memory. Unicorn Booty recaps where several storylines left off at the end of Season 2, and K Austin Allen of The Ringer takes a deep dive into the movie prequel that was honestly kind of reviled back in 1992 but has since grown rather beloved amongst Lynch fans and cinephiles. Perfect anecdotal evidence from my own life: my best friend who was an absolute Twin Peaks nut in the 90s and then hated Fire Walk With Me which we saw together in 1992. I saw him yesterday -- he had just rewatched it was like 'Have you ever watched Fire Walk With Me again? I remember hating it, somehow, but it's incredible!'

Today's 5: Tilda's miraculous Julia, Drew's dangerous Lolita, and more

It's a brand new week. Ready to get this one started with some pizazz? 

Five showbiz anniversaries for May 8th as mood boosters

2009 Julia opens in limited release in the US. It's arguably Tilda Swinton's greatest performance and also as against-type as it comes for the actress who was surprised Erick Zonca thought of her for the motor-mouthed titular sociopath. If you haven't seen it, what in the universe are you waiting for?

In its honor today: Do something totally atypical today, surprise yourself!

1992 Poison Ivy opens in theaters, serving as Drew Barrymore's buzzy "comeback"... yet she was only 17 years old. Child stars grow up fast, y'all...

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