1987: The Living Daylights and “Strong Female Characters”

1987 is our year of the month. Here's Deborah Lipp...

One of the unusual things about 1987 is that three of the ten top-grossing films of the year are female-centric. Perhaps two of those films—Moonstruck (about which I’ve written here ) and The Witches of Eastwick—are more correctly called “Cher-centric.” Perhaps the force of nature that is Cher is what made the difference here? (More on her later in a different article). Regardless, 1986 and 1988 are both more typically Hollywood, which is to say, more male.

And speaking of male-centric movies, let’s talk about James Bond. 1987 is the year of The Living Daylights, the first Timothy Dalton Bond movie, and the mid-point of a nadir for Bond box office. (At some point, a Bond box office article will be forthcoming.) Specifically, though, let’s talk about the “Bond girl” of The Living Daylights, Kara Milovy, played by Maryam d’Abo...

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Best Supporting Actress 1987: Getting to know the nominees

by Cláudio Alves

The Supporting Actress Smackdown of 1987, the last episode of this season, is approaching. As we did with the '38 Oscar lineup, we invite you to peruse the biographies and careers of these stupendous actresses. The 60th Academy Awards may be one of the few times all of the contenders were single-nomination actresses, but that doesn't mean their legacies and stories aren't fascinating. These women make up an impressive lot that includes Argentinean acting royalty, a Presidential candidate's cousin, and one of Old Hollywood's queens of comedy…

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1987: Veronica Cartwright in "The Witches of Eastwick"

Before each Smackdown, Nick Taylor looks at alternates to the Oscar ballot...

Happy Halloween!! God, I missed writing these pieces. And I’m so excited to finally discuss a horror film performance, even if The Witches of Eastwick isn’t anyone’s first example of "horror". Probably the purest element of horror in the film - and its best element period - is Veronica Cartwright’s unforgettable turn as the devout, unraveling selectwoman Felicia Alden. An actress possessessing an uncanny ability to give plausible, full-bodied expressions of terror to films as frightening and atmospherically rich as Invasion of the Body Snatchers and Alien, her gifts are put to the test in an equally ambitious but more tonally inconsistent film. Felicia surely ranks among the most showcased roles she’s ever had, which is all the more exciting given how different she is from Lambert, though I can’t fathom why her career didn't explode with juicy offers thereafter. Regardless, what she accomplishes here might be the crown jewel of her vivid, horror-cult career...

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Where to stream movies from 1987, our 'year of the month'

As we keep promising you, the Supporting Actress Smackdowns are much more fun if you play along at home. The final Smackdown of the year is on 1987 and it'll be a goodie because two of the movies (Moonstruck & Fatal Attraction) are already bonafide classics. We've already told you where to watch all five of those films but don't forget to send in your votes (1 to 5 hearts for each lady) by November 17th.  

If you REALLY wanna dive into the cinema of 1987 before the event, here is a list of movies that are currently streaming and where.

Far more titles (unlisted) are available through Hoopla if you have that through your local library but we don't have that in NYC so we can't look it up for you. Let us know in the comments which 1987 titles from this list (or otherwise) that you'd most like us to cover at TFE...

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Sally Kirkland's legendary Oscar campaign

by Cláudio Alves

The next Supporting Actress Smackdown will focus on the contenders of 1987. Before that celebration of great acting at the margins, we'll be exploring the cinematic year, its glorious pictures, and memorable Oscar races. Speaking of which, one can't discuss 1987 in the context of awards, without mentioning and paying respect to one of the ballsiest campaigns ever made by an actress. Through her sheer will, impressive determination, and tireless ambition, Sally Kirkland managed to conquer a Best Actress Oscar nomination for Anna, a little-seen American indie about an aging performer.

First things first, before we delve into Kirkland's pursuit of little golden men, we should appreciate the work for which she was recognized. The movie is discussed nowadays to snicker at the thirsty campaign, but it's a masterclass of acting...

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