Interview: Visual FX Oscar Nominees on Lightsaber Duels and Collaborative Arts

For as many articles I've read and videos and movies I've seen, the realm of visual effects remain a mysterious and magical power... not unlike The Force in that galaxy far far away. Speaking recently with two members of The Force Awaken's visual team, I suddenly imagine my confusion is probably akin to how it would feel to act a scene out with Chewbacca; all the Star Wars regulars understand his throat noises but I would definitely need subtitles.

Nevertheless it was a good time sitting down with Roger Guyett, a four time Oscar nominee who does both visual effects supervision and second unit direction for J.J. Abrams -- he tells me this is somewhat normal since second unit work tends to fall in the visual effects arena -- and Pat Tubach, also a previous nominee (Star Trek Into Darkness) who attempts to explain what "plate supervision" is though my brain won't comply. 

Herewith the parts of our interview that I did understand, I think, and Roger & Pat's game answers including what their loved one think of their work and seeing the movie for the first time. 

NATHANIEL: You're both "visual effects supervisors," so how does the work get divvied up? Do you get specific scenes? 

PAT TUBACH: Roger okays everything. We do break things up a little bit for ease given the sheer number of shots and number of people involved. I worked a lot on the opening scenes: the village raid, the TIE figher escape sequence with Finn and Poe. As well as the rathtar escaping and terrorizing the gang. 

So you had Captain Phasma -- I assume she was the most difficult to pull off since her suit is so reflective and much of her environment isn't actually there!

more after the jump...

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Wouldst Thou Link Deliciously?

• Medium wonders why diehard horror fans reject artful genre works like The Witch and It Follows
• The Film Doctor reviews Owen Glieberman's book "Movie Freak: My Life Watching Movies"
• Flick Chicks loving on pets in the movies. Awww
• Boy Culture interviews Molly Bernard from TVLand's great sitcom Younger (the one starring Sutton Foster that I'm always hoping you'll start watching. Sutton 4evah!)
• The Film Stage an interview with director Robert Eggers of The Witch
• Vanity Fair Kate Winslet's son wants her to EGOT. Perhaps Broadway is next?

• Towleroad congratulations to producer Greg Berlanti (The Flash, Brothers & Sisters, Arrow, The Broken Hearts Club, etc...) who welcomes a newborn son via surrogate to the world
• Black Phillip from The Witch has his own Twitter account. He boasts a lot and has real species pride
• Vanity Fair Amy Adams going to television. She'll star in a series version of Gillian Flynn's Sharp Objects (which is extremely actress-friendly as we've previously noted)
• Awards Daily How the year of the woman became the year of the man... again
• Decider Joe Reid ranks EVERY Oscar nominee 

Best of Best of
• CineMunch the second Annual CineMunchies with prizes to Mad Max and Room and best food & drink moments in movies - I am totally here for that spaghetti scene in Brooklyn
• Antagony & Ecstacy Tim finally reveals his top ten list with surprising choices beyond Mad Max and shocking exclusions - no Inside Out? WTF 
• Cinematic Corner chooses 15 best shots of the year: Crimson Peak, Youth, and more...
• Entertainment Junkie's 10 best: Tangerine, Inside Out, and more 
• Variety Carol named best film of the year by International Cinephile Society 

News That Requires Not Linkage
Batman v Superman is going to be 151 minutes long. Uff. 

Potentially Awesome TV News
We've long hoped that a TV Variety show could air which would really work - it's such a fun abandoned form but too many recent attempts have been shoddy (that Rosie O'Donnell attempt) or so manic they're unwatchable (Neil Patrick Harris's). The Tracking Board says that we could get another attempt as early as this year starring Maya Rudolph (Great choice: She's funny, can act, also rocks) and Martin Short. 

Today's Watch
How they brought Colossus to life in Deadpool... five different actors and a whole team of visual fx artist

Links: Secret Talents, Visual Effects, Best Girlfriends

Salon Why Rooney Mara can't win for Carol. Interesting piece on what really matters in Supporting Actress (Hint: Best Actor)
MCN David Poland looks at the writers branch and how the new Academy rules might affect them
Gurus of Gold interesting to see where the volatility is in the new charts: Best Picture and Best Director contain all the (seeming) drama 
Towleroad Jonathan Groff interviewed by Kevin Sessums talks sex scenes in the Looking movie, filming wrapped, and his Sutton Foster obsession 

 

AV Club The Flash will officially crossover with Supergirl despite different networks
Variety on the new warp speed market for television shows 
The Film Stage first clips and new images from Jeff Nichols's Midnight Special. I'm not watching them because I want to be surprised 
Variety Jessica Chastain still looking for her Oscar movie, in talks for Woman Walks Ahead, about a 19th century woman who advised Sioux chieftain Sitting Bull 
The Hairpin a listical "best friends of rom com heroines"  from Judy Greer through Joan Cusack and back to Carrie Fisher
Pajiba praises Helen Mirren's beer commercial 

Today's Watch
Secret Talents of leading ladies and more links after the jump

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Personal Ballots Continued: Editing, Makeup, Visual FX

I promised daily Film Bitch Award nominations and I aim to deliver since we were supposed to technically be done by now. The best laid plans. Yesterday I shared male acting choices and jazzed up two Oscar charts. Today half of the visual categories have gone up and I've updated the correlative three Oscar charts, too.

FILM EDITING
I'm so disappointed that Academy voters skipped Sicario's Joe Walker in this category so I've rectified that obvious error. Talk about sustaining the tension masterfully for two hours. He's best known for his work with director Steve McQueen and was Oscar-nominated a couple of years ago for 12 Years a Slave. He had a good year since he also edited Blackhat which people found lacking in the emotion and story department but which was quite fine on a craft level. Two editors we interviewed here Nathan Nugent (Room) and Affonso Gonçalves (Carol) are also honored. 

VISUAL FX
Look I get that people didn't love The Avengers: Age of Ultron but passing on its visual effects strikes me as pettiness for feeling disappointed and getting Marvel fatigue. This is state of the art superheroics. Looking over my nominees now I'm realizing it was a very good year for robots: Ultron, The Vision, Ex Machina's Ava, and even Tomorrowland's Athena 

MAKEUP & HAIR
I mostly adhere to Oscar rules with my traditional categories but not here as I am adamantly opposed to this category being ghettoized the way it is with the Academy. The makeup artists are the ONLY artists with an oscar category that are allowed only 3 nominations. Everyone else gets 5 and that is just messed up since every single film uses a hair and makeup team. With five spots, I have room for both of the high profile Oscar nominees because who can forget Leo's horrific zombie face in The Revenant or smoky eyes reaching their gonzo apotheosis in Mad Max Fury Road. For the other spots I've embraced maximum beauty (Carol), stylish comedy (Spy), and the world's most famous detective (Mr Holmes). Read the writeups here.

*If any makeup artists are reading I'd love a better education on how these departments work on film sets. It's one of the behind the scenes jobs where credits dont feel very consistent from film to film in terms of titles of the players.

Visual Category Madness... and Guild Nominees for Makeup/VES

This just in. Here's a quick Oscar chart update on all the Visual categories... (You can see the index of Oscar Predictions here - we're almost finished -- but of course everything gets taken down and rebuilt tomorrow - whew). I have worked through the sadness as I removed predictions for Carol in no brainer should be easy get categories like Production Design (seriously sometimes Hollywood make-a-me-crazy). The one I left in that I'm very worried about is Cinematography. It's one of the most beautiful movies I've ever seen. Watch them replace it with something basic like The Hateful Eight or The Martian (sigh). 

MEANWHILE... The Makeup and Hairstylists Guilds and the The Visual Effects Society, which have much larger voting bodies than their correlatives within the Academy released their nominations so we'll share those after the jump if you're interested with a few comments on each...

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