Review: A Hidden Life

by Cláudio Alves

Though I'm an atheist, I've long been fascinated with stories of faith and spirituality. When it comes to cinema, this is especially true. It's difficult to not be drawn to Bergman's reveries about a cruel God, Dreyer's religious ardor or Bresson's catholic severity. They move and engage, they challenge and inspire, even when the viewer doesn't believe in the cosmic orders they take for granted. Terrence Malick is a good name to add to that list. After all, the Philosophy professor turned filmmaker has dedicated much of his career to the transmutation of the soul into film. He creates spiritual odysseys out of light and color, intuitive editing and ephemerous scripts, star-studded casts and beautiful cinematography.

His style is so specific it's become prone to parody and his self-important themes can feel alienating. A Hidden Life exemplifies all of this to the extreme and, in some ways, it seems to announce itself as the ultimate Terrence Malick project…

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Cannes Competition Lineup

by Nathaniel R

This year's poster features Agnes Varda climbing on an assistant for a shot.The lineup for the 72nd edition of the Cannes Film Festival has been unveiled. 19 films will compete for the Palme d'Or and 16 films will compete in the secondary lineup Un Certain Regard (we'll get to those in a bit) though those numbers might expand should they add a couple more entries to either program. They usually do that after the official unveiling. Mexico's Alejandro Gonzalez Inarritu (Birdman) and Lebanon's Nadine Labaki (Capernaum) will preside over the Competition and Un Certain Regard juries, respectively. 

COMPETITION

These films are the ones gunning for the Palme d'Or. There are four female directors in the competition lineup and two black directors both of which are way more than usual at Cannes... 

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