Over & Over: 1987's "Baby Boom"

by Eric Blume

Baby Boom, directed by Charles Shyer with a script by him and his then-wife Nancy Meyers, encapsulates 1987 beautifully.  From young James Spader's Wham!-like hair to Keaton's fashions to the dated woman-in-the-workplace-can-she-have-it-all plot, it could be a time capsule film for the year and its essence.  While we're celebrating 1987, this film couldn't be a better example of exactly where we were.

And yes, Baby Boom is a mercilessly commercial enterprise, engineered with cliche characters and "adorable" cutaway shots to the child inherited by the "Tiger Lady", J.C. Wiatt, played by Diane Keaton.  I can't defend this movie as a work of fine cinema, but I've returned to it over a dozen times for the sheer joy in Keaton's peerless performance...

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Tweets: Movies that should be TV shows, QT fun, Minority Report ages

SO RELATABLE 

Me: *literally in the middle of a scene*
My Imposter Syndrome: pic.twitter.com/yoSYE70zpl

— Andy Mientus (@andymientus) August 1, 2019

We stopped doing weekly tweet roundups but nevertheless, it's fun to share highlights from time to time for those that don't use twitter (and because it's so easy to miss hilarious tweets or interesting little provocations or takes. So every once in a while we feel the need to share a batch. Hope you enjoy the round-up after the jump which includes Once Upon a Time in Hollywood, Minority Report, Weekend, Christopher Nolan, and two very fascinating questions for the room (if you're reading we assume you love the movies lots) so please answer 'em in the comments...

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Sam Shepard (1943-2017)

by Eric Blume

Sam Shepard in the early days of fame

Although it’s been well over a decade since we’ve had a major contribution from Sam Shepard, his death yesterday at age 73 feels momentous.  He’s our only American playwright to have won a Pulizer Prize as a writer and then gone on to an Oscar nomination for his acting.  He was a symbol of masculinity and a man of great mystery...   

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