Men in Black Don't Die in San Francisco

Since this weekend's box office was all over the place we have an expanded list today. We're taking all wide releases into account and the corresponding top 12 in limited release.

Weekend Box Office June 14th-16th (Actuals) 🔺 = new or expanded theater counts / ★ = recommended
W I D E	PLATFORM / LIMITED
1 🔺 Men in Black Int'l $30 on 4224 screens *new*  REVIEW	1 🔺 The Dead Don't Die $2.5 on 613 screens *new*  REVIEW, JARMUSCH

2 Secret Life of Pets $24.4 on 4563 screens (cum. $92.6) REVIEW	2 🔺  Last Black Man in San Francisco $380k on 36 screens (cum. $733k) REVIEW  ★

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Posterized: Jim Jarmusch

by Nathaniel R

The Ohio-born indie auteur Jim Jarmusch first made waves in the cinematic landscape with his black and white sophomore feature Stranger Than Paradise in the mid 80s . It was a big critical success and arthouse sleeper hit. He was suddenly the "cool" new director. His career since then has been, like most critical darling careers, full of small waves of audience popularity versus indifference, sometimes not in relation to the critical fates of whichever film arrived. For example, Paterson (2016), his most recent picture prior to the brand new zombie comedy The Dead Don't Die (opening today) was a huge critical succcess in its year, but grossed just $2 million at the US box office.

Through it all critics have mostly been loyal and actors with more eclectic taste have become his regulars: Tilda Swinton, Tom Waits, and Bill Murray have all made 4 pictures with him.

How many of his pictures have you seen? The posters are after the jump...

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Review: The Dead Don't Die

by Chris Feil

A few years back, Jim Jarmusch brought fresh life to the oft-revisited vampire genre with the sexy Only Lovers Left Alive. This summer, he attempts to do the same with the tropes of the zombie film in The Dead Don’t Die, drolly taking on our mindnumbed obsessions in the modern dissociative era. Should he take on another monster genre soon - who better to find the poetic ennui of a werewolf, truth be told - then he should hope it results in something more akin to his look at bloodsuckers than that of his flesheaters. The Dead Don’t Die is a smug stinker.

The film is set in Centerville, “A very nice place to live!”, a town small enough to house a single diner for restaurant options and with its gas station pulling double duty as its comic shop. News reports that the Earth has spun off its axis due to polar fracking is met by the townspeople with the mildest sense of alarm, at least as much as they can muster for a world outside that they just cain’t understand. But that small town malaise is devoured once the local cemetery starts sprouting the reanimated dead.

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Cannes Competition Lineup

by Nathaniel R

This year's poster features Agnes Varda climbing on an assistant for a shot.The lineup for the 72nd edition of the Cannes Film Festival has been unveiled. 19 films will compete for the Palme d'Or and 16 films will compete in the secondary lineup Un Certain Regard (we'll get to those in a bit) though those numbers might expand should they add a couple more entries to either program. They usually do that after the official unveiling. Mexico's Alejandro Gonzalez Inarritu (Birdman) and Lebanon's Nadine Labaki (Capernaum) will preside over the Competition and Un Certain Regard juries, respectively. 

COMPETITION

These films are the ones gunning for the Palme d'Or. There are four female directors in the competition lineup and two black directors both of which are way more than usual at Cannes... 

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