Best of the Year: Nathaniel's Top Ten

Previously: The Honorable Mentions

Often during the calendar-straddling list-making frenzy of "top ten season" a scene or a line of dialogue or even a whole film will refuse to dislodge itself from any internal conversation you may have with oneself about the year. That moment for me this year was Kylie Minogue's cameo late in Holy Motors when she arrives in a trenchcoat, like some lost Casablanca love, to sing:

Who were we. When we were. Who we were back then?

It'd be ineloquent bathos, too crudely and redundantly stated, if it weren't sung. But this heightened musical longing for a lost identity, lifts and soars with pathos instead. The year's best films kept reinforcing this most interior of questions as they wrestled with their past selves towards an uncertain future.

Nathaniel's Top Ten of 2012
From all movies screened that received US theatrical releases...

ZERO DARK THIRTY (Kathryn Bigelow)
Sony/Columbia. December 21st 

[SPOILERS FOLLOW] My favorite exchange in Mark Boal's dense script occurs between a government official and a CIA operative. "What the fuck does that mean?" "It's a tautology". I laughed at the wordplay in the film but wasn't expecting the widespread tautological eruptions that followed the film's premiere as everyone bent themselves into self-affirming pretzels to debate its portrayal of torture in the film's opening scenes as if there were only one way to look at the damn movie... as if torture were the only thing worth discussing about the film! To Zero Dark Thirty's credit, though I too was discomfited by its suggestion that torture yielded useful intel, there's nary a comfortable or pandering moment in the film. Like The Hurt Locker before it, ZDT attempts something like an apolitical stance though how successful that is (or ever can be) will be left to each viewer to decide. In my mind, Bigelow doesn't suggest that you're meant to enjoy torture or even embrace the mission's success, exactly...

more on Zero Dark and 9 more triumphs after the jump...

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The Flu

Apologies for my absence. Under the weather for the 17th time this year. I think the evil Flu realized that I kept claiming that my calendar year didn't end until Oscar Night and also overheard my praise for 2013 as a whole new rebirth after the constantly hideous 2012. It put two and two together and saw a window for one last attack! 

Every hour'ish today, I've been startled awake by my own Oscar Fever 'omg I forgot to post something about Amour!'  And as soon I dizzily stumble over to the computer I forget what it is that I've forgotten to say about it. I mean besides the top ten list which is 75% written... stay tuned. During this weird ritual I've realized that they still haven't announced who Amour's producer nominees are for Best Picture. And that, if Argo wins, Ben Affleck wins his second Oscar anyway despite the director "snub" and then they'll "owe" him --ugh! -- and he'll breeze to a third win. Some of my best actresses can't even win one! 

Anyway I hope it's not the flu again and i'm just having an odd day but if it is, at least I have good company. Four day old Golden Globe joke coming at'cha... 

I don't know who made this or i'd give them credit. but thanks for the lolz

Emmanuelle Riva's Oscar Birthday And The 100 Oldest Living Oscar Nominees

Emmanuelle Riva at the NYFCC Awards earlier this weekGuess who has a birthday on Oscar night this year? Emmanuelle Riva! What fortuitous timing.

The legendary French actress of Hiroshima Mon Amour (1959) fame, was Oscar-nominated just a few days ago for her haunting downward spiral in Michael Haneke's Amour (2012) and on her 86th birthday she could become the oldest winner of any competitive acting Oscar. Christopher Plummer, who turned 83 last month, currently holds that record for his win last year for Beginners. Riva's abundantly well deserved nomination makes her, at this writing, the 64th oldest living Oscar nominee or winner, just a few days younger than American screen legend Sidney Poitier.

So, as we gear up for Oscar night, I thought it was time to look back with gratitude on our elders. Let's pay homage to the Oscar nominees and winners that are still with us. Investigate these talents with your DVD queues and perhaps they'll feel the vibes of new fans "discovering" their cinematic contributions. That would have to be a sweet (and deserved) sensation. 

I'm posting today, not just due to the discovery that next month's Emmanuelle Riva Birthday Celebration will involve all the biggest stars in the world, but because it's January 12th, on which we always say happy birthday to #1 on this list. I hope you enjoy!

100 OLDEST LIVING OSCAR NOMINEES/WINNERS

National Society of Film Critics Loves Amour

National Society of Film Critics is the last of the three big critics' groups to announce their annual winners and they have followed LAFCA's footsteps in giving their top prize to Michael Haneke's Amour. It's yet more fuel in the film's fire as Sony Pictures Classics awaits the Academy's nominations on Thursday, though with the voting deadline already passed, this prestigious honour will have no persuasive power on Academy voters.

As with LAFCA,  Paul Thomas Anderson's The Master came in second in the top category, but this wasn't the only place where NSFC agreed with their Los Angeles counterparts. Emmanuelle Riva and Amy Adams also topped the lead and supporting actress categories, respectively.

Daniel Day-Lewis and Matthew McConaughey were the winners in the male acting categories. McConaughey, whose award was shared for Magic Mike and Bernie, has been a critical favourite all season - he won NYFCC's prize for the same two films as well - and is still lurking right around the nomination zone despite missing out on SAG and Globe nominations.

In the nonfiction category The Gatekeepers just edged out This Is Not a Film to the top prize, ahead of a distant Searching For Sugar Man at third. Jafar Panahi's film also managed a citation for Best Experimental Film. Tony Kushner and Mihai Malaimare Jr. rounded out the winners with prizes in the screeplay and cinematography categories, respectively.

Full list of winners after the jump...

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Things to Ponder Before Making Finally Final Oscar Nom Predix

I'm trying to decide how much to alter some of my current predictions when I post my final predictions (Tuesday night).  Here are some things I'm pondering. Ponder with me in the comments. It's a Ponder Party!

The Academy ♥ Tarantino? OR...
The Internet ≠ The Academy
The Globes ≠ The Academy
Quentin Tarantino is indisputably a god of the internet. Were the internet a person it would be his insatiable whore, his dresser, his boyservant, his entire yes man entourage. But the Academy is not the internet. They never have been. (If they were Chris Nolan would have five directing nominations and not zero and The Social Network and Brokeback Mountain would have trounced The King's Speech and Crash). Consider: zero nominations for Kill Bill Vol. 1 (my choice for his best film and unarguably worthy in technical fields even if you don't much care for it as a whole). Zero nominations for Kill Bill Vol. 2. One measly nomination for Jackie Brown. "But they loved Pulp Fiction (7 nods, 1 win) and Inglorious Basterds (8 nods, 1 win)" - shouts everyone in the universe. They did, it's true. [more...]

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