Beauty Break: The Celebrity Portraits of Victor Skrebneski (1929-2020)

by Nathaniel R

One of the most celebrated fashion and celebrity photographers of the 1960s-1980s, Victor Skrebneski, has passed away at the age of 92.  Above you'll see a self portrait and next to it one of his most iconic images, Vanessa Redgrave shot in 1967.

Skrebneski's heyday was a smidgeon before our pop-cultural awareness dawned (we grew up during the heyday of celebrity photographers like Herb Ritts, David LaChapelle, and Annie Liebovitz), but we knew Skrebneski's images before we ever learned his name. He did amazing portraits of Bette Davis, Dolph Lundgren, David Bowie, Diana Ross, Kathleen Turner and more. His black and white work was often extremely sexy and there are a few NSFW images after the jump. He shot movie stars masterfully, you must agree...

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SXSW didn't have a festival. But they do have winners.

Shithouse (2020) was the big winner at the phantom SXSW festivalA not so secret secret about film festivals: many juries are watching their category on screeners before the festival due to tight schedules, scads of programming, and the general chaos of actual festivals. So, though SXSW didn't actually happen this year, their juries DID give out prizes. Yes, it feels like new movies are but figments of our imagination but that's always the case to some extent with festivals, isn't it? Like Saint Frances which won big at SXSW a year ago only to finally emerge just in time for the Coronavirus to strike it down in theaters, a couple of weeks ago. So maybe in a year's time we'll see these movies!

Their winners and what the juries said about them....

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"Boys in the Band," the film version, is 50

We've talked before about how instrumental legendary movie star Natalie Wood was in getting the groundbreaking gay play Boys in the Band made. It was such a hit off Broadway in the spring of 1968 that it a film version was in theaters two springs later; The film version premiered 50 years ago on this very day...

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Reader's Choice: Lady in a Cage (1964)

New bi-weekly Monday series. By popular vote you selected this streaming film for screening & discussion...

by Nathaniel R

Where did the sayings "wear your influences / heart on your sleeves" originate? No matter the etymology of the phrase we think it disagrees with fussy widow Mrs Cornelia Hilyard. Her billowy sleeves aren't half as expressive as the sheer scarf and shawl like top over her simple house dress. She fidgets with it constantly, untying and unbuttoning the extra layer of fabric due to the unfortunate duet of a broken air conditioner and a great lady's modesty!

The influences and emotions clinging visibly to this lady in her cage, or rather Lady in a Cage (1964), are much the same. Screenwriter Luther Davis and Director Walter Grauman throw just about everything they can think of that was cinematically en vogue or brazenly attention-grabbing in the early 1960s into the mix (drug use! homosexuality! juvenile delinquents! sex! formerly glamorous leading ladies getting sweaty and desperate and humiliated for your viewing pleasure). The film's sociopathic parents -- its daddy is Psycho and its mommy is Whatever Happened to Baby Jane -- have cast a long historical shadow over Lady in a Cage...

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Review: Don't miss "And Then We Danced"

by Cláudio Alves

A man is a monument of strength, hard and unbending. A woman is a vision of purity, soft and willowy. For those who teach Georgian traditional dance, this binary is tantamount to a universal truth whose cosmic certainty must be supported by the choreographed bodies. But binaries are conventions fated to be broken by the messiness of being human. Merab, the protagonist of Levan Akin's And Then We Danced, is the element of humanity that breaks the convention and exposes its brittle frailty.

Merab's too soft to be a monument. He's too willowy to be the man of folkloric tradition. He's still a man, though, and a dancer too, one that trains to be part of the National Georgian Ensemble...

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