Streaming: "Grace and Frankie" Walk Off Into The Sunset

Jane Fonda and Lily Tomlin say goodbye to "Grace and Frankie" after seven seasons on Netflix.By: Christopher James

Grace and Frankie was designed in a lab to be perfect comfort TV before bed. Living legends Jane Fonda and Lily Tomlin have delivered elevated TV-Land-without-censors gold for 94 episodes over seven seasons. Unfortunately, the time has come for our titular odd couple to say goodbye, making Grace and Frankie the longest running Netflix show of all time. 

Even after all this time, our favorite ladies have kept it fresh and fun until the very end. Grace and Frankie never set out to reinvent the wheel. However, they earn points for consistency as they keep things funny and emotional all the way to the bitter (and star studded) end. We’ll miss seeing Jane Fonda and Lily Tomlin on our screens regularly. However, the show is charming and lighthearted enough to be the perfect rewatchable comfort food...

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Grace and Frankie, Season 3: Return to Form

By Spencer Coile

A good series is not born overnight. Oftentimes, the pilot episode is not indicative of the quality a show might have down the road. Even if it is incredible, the series still runs a risk of running off the rails in subsequent seasons (Desperate Housewives). Still, there is something especially rewarding about a series that, after two lackluster seasons, can come back swinging in its third. And after indulging in half of its third outing, it is safe to say that Grace and Frankie has carved out a very unique space for its viwers. 

Picking up shortly where season two left off, season three to Grace and Frankie finds its two leading characters developing their own sex toy business geared toward older women. Of course, this is all easier said than done. After all, they still are an odd couple. Meanwhile, their ex-husbands Sol and Robert, neogotiate issues of retirement, gay culture, and coming out at such an old age. And of course you cannot forget all of their children, grounding all of the "adult" happenings with a strange twinge of immaturity. 

But what makes the latest offering from Grace and Frankie better than its previous two seasons? 

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Grace & Frankie. Final Thoughts & Emmy Wishes

We recapped the first half of Grace and Frankie and then abruptly quit talking about it, but since it's been renewed, we should tie this up in a neat bow. As with other Netflix shows in the past like OITNB and Daredevil it didn't quite engage people in the blogging model as weekly series coverage does despite the fact that it was clear that most readers were watching. The problem, as documented in ongoing media hand-wringing and cultural conversations about binge-watching, is that nobody's ever on the same page. 

But on the other hand people do seem to have ended up on (mostly) the same page with Grace & Frankie in terms of its overall quality. More...

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Grace and Frankie S1:E2 "The Credit Cards"

We'll take the next episode of Grace and Frankie quickly both because it's shorter and it's not as jam-packed with discussables as the premiere. We begin with the women still devastated while "the boys" -- I love that their wives call them that -- are already much more lighthearted, having finally pulled the trigger on coming out. Sol (Sam Waterston), is way more excited about having come out than the more reserved Robert (Martin Sheen). More...

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Tribeca: "Anesthesia" and "When I Live My Life Over Again"

Pardon the onslaught but now that Tribeca has concluded we're wrapping up our coverage. Here's Abstew on two more star-heavy flicks. - Editor

Anesthesia 
Populated by familiar faces (Sam Waterston, Glenn Close, Kristen Stewart, and Gretchen Mol to name a few), actor turned writer/director Tim Blake Nelson (most recently seen as Kimmy Schmidt's bumbling stepfather on the Netflix comedy series) has assembled a multi-story film that revolves around a bloody mugging that happens in the first moments to Waterston's University Professor. As is usually the case with films that involved multiple storylines, not all of them are as compelling as others and some of them simply take too long to reveal how they connect to the main story. But Nelson, perhaps because he is an actor first, gives his fellow thespians meaty roles to play with such tough-hitting issues as drug addiction, self mutilation, infidelity, cancer, and even lose of virginity. But his hyper-intelligent dialogue often times threatens to overshadow the story he's telling (and sometimes reaches too far like a clunky bit that compares a character's wants to an everything bagel).

But it's the strong work of the actors that keep the story afloat...

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