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Entries in 101 Dalmatians (10)

Tuesday
Feb102015

50½ Thoughts on 101 Dalmatians

Woof! To celebrate the first time release of Disney's beloved One Hundred and One Dalmatians on Digital HD, Blu-ray™ Combo Pack today (it's also available on Disney Movies Anywhere and On-Demand starting now) here's a classic from the Film Experience Vaults. It was first published for the beloved classic's 50th anniversary in 2011. But it'll be new to many of you! We suspect that 101 thoughts would have tried your patience too much but perhaps you could share the article with 3½ friends if you enjoy it, or leave 1½ comments behind before you go. The more the merrier, you know. And doesn't this wonderful movie wag its plentiful tail at that very motto?!

01 The first charming thing is its sketchy, spotty, doggy opening credit sequence. It's a prime candidate for "Art of the Title Sequence" ... I wonder if they've ever done it?

02 The movie was released in the early 60s and takes place in London. I can't think of another animated Disney feature off the top of my head that's this British but then,  "The British Invasion" was just around the corner so maybe America's Anglophilimaniac phase was already in the air in the late 50s when Disney started storyboarding this feature?

03 If you've been keeping up with your animation the past several years you probably see an immediate resemblance to the palette and cityscapes for Sylvain Chomet's The Illusionist.

(Read the full post - that Devil woman is coming right up)

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Thursday
Nov132014

101 Days 'Til Oscar

 

WARNING: We are now entering our Oscar countdown trance. Do not resist. Resistance is futile. 

COMING SOON: Tomorrow every Oscar chart will be updated to reflect last two weeks of buzz and actual first hand knowledge. Plentiful interviews coming your way.

TRIVIA: Neither 101 Dalmatians (1961) nor 101 Dalmations (1996) received an Oscar nomination of any kind. No, not even an Original Song nomination in '61 for Roger's in-film hit single "Cruella De Vil" 

 

Friday
May302014

Tim's Toons: On Marc Davis, father of Maleficent

Tim here. This weekend, Disney’s latest attempt at brand leveraging, Maleficent, will be open, and critical word so far is not terribly positive, with only one consistent bright spot being called out in even the most savage reviews. That being Angelina Jolie’s performance as the titular wicked/misunderstood fairy. And this should come as absolutely no surprise to anybody, given that putting Jolie in the role was the only real justification the project ever had. And even moreso given that Maleficent, first introduced in the company’s 1959 animated feature Sleeping Beauty, has long been agreed to be one of the studio’s best villains, and one of the best in movies generally.

Some months ago, I said my piece on just why Maleficent was such a top-notch character, and I’ll refrain from belaboring the point again here. Instead, I hope you’ll indulge me if I take this opportunity to spend a moment praising her creator – her original creator, before screenwriter Linda Woolverton (who wrote the awful 2010 Alice in Wonderland) and director Robert Stromberg (the production designer of the awful 2010 Alice in Wonderland) had a chance to make her some kind of half-assed avatar of heavily corporatized feminism. I’m referring to Marc David, one of the famous Nine Old men animators at Disney between the ‘30s and ‘60s, the supervising animator on the original Maleficent.

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Saturday
Feb012014

Day of Rest

I need 101 Days of Sleeping but a single day must suffice. In the meantime there's a lot for you to catch up on like The Best of January, voting on who should win on each individual Oscar chart, all the Sundance reviews - forty-two of 'em!, and 14 whole anticipatory episodes of We Can't Wait aimed at 2014.

You should also check out this Variety report behind the Academy's reasoning for disqualifying "Alone Yet Not Alone" from the Original Song field which we were talking about just on Wednesday. Again, I really wish they would look into the music branch for MANY changes, not just this stand alone decision. They've done it before with Documentaries and Foreign Film and they have to have noticed by now how deeply troubled the music branch is, right? Oh god please tell me they've noticed!

We'll be back Sunday early evening yapping like an excited puppy for one final month of Oscar '13 madness.

Monday
Mar142011

50½ Thoughts on 101 Dalmatians

Woof! Guess which Disney classic is celebrating its 50th anniversary this year?

Yep, that's One Hundred and One Dalmatians which debuted fifty years back, January 25th of 1961 to be exact. Let's discuss with 50½ quick thoughts as 101 would send most of you clicking immediately away. The Film Experience shan't ask that much of your patience though perhaps you could share the article with 3½ friends if you enjoy it, or leave 1½ comments behind before you go. The more the merrier, you know? And doesn't the movie wag its plentiful tail at that very motto?!

01 The first charming thing is its sketchy, spotty, doggy opening credit sequence. It's a prime candidate for "Art of the Title Sequence" if only they'd do more classics.

02 The movie was released in the early 60s and takes place in London. I can't think of another animated Disney feature off the top of my head that's this British but then,  "The British Invasion" was just around the corner so maybe America's Anglophilimaniac phase was already in the air in the late 50s when Disney started storyboarding this feature?

03 One can't help but notice the immediate resemblance to the palette and cityscapes for Sylvain Chomet's The Illusionist.

04 Pongo, the first (of many) dalmatian narrates and refers to Roger as "my pet". Animated movies have anthropomorphized animals since the creation of the form but one wonders when people started joking about the inner lives of animals? Maybe Adam & Eve even chuckled about how bossy the garden creatures were?

05 Though the movie feels more leisurely than today's animated features, from its opening frame, it's giving you the narrative and characterizations pretty quickly.

06 Pongo wants Roger to settle down. The scene where he's judging human/dog pairs from the window is like one of those now cliché comic audition scenes where you see a few obviously unsuitable candidates before you get to the real goods, the final auditioner, the one you're supposed to root for.

07 Poll Time.

 

 

 

08 If you give it more than a second's thought you realize it's an odd cliché since it doesn't really occur in real life. You can take it from someone who used to do corporate recruiting. You can't really stop the auditions as soon as you love someone. There are these pesky things called politeness, appointments, and bosses who'd like a few options later on. Sometimes you end with a real dud, not the superstar! And it's not true of dating either. Most people don't settle down with the first person that isn't totally unsuitable ;)

09 Although maybe it's truthy for cutthroat Hollywood? Perhaps casting directors boot out every starving actor in the hallway as soon as they get their first wow?

10 This post: Too fancy? Much too fancy?

11 The pan around Roger's apartment is so evocative, funny, super detailed and gorgeous. It's busy and messy and bachelor chaos without being overbearing. Those background painters really outdid themselves back in the day.

12 This post is set to publish at 5:14 by Pongo's request.

13 If you haven't left work yet maybe you should right now? The weekend is upon you. Take your furry friend for a long walk in the park.

14 Wait, do you even have a dog?

15 Poll time.

 

 

16 How adorable is it that Pongo talks like a dog when he's with humans and we only get the translation with the animal-only scenes. The sound work is pretty strong. You can actually distinguish between the "voices". The movie is full of strong line bark deliveries.

17 The heavy ink lines around the characters are a thing of the past. When I was a little kid I bought "how to animation" books and I remember that the ink lines had something to do with the outlines for cel animation being one job and the painting of color being another entirely. Different people did different jobs though I don't remember what the various positions were actually called although one was named "inbetweeners" I think, which is such a great job title. In some scenes the heavy ink lines are much more prominent than others which I can't quite figure. Was it a quickie production? Did it change hands? Were there different teams for the different "chapters" of the movie? Any Disney historians reading?

18 Is this one of the best "meet cutes" in film history? Pongo wraps the leash around the humans and sends them tumbling into the pond. Pongo thinks it is. He's very proud. It's a sly move and he gets his own wife (Perdita) in the bargain. There's a double wedding... and soon Perdita has 15 buns in her oven.

19 Speaking of ovens... "Nanny" is the stock plump "help" Disney character -- it's like they don't even redesign them at all between movies but for their clothes -- but she's adorable.

Read the full post. THAT DEVIL WOMAN is coming right up.

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