Blue @ 50: Joni Mitchell's Music in Film

by Brent Calderwood

The Kids Are All Right (2010)

“Songs are like tattoos.” That’s according to “Blue,” the title track on Joni Mitchell’s fourth album, which turns 50 this month. A half century after Mitchell wrote and recorded those words, it’s clear that Blue has made an indelible mark on the culture. Songwriters from Bob Dylan (“Tangled Up in Blue”) to Prince (“So Blue”) to Taylor Swift (Red) have acknowledged the influence of Blue’s achingly autobiographical lyrics on their own work. Just last year, Rolling Stone declared Blue the third greatest album of all time. And thanks to scores of cover versions over five decades, two of Blue’s torchiest tracks—“A Case of You” and “River”—have become American Songbook standards. 

No wonder, then, that filmmakers have frequently tapped into Blue, especially for their characters’ most vulnerable moments. While plenty of ink has been spilled over who the songs on Blue are about (James Taylor, Graham Nash, Leonard Cohen), screenwriters and directors often look deeper, mining the songs for what they are about: love, desire, loss, travel, California, Christmas, and much more. 

In honor of the classic album's 50th anniversary, here’s a look at the Top 5 times that songs from Blue appeared in movies… 

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Alan Rickman (1946-2016)

Heartbreaking. Alan Rickman, one of the UK's most treasured showbiz mainstays has passed away at the age of 69. Though he occassionally dabbled in directing (The Winter Guest and A Little Chaos) he was best known as an actor of stage, tv, and big screen.  He's inarguably best known and beloved for the many years as Professor Snapes in the Harry Potter series. But for me, his career always makes me nostalgic for the early 90s. His career was energized by the success of Die Hard which led to a bunch of movies. 

When I saw Robin Hood: Prince of Thieves (1991) I was shocked that any film could contain so many performances that were all over the map in terms of quality - a chaos of acting styles and fumbles but he was always fun hamming it up as the Sherrif of Nottingham. I immediately typecast him as a villain. A year or two after Robin Hood I discovered in short succession the intense incest drama Close My Eyes (in which he is horrified to discover that is brother-in-law Clive Owen is sleeping with his wife), the claustrophobic thriller Closet Land in which he terrorized my then obsession Madeline Stowe (at the peak of her powers from roughly 1990-1994). But all my limiting ideas that that inimitable voice and the stern face meant he was a screen baddie were blown apart by this next one. My best girlfriend had fallen for this romantic comedy Truly Madly Deeply in which he plays Juliet Stevenson's ghost lover and demanded I see it. I fell hard. For them and the movie.

It's a great rental / streaming idea if you haven't seen it. This scene, which gives it its title, is my single favorite moment in Rickman's filmography.

What's your strongest memory of Alan Rickman's career?