Tribeca: How To Recover From A Breakup, Indie Style

Diana reporting on a thematic trend at Tribeca

Relationships end. Goodbyes, no matter how “amiable,” are awkward and feelings are hurt or mangled. We have all been there and survived. Like the worst of hangovers, there are still no sure-fire recovery cures and you’re frequently left with a ringing noise in your ears, whether it’s nagging self-doubts or ongoing pangs of heartache. Some turn to binges and purges (booze, food, etc.), others break out the self-help books and get a new haircut, and a very small few release public statements involving a new buzz phrase (looking at you, Gwyneth). At this year’s Tribeca Film Festival, many films tackled the issue head-on and their protagonists dealt with heartbreak to varying degrees of success, involving alcohol, rebounds, and even some zombie beavers (and we’re not talking about undead sex lives).

four movies after the jump

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Tribeca: A Tale of Two Alex's in "About Alex" and "Alex in Venice"

Our Tribeca coverage begins with Glenn on two similarly titled indies

Alex is in crisis in both About Alex and actor Chris Messina's directorial debut Alex in Venice. Both films are indie dramas about the complexities of modern relationships, though one is decidedly much better than the other. While both Alexes are broad-strokes comparable to similar films that have come before, Jesse Zwick’s About Alex has trouble feeling like anything more than a cheap imitation. Populated by a cast of predominantly TV actors (Maggie Grace, Aubrey Plaza, Max Greenfield, and Jason Ritter as Alex) and featuring a lot of nonsensical moments and illogical characters traits that could easily be the result of the first time feature writer and director’s inexperience, About Alex just doesn’t congeal into anything substantial. It lacks the generational pull of its most direct cinematic cousins, like Lawrence Kasdan’s Oscar-nominated 1983 classic The Big Chill (or maybe the generation on display is just not as interesting). The ensemble chemistry that lifted Joe Swanberg’s recent Drinking Buddies out of the sea of low-budget, mumblecore imitators is also missing. [more...]

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