Guillaume, Marion, and First Child a few months backMarion Cotillard has had it with all the press attention she's getting in the Brangelina divorce. Who knows how the rumors about her and Brad started but Allied (opening this Thanksgiving) surely provided the easy optics. The movie stars are playing impossibly beautiful / sneaky deadly / possibly double crossing lovers in Allied (2016) and you could describe Mr & Mrs Smith (2005), the film that brought us Brangelina, in much the same way.
Cotillard released the following pointed statement, which reads like the equivalent of an eye roll crossed with a death glare. She wants you to know that she's perfectly happy with fellow French film star Guillaume Canet, her longtime partner, and also: she's pregnant again with their second child.
The statement in full and a bit more after the jump...
Brangelina No More Vox looks at the parallels between Liz & Dick and Brangelina EW Madame Tussaud's already separated Brad Pitt and Angelina Jolie's wax counterparts. Nathaniel wept. (Seriously, I'm not doing okay with this. I don't care if anyone thinks its silly. Double star wattage couples of this magnitude happen only a few times a century.) Slate ranks the remaining A list power couples
Brangelina, smack dab in the middle of their storied romance
Liz and Dick were only divorced for 16 months before they got back together so if I may put in an early request for 2018 Wishes. Lots more (and not just Brad & Angie) after the jump.
Murtada here. Agatha Christie’s Murder on the Orient Express is being remade by Kenneth Branagh. He will direct and play the lead part of Belgian detective Hercule Poirot who’s investigating a murder that happens on the famous train as it is making its way across Europe. The novel has been adapted several times, most famously into an Oscar winning film in 1974 by Sidney Lumet and an all star cast, led by Albert Finney as Poirot. Angelina Jolie was announced as Mrs Hubbard, an American loquacious socialite, played in 1974 version by Lauren Bacall. It’s good casting as the part calls a star with lots of presence.
Even though I haven’t read the Christie novel, I have seen the movie version and a 2010 British TV version with Jessica Chastain right before she hit it big. The story lends itself to an all star cast as basically every character gets an intro, one big scene and gets to participate in the finale. And everyone has a secret of course so the parts are juicy and fun and not too taxing on the actors. Hopefully lots of entertaining actors will sign up.
Who would you cast? Our suggestions for some of the characters after the jump...
For no reason whatsoever that's what we're blogging at this moment! (Just humor me, okay? My back is in spasming pain.)
1865 - The Thirteenth Amendment was ratified, abolishing slavery in the U.S. but 151 years later the topic is still on everyone's minds: see TV's Underground (any of you watching this?), the exciting news about Harriet Tubman on the $20 and two new biopics about her in the works, plus recent and current Best Picture types (Lincoln, 12 Years a Slave and possibly Birth of a Nation)
1891 - Carnegie Hall (then named Music Hall) opened in NYC so that one day "JUDY! JUDY! JUDY!" could be recorded for posterity
1914 - Movie star Tyrone Power was born and we still don't have a biopic 102 years later even though Zac Efron would be perfect in the role
1955 - Damn Yankees opens on Broadway and quickly becomes the movie Damn Yankees (1958).
1981 - Bobby Sands dies of a hunger strike in prison. His last days inspire a movie which is just extraordinary and introduces the world to the genius filmmaker/muse partnership of Steve McQueen & Michael Fassbender (Hunger, Shame, 12 Years a Slave).
2000 - Freshly minted Oscar winner, mesmerizing new screen presence, brother-kissing and blood-vial wearing Angelina Jolie marries Billy Bob Thornton further confusing / fascinating the world. That same day in movie theaters Gladiator opens which delights the world, Oscar voters, and drunk Elizabeth Taylor
We're nearly finished* with 2015 Film Bitch Awards, our own annual year in review yearbook/party and of imaginary Oscar ballot (well, half of it is that). Today the remainder of our Best Scene categories with six final scene categories. This group hands more nominations to films from the top ten list of course but for highlights to point out here on the blog before you click over, we're using films outside the top ten list.
Obviously this page (and post) of awards contains mild spoilers so if you haven't seen the films and wish to stay pure, these are not the awards categories you're looking for. Here is one nominee I felt the need to gab about (maybe you will too?) from each category...
BEST KISS While Creed was mostly ignored by the Academy, chances are its big box office (which significantly outgrossed Stallone's last two attempts are reigniting the franchise) will insure a big career for Michael B Jordan. Can Tessa Thompson hope for the same (it's always trickier for actresses of color)? They're wonderful together. Especially endearing is the scene in her apartment where Adonis makes up a godawful wrap and they end up collapsed on the floor, caught up in the moment. It's an upside down shot from above and they're something beautifully innocent and pure but also sexy about this kiss. (Later they'll bring the heat in a proper sex scene at Rocky's house. "but what about your Uncle?" / "He old!" Ha!)
SEX SCENE Angelina Jolie's third directorial effort By the Sea was mercilessly trashed upon arrival but this was always going to be its fate. The Jolie-Pitts are extremely mainstream-famous. And household name blockbuster stars that the public has longed to see paired again onscreen aren't supposed to reunite for an indulgent overly serious tribute to Euro art cinema of the 1970s. That's for the other kind of movie star, like the Julianne Moores and the Ryan Goslings of the world, whose filmographies are built on eclectic sensibilities and crisscrossing between the ittybitty and the giant. But By the Sea isn't without its moments. The best scene, repeated in different forms like a musical riff, is when the couple sits on the floor in their hotel room and shyly watches another younger couple (Melanie Laurent & Melvil Poupaud) make love in the next room through a peephole. It's beautifully sympathetic and tragicomic, an estranged couple tiptoeing back to intimacy through surrogates.
OPENING SCENE David O. Russell's Joy is an easy movie to quibble with. It often feels like five different movies that haven't reconciled themselves. This problem (?) is embedded right in its prologue which jumps from inside a stylized soap opera, to Diane Ladd's wonderfully expressive fable-like narration, and back to the soap opera but this time "outside" of it through a TV set, and into little Joy's bedroom where she makes a castle and theorizes about her possible superpower (maybe she doesn't need a Prince?). Ladd's Grandma guides us through this collision of styles and ideas with an expertly dropped line about Joy's creativity that doubles as a guide to how to watch and make ambitious movies.
The patience to figure it out."
Will Joy grow on us with time? Perhaps it might. Perhaps we quibbled too much. Perhaps Russell didn't have the patience to truly figure this one out but there's a lot to figure therein.
ENDING Spotlight may have the most mellow finale we've ever nominated in this category but there's something about its sober work ethic and the core ensemble wide shot, with Walter "Robby" Robinson centered, that really lands emotionally and elevates the film. His phone rings and they all just return to work. Where they've always been.
Spotlight..."
CREDIT SEQUENCE I've been disappointed these last few years that it's more and more common for films to have virtually no credits at the beginning and double up at the ending. So shout out to Mission: Impossible - Rogue Nation which has great opening and closing credits. The opening credits would be spoiler-alert central if they didn't come at you so aggressively with machine-gun montage speed. The ending credits are even more stylish --both an homage to the TV show and film appropriate -- with action frames from the film outlined by the wicks of time bombs; this movie is a blast.
MISCELLANIA - A DOZEN FAVORITE SCENES When writing about the Film Bitch Awards I often revisit a whole bunch of movies in clip forms, particularly the earlier releases that are blurry int he memory. Here we are at the end of the prize-giving and here comes Diary of a Teenage Girl and it suddenly looks just as good as everyone claimed it to be (I was previously in the admired but only admired camp). It was easy to turn certain movies off after checking the scene in question but I kept getting sucked into this film, as if it were the first time. One of the best moments is an animated interlude "The Making of Harlot" where a 'Beautiful Junior,' getting it on with Minnie, remarks upon her aggressive sexuality with something like judgment in his voice (though he's benefitting). Giant Minnie, holding him in her King Kong paw, turns away, with a single teardrop and casts him aside. True movie magic.
* Only three categories left to announce (Limited Roles x2 & Line Readings). Can you believe we're actually going to finish this year before the Oscars**?! Wheeee. We'll announce those three categories plus all the Gold Silver and Bronze medals at some point in the next 24, ya dig?
** Okay technically I won't have finished, damnit. I never named the Animated Feature nominees (we only go 3-wide here) because I was trying to see Boy and The World before voting. So we'll be finished with everything but that category.
Thursday, September 22, 2016 at 12:09PM 
Guillaume, Marion, and First Child a few months backMarion Cotillard has had it with all the press attention she's getting in the Brangelina divorce. Who knows how the rumors about her and Brad started but Allied (opening this Thanksgiving) surely provided the easy optics. The movie stars are playing impossibly beautiful / sneaky deadly / possibly double crossing lovers in Allied (2016) and you could describe Mr & Mrs Smith (2005), the film that brought us Brangelina, in much the same way.
