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Entries in Tribeca Film (40)

Thursday
Apr292021

Tribeca 2021 Can't Get Here Quick Enough

by Jason Adams

When the Tribeca Film Festival (2021 edition) kicks off in June -- it runs from June 9th through the 20th -- it will have been 25 months since my last rendezvous with the festival, way back in the spring of 2019. Some stuff has happened in the in-between, ya know? But we're still plugging along, thank the Movie Gods, and pretty excited to have this little slice of our routine slipping back into its slot. I've been here in NYC long enough that I was around for the first edition of the fest, founded in 2002 in the wake of the September 11th attacks, and already I can feel in the air a similar sense of celebratory survival. It's been a tough 25 months, but spring feels finally in the air. 

The entire line-up for the festival was announced last week -- including the Opening Night premiere of this year's big musical sensation-to-be In the Heights -- and you'll find all of the titles down below. But first I just want to highlight a small selection of five titles (because five's a good solid respectable number) that immediately leapt off the page and poked me in my eyeballs. And you can no doubt expect to hear my thoughts on these ones (and plenty more) once the coverage kicks up in June...

Click to read more ...

Wednesday
Apr292020

Doc Corner: Tribeca Film Festival x4

By Glenn Dunks

The Tribeca Film Festival is sadly a no-go for 2020, but the teams behind some of the festival’s documentary selections have made their films available for press so we’re going to take a look at a few and hope that one day they make their way to screens for you in the future.

Let us start with a delight of a drag kiki in P.S. Burn This Letter Please, tracing an underground circuit of drag queens, female impersonators and gender illusionists in 1950s pre-Stonewall New York City. Prompted by the discovery of a box of letters all addressed to a mysterious man named Reno -- I won’t spoil the fun, but the recipient has ties to Michelle Pfeiffer! -- who kept them secret, and in doing so has kept alive a part of queer history that is too fabulous to stay hidden away. Through these letters and interviews with some of the surviving queens, directors Jennifer Tiexiera (an excellent editor of works such as Dragonslayer, one of my top documentaries of the decade, and 17 Blocks) and Michael Seligman (a producer on RuPaul’s Drag Race) untangle the insignificant dramas and life-changing moments of Daphne, Adrian, Claudia, Rita George and the rest of the gang.

Before Paris is Burning and even before The QueenP.S. Burn This Letter Please offers insight where there has historically been so little. As one talking head explains, this is real gay history in black and white.

Click to read more ...

Friday
Apr142017

Barkhad Abdi is having a "Good Time"

by Murtada

You know who might be having a big 2017 in film? Barkhad Abdi. He has three interesting projects coming out, starting with Dabka which will play this month at the Tribeca Film Festival. Written and directed by Bryan Buckley (The Bronze) it’s the true story of a reporter’s risk-taking adventure that gave him an unprecedented first-person account of the pirates of Somalia. Evan Peters plays the reporter Jay Bahadur on whose best selling book, The Pirates of Somalia: Inside Their Hidden World, the film is based. Abdi plays a local fixer who helped Bahadur embed himself with the Somali pirates. So he hasn’t gone very far from the world of his Oscar nominated performance in Captain Phillips (2013).

with Evan Peters in Dabka

However Blade Runner 2049 could not be further away from his most famous role...

Click to read more ...

Wednesday
Apr292015

Tribeca: Suffer the Little Children

Here's Jason with a real pair of downers to conclude our Tribeca Coverage. Thanks for reading along. Next up in the festival game: Cannes...

Bridgend -- I'm a little perplexed about Bridgend winning half of the awards at the fest; besides a few arresting visuals I found the film moribund on arrival. The film fictionalizes the true-life story of a town in Wales where a mysterious rash of suicides has plagued the hills. Lead actress Hannah Murray (best known in the US as Gilly on A Game of Thrones, although I didn't recognize her once while watching the movie and I'm a big Thrones fan) gives us a vivid enough slide into Crucible light hysteria but I never really bought what the movie was selling - it skims over too many unreasonable plot holes in deference to its stifling mood, and at times is downright silly with trying too hard. A literally shitty sex-romp on a dirty mattress in the woods is somehow played straight, even as visions of Divine in Female Trouble flood our minds.

Meadlowlands -- Also suffering from all outward signs of Film Festival Depression, where people suffer beautifully, so beautifully, Meadlowlands does have a few nice performances even as it wrings every manipulative drop out of Dead Kid Grief it can. Olivia Wilde and Luke Wilson play parents whose cookie-munching moppet gets snatched at the start of the first reel; the kid's never more than a plot device through which we can watch them suffer, and suffer they do, beautifully. Wilson gets the less overbearing arc to play which is good since he's an actor I appreciate for his low-key style; Wilde smartly under-plays her over-drawn hand (cutting and autistic kids, oh my) but man alive by the time the elephant shows up all I could think of was "Don't think about elephants."

OUR COMPLETE TRIBECA 2015 COVERAGE
18 reviews. A round of applause for Joe, Jason, and Abstew

 

Tuesday
Apr282015

Tribeca: "Anesthesia" and "When I Live My Life Over Again"

Pardon the onslaught but now that Tribeca has concluded we're wrapping up our coverage. Here's Abstew on two more star-heavy flicks. - Editor

Anesthesia 
Populated by familiar faces (Sam Waterston, Glenn Close, Kristen Stewart, and Gretchen Mol to name a few), actor turned writer/director Tim Blake Nelson (most recently seen as Kimmy Schmidt's bumbling stepfather on the Netflix comedy series) has assembled a multi-story film that revolves around a bloody mugging that happens in the first moments to Waterston's University Professor. As is usually the case with films that involved multiple storylines, not all of them are as compelling as others and some of them simply take too long to reveal how they connect to the main story. But Nelson, perhaps because he is an actor first, gives his fellow thespians meaty roles to play with such tough-hitting issues as drug addiction, self mutilation, infidelity, cancer, and even lose of virginity. But his hyper-intelligent dialogue often times threatens to overshadow the story he's telling (and sometimes reaches too far like a clunky bit that compares a character's wants to an everything bagel).

But it's the strong work of the actors that keep the story afloat...

Click to read more ...