Toronto & Venice Lineups: Full of Contenders & Sleepers
Wednesday, July 27, 2011 at 10:00PM Robert here (of Distant Relatives) with some thoughts on the lineups for the Toronto and Venice International Film Festivals which were announced Wednesday morning. And Oh Canada (and Viva Italia!) are they impressive.
Let's begin with Venice since it's up first.
VENICE
First up, the many films that will be vying for awards and spots on prestigious top 10 lists at the end of the year. I mention them first because while there's much to anticipate about them all, there's not too much left to say. They've staked their claim and now we must wait for word to start rolling in. So we can see if Roman Polanski's late career semi-resurgence can continue with the impressive cast of Carnage, or whether Steven Soderberg's Contagion can live up to that buzzy trailer. Meanwhile David Cronenberg's A Dangerous Method sets out to prove that just because he doesn't make movies with gynelogical tools that look like alien lifeforms anymore, he's still a master of psychosexual pathos. George Clooney's The Ides of March will try to be more than Primary Colors redux and Tinker, Tailor, Soldier, Spy (from Let the Right One In's Tomas Alfredson) may finally get Gary Oldman some recognition in the form of little statues. And of course Madonna reinvents herself yet again, this time as feature film director with W.E.
Meanwhile I feel like the lineup has reminded me of how many films have fallen under the radar so far this year. Did you know Jonathan Demme has made a post-Katrina documentary entitled I'm Carolyn Parker? Underachiever James Franco has found time to direct a film about Sal Mineo called Sal. Todd Solondz is back at it with the romance Dark Horse, which I'm sure will be more fun for the whole family. Further representing the ladies are Marry Harron who jumps into the vampire fray with The Moth Diaries, Andrea Arnold who gives us a new version of Wuthering Heights, and Marjane Satrapi of Persepolis fame who, with co-director Vincent Paronnaud presents her sophomore effort Chicken With Plums.
If that weren't enough there's Shame, Steve McQueen's follow up to 2008's Hunger which pairs Michael Fassbender with Cary Mulligan. If you liked 2007's sweetly sad The Band's Visit, director Eran Kolirin presents The Exchange. And if you liked last years not-so-sweetly sad Dogtooth, Giorgios Lanthimos is back with Alps. Plus new films from Philippe Garrel, Abel Ferrera, William Friedkin and more. Exhausting. The full list is available for your perusal at The Guardian.
TORONTO
Now on to TIFF, the official unofficial start of award season. Along with some films from Venice that will be here too (The Ides of March, The Dangerous Method, W.E.), we'll get our first look at "Sad Clooney" in Alexander Payne's The Descendants, "Angry Woody" in Oren Moverman's Rampart, and "Mathy Brad" in Bennett Miller's Moneyball. Rodrigo Garcia's Albert Nobbs rings the bell on the Glenn Close/Meryl Streep steel cage Oscar match we're all looking forward to and/or feeling conflicted about. Meanwhile Francis Ford Coppola continues the "we hope this one will be his big comeback" era of his career with Twixt.
Of course, Toronto could be comeback central. Fernando Meirelles is premeiring 360 in an attempt to put Blindness out of sight. Lasse Hallstrom is back (actually I can't remember if he went anywhere or if we all stopped paying attention). Anyway if he has his way the title Salmon Fishing in the Yemen will be on all of our lips. Also did you know that Roland Emmerich has apparently grown tired of destroying the world and made a film about Shakespeare called Anonymous... seriously. And his subtler and more stylish French counterpart Luc Besson has maybe put thrillers on hold for The Lady.
The list seemingly never ends, but I must. So I'll finish off with two films you might be anticipating if you enjoyed 2004's My Summer of Love and 2007's Away From Her. Pawel Pawlikoski is back with The Woman in the Fifth and Sarah Polley returns to the director's chair for Take This Waltz. As usual there's still plenty more and The Guardian has that list too.
Once your head has stopped spinning with the promise of a busy end of the year sound off. Which of these are you looking most forward to? Which are you having trouble getting worked up for?
Reader Comments (13)
"Also did you know that Roland Emmerich has apparently grown tired of destroying the world and made a film about Shakespeare called Anonymous... seriously."
Heh, have you seen the trailer? Explosions a-plenty. And it's not a serious film about Shakespeare, rather a conspiracy theory movie that has Shakespeare as the bastard son of Queen Elizabeth. Very high-brow that.
That W.E poster is fake, made by a Madonna fan.
Jessica - Well we'd expect nothing less from Roland, would we? Still the fact that the earth survives seems like a step forward for him.
Hendrick - Thanks for the heads up. 'Tis a very good fake indeed.
Actually upon second thought, I'm not sure it's such a good fake (those faces!) but I probably bought it because I'm concerned about the marketing for W.E in general. That title alone worries me.
There are so many films who sound exciting, For me, most exciting is "A dangerous method" - Cronenberg, Mortensen, Fassbender AND Knightley, that's nearly too much.
Although I like Soderbergh and he also has an impressive cast, I am not yet warmed up to Contagion.
I'm feeling partcurally excited about Carnage and the Clooney one-two punch of The Descendants and The Ides of March.
I'm also really curious to see how Moneyball plays out. I liked the trailer and the talent is all there, but the premise just seems very cinematic.
Carnage? Contagion? Tinker, Tailor, Soldier, Spy? Sal? Wuthering Heights? Alps? Why is Venice always cooler than us? WHY!? *dramaticallyshakesfistsalaLeo
I'm most excited about Moneyball and Albert Nobbs, and for reasons unrelated to cinema, Contagion because I study infectious diseases. I'm curious about A Dangerous Method-- I was excited until I saw the very conventional trailer.
I'm a little weary of Carnage (too theatrical?) and Tinker, Tailor, Soldier, Spy (too dry?) and I'm already over The Descendants (I'm no Clooney fan).
I want to know more about Wuthering Heights. II can't wait to see why the director of Fish Tank decided that her next project should be a classic work of Brit Lit (I totally trust that she has an excellent reason/vision for the adaptation) and I'd love it if WH ended up being the Bronte-based work discussed during awards season rather than Jane Eyre.
I have a feeling W.E. is going to be the biggest non event in recent memory ... or did the Filth and Wisdom steam roll somehow pass me by/
"Carnage" is certainly exciting, buy my most anticipated film didn't get a mention here - Whit Stillman's "Damsels in Distress".
Since The Iron Lady seems to be skipping the festival rounds, I wonder what The Weinsteins would do when the words on Albert Nobbs drop at the festivals?
There is no need for Fernando Meirelles to put Blindness out of sight because it was a stunning masterpiece, and absolutely underrated. There was a beautiful write up some days ago on here about Alice Braga and her scenes and the ensemble work in Blindness.
Very much looking forward to 360.
And yes, Go Glenn! I'm really anticipating Albert Nobbs.
OMG, I swear that this cinematic year has been insane with all the festival lineups (Cannes, Venice, Toronto) and it seems like anybody who's anybody is releasing an important film by the year's end. It's amazingly exciting and while there are bound to be a handful of duds and disappointments (especially with such a large and eclectic field) I'm gonna be SO busy at the theaters this fall, it's not even funny. Actually, it's kind of a godsend after the ridiculously dry spring and summer we've had. THE FILM GODS HAD A PLAN AND THIS WAS IT. REPENT DOUBTERS.
And there's still a handful more films I'm very curious about that won't even touch the festivals...