Yes No Maybe So: "Aquaman"

by Ilich Mejía

After being announced four years ago, DC's Aquaman is finally showing some promising signs of life. Director James Wan was joined by the film's cast at Comic-Con this weekend where they presented members of the press and fans with the film's first official trailer. The film's stars Jason Momoa (Aquaman) and Amber Heard (Mera) promised big action and a sci-fi fantasy, but more importantly Nicole Kidman was also there. 

Wonder Woman started turning some of us DC agnostics into intrigued believers. Will Aquaman uphold its predecessor's efforts? Before (or after) we get ahead of ourselves, let's pick its trailer apart after the cut...

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Great Moments in Gay - Lady Bird

Here’s Ilich on Lady Bird (2017)...

Pride Month and its celebrations are so outrageously fun to participate in because they feel so earned. The titular pride almost never comes immediately after queer people identify, at least to themselves, as such. It’s often preceded by confusion and a paralyzing fear that interrupts as many opportunities of rational thought as it can. Queer people take their time navigating through awkward stages of a sort of grief that will hopefully lead to that realization that they are free to be themselves without fear, and definitely without shame. Hints of these stages are warmly depicted in Greta Gerwig’s endlessly satisfying directorial debut Lady Bird. Through Danny (Lucas Hedges) and his friendship with the film’s protagonist, Christine “Lady Bird” McPherson (Saoirse Ronan), Gerwig’s script fleshes out the performances that many rehearse in the process of accepting their nature...

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April Showers: Blue Jasmine

A final April Showers for the month. Here's Ilich on Blue Jasmine (2013).

Blue Jasmine takes on the narrative of Tennessee William's A Streetcar Named Desire and removes it from its intended New Orleans setting to soak it in the San Francisco coastline. It's there that Jasmine (formerly Jeanette, always Cate Blanchett) reluctantly calls her sister's place home after her socialite life in New York City less than gently escorts her out. Water and cleansing are only a couple of the elements used to contrast her former, generously sponsored life in the city—shown in abrupt flashbacks throughout—against her less sophisticated past and current unraveling.

It's a paralyzing shower that sets Blanchett's Jasmine up for her last scene, but both mean little without the context provided before that give us an insight into Jasmine's aspirations and self-destructive habits. The film is as fascinated with its lead's denial as we are with Blanchett's performance...

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Mixed Media: "A Fantastic Woman" Dreams an Awakening

by Ilich Mejía

Arguably the only drawback of watching a movie on the literal big screen is not being able to immediately rewind to catch a perfect moment again. Well, maybe you could if you were friends with the theater's staff, but some of us may have pissed off too many of those by asking them to turn the air conditioning up a few too many times. In Sebastián Lelio’s A Fantastic Woman, last year’s Oscar winner for Best Foreign Film, that perfect moment comes an hour into the film when its protagonist Marina (played by Daniela Vega, the trans actress that inspired the film) finds herself in a underground club hiding from the slew of problems the death of her partner has earned her. There, Lelio and his team use dance and music to have Marina confront the movie’s major themes of loss and acceptance in a way that shocks her as much as it moves the audience.

Shiny fringe and mild spoilers after the cut...

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FYC: "Okja" for Best Visual Effects

by Ilich Mejía

With all due respect to Transformers: The Last Night and Jumanji: Welcome to the Jungle, neither one made me fall in love with a creature forty times my size—mostly because I skipped both, but other reasons, too. Okja's titular superpig, however, had me smitten after her opening scene cavorting across a Korean forest with her best friend, Mija (played by Ahn Seo-hyun, a revelation).

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