After Link

Letters of Note a telegram from Marlon Brando to Marilyn Monroe
Old Hollywood Rita Moreno West Side Story rehearsal photo. Love it.
In Contention "The top ten shots of 2011" Tapley's annual selection.
Cartoon Brew is interviewing the makers of the Oscar nominated animated short films each morning. This one is on The Fantastic Flying Books of Mr. Morris Lessmore which I reviewed last week.
People White Collar star Matt Bomer who will soon be seen (and a lot of him, too, presumably) in Steven Soderbergh's Magic Mike comes out. I've been so busy I almost missed this news. Congratulations Bomer!

The Incredible Suit rants about the whole embarrassing ordeal of a national awards show (BAFTA) that's not aired live and then only aired in a highlights package. It's true. That's one of the reasons why it's the only regular movie awards show that many movie fans seem to feel okay about skipping.
My New Plaid Pants Which is Hotter? Vertigo edition
Capital New York Sheila O'Malley on the Best Actress performances
Rope of Silicon more pics from the set of After Earth. RoS is right. Jaden Smith does look more and more like his daddy.
Oscar Metrics Mark Harris argues for eliminated the animated feature category.
La Daily Musto an amusing he doesn't swing that way story from Raquel Welch about her hots for Stephen Boyd on the set of Fantastic Voyage. When I was a little kid I loved Stephen Boyd. Of course I did.

Coming Soon Bryan Fuller the genius behind the very original series Wonderfalls and Pushing Daisies is sadly only doing reinterpretations now. We hope it's due to Hollywood's risk aversion and not due to his creative well drying up. His next two projects are a Munsters redo (pushed back) and now a TV series about Hannibal Lecter which has a direct-to-series order. Difficult to imagine it in series form but Fuller does fine work.
24 Frames Emmanuel Lubezki wins the ASC cinematography award for The Tree of Life. Next stop Oscar... Or will it swing The Artist's way?
The Wrap Oscar nominated composer Dory Previn (Two for the Seesaw) dies.
Movie|Line "Oscar season distilled into 14 words." lol because it's true.
Just Jared First look at Brad Pitt (and Richard Jenkins) in Cogan's Trade

And just in cast you missed it, the teaser to Abraham Lincoln: Vampire Hunter

The Film Experience is the only site that seems to know who Benjamin Walker is -- it cracks me up that people headline this as a Tim Burton project just because he is the only "name" among the executive team -- but that's because we're the best. And the most Streep/Stage obsessed of movie sites.

Get Swept Away With Mr Lessmore's "Flying Books"

Have you had a chance to see any of Oscar's short film nominees yet? The Fantastic Flying Books of Mr Morris Lessmore is available for the iPad in interactive format but it's also viewable in its original form here as an animated short. It's a beauty. 

The fifteen minute short, well worth a quarter hour of your time, starts with a hurricane and Mr Morris Lessmore is yanked up into it along with his stack of reading. The words are literally blown off the page. Not that the short is literal. (More after the jump including the full short)

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Link Nation

CineEuropa Melancholia wins big at the Danish Oscars including Best Actress for Kiki!
Daily Notebook Iranian hardliners not too happy with the Oscars and A Separation. (It still seems surprising that A Separation was submitted by Iran, but thank God.)
MCN Jean Dujardin kills on Leno. Clooney had all the precursor heat but Dujardin and Pitt aren't giving up ~Three way race!
Scanners on The Artist. Everybody loves/hates a frontrunner
LA Magazine Viola Davis goes couture 

Towleroad Daniel Radcliffe covers Attitude magazine and continues to establish his PFLAG-style advocacy
Awards Daily Art Directors Guild wins go to Hugo (period), Harry Potter 7.2 (fantasy) and Dragon Tattoo (contemporary) 
Gold Derby still thinks Meryl Streep is going to win the Oscar for The Iron Lady. Five reasons why.
Cinema Blend Marc Webb wants to differentiate his Amazing Spider-Man from Sam Raimi's blockbuster. Promises Spidy with a sense of humor. 
NPR good piece on Madonna's endurance and the difficult process of aging in public.  

Toon Town!
Rango took top honors at the Annie Awards though there was a Pic/Director split there with Jennifer Yuh Nelson taking the latter for Kung Fu Panda 2. The Adventures of Tintin won Best Score for John Williams. Best short went to Minkyu Lee for Adam and Dog which I bring up because I was just looking at its tumblr and though "huh. I want to see this" and it surprised to beat out more high profile entries like three Oscar nominees La Luna, Wild Life and Sunday. Here's the teaser...

Adam and dog Trailer from Minkyu on Vimeo.

And for those readers that are always suggesting a voicework Oscar category, that particular prize at the Annies went to Bill Nighy for voicing Grandsanta in Arthur Christmas. He beat out Oscar nominee Gary Oldman's peacock villain "Shen" in Kung Fu Panda 2 and five other nominees in that category. No, I don't know why there were so many nominees. There were twice as many in the television voicework category...14 nominees in one category? That is too much people, calm down. 

©Ty Templeton's "Bun Toons"

Parting Shot
Bun Toons comic strip about DC comic's decision to make Watchmen prequels. A must read if you're into comics or Watchmen in any iteration. It applies to basically anything re: Fans Who Loved Too Much. 

Oscar Symposium Day 3: Farewells and Futures

On Day 1 of the symposium we partied with the Best Picture field and considered Star Vehicles. On Day 2 we discussed movies that are hopelessly in love with themselves (to good and bad effect), the forever contentious Lead vs Support debate, the invisible arts of editing and screenwriting. We pick up there. Nathaniel was admitting he wasn't entirely comfortable falling for Margaret.... 

Nader & Simin: A SeparationNATHANIEL:  I've scraped my knees up on cold hard pavement. I too was caught up in #TeamMargaret excitement. I love it when critics remember that part of their job is to advocate for buried treasure rather than merely rubber stamping the critical darlings over and over again (Did Michelle Williams really need to hog the majority of critics awards for My Week With Marilyn, which is straight down the middle awards bait? They didn't see anything off the golden path that was worthy of praise?). But when I finally saw Margaret, I left somewhat dejected. There's a lot to love. But there is also just an awful lot. It plays, to me, like a series of brilliant pieces that haven't quite been shaped to fit the genius-level mosaic they're intended for. Or maybe I was just thrown by the length and those phone calls to daddy. Lonergan is a brilliant writer but a brilliant actor not so much.

And maybe I was still just high on A Separation (my choice for Best of the Year) which illuminates a bit of the same ground in terms of personal actions creating ripples that we can't possibly grasp the full reach of. And they both show us how flawed people (i.e. all of us) can get tangled up in very difficult moral, social, religious, political and ethical webs they probably helped spin.

KURT: I'm glad you brought up that comparison between A Separation and Margaret, because it's definitely something I was thinking about while watching the latter (in between all the reveling in how Lisa initiates an allegorical, post-9/11 war that's ultimately futile and only reaps money for people who don't deserve it). Though vastly different in structure (one drum-tight, one manic and sprawling), these two scripts hold a lot of similarities, and are, in my opinion, at the tip-top of the year's best.

I'm also glad that Mark brought up Margin Call and Tinker Tailor in the same thought bubble because I found myself linking those two in my head a lot as well. Both films are essentially corporate dramas with power players coping with crisis, and both teem with a kind of impenetrable language you really have to crack. I hail from the team that doesn't really buy all the "Speak to Me Like a Golden Retriever" crap, because A) I don't believe those folks would actually expositionally coddle each other, or need coddling, in that way, and B), as mentioned, the movie keeps promising through dialogue that it's clearing things up, when it's really just thickening its fog of jargon. I do believe Chandor took a highly commendable crack at presenting this world, and I don't know if I've seen anyone do it better in terms of writing (Oliver Stone certainly didn't), but there's a lot of pretense about those scenes that irks me. (I prefer his small details, like the gross arrogance the company shows by firing Tucci's head risk manager, and little shots like the one of Demi and Simon Baker in the elevator with the cleaning lady.)

...and we've reentered MI6 where we began!

As for Tinker Tailor, there isn't a lick of coddling, just a glimpse into a radically rarefied world, filled with so much code talk, names and lingo it's like Tolkien does MI6.

Symposium Wraps with Bridesmaids, eye candy and film futures after the jump.

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How Would *You* React to an Oscar Nomination?

Today is the Great Day of Press Releases, of Oscar nominees or their people issuing brief outbursts of joy and pride from their good fortune. Rarely are the quotes anything but generic 'it's such an honor!' cries followed by a deferrment of praise to other people involved. If you'd like to see a ton of them, In Contention has a plentiful roundup.

But here are six that stood out for me from all the emails that I'd like to say one or two sentences about.

I woke up to a text and thought, 'Am I still dreaming?' What an absolute honor to be nominated. Thank you to the Academy on behalf of the entire cast, crew, our swashbuckling cat and his boots! This is beyond a thrill...and I'm pretty sure I'm awake."
-Chris Miller (Animated Feature) Puss in Boots 

Funny is always good. And we're always suckers for that old standby classic intro 'I just woke up' . P.S. I'm pretty happy at the way the animated category worked out, aren't you?

It's an honor to be nominated a second time, it is a personal accomplishment and triumph for women and women of color. I'm so glad the film has been recognized, it was a labor of love from the moment it was conceived and it is rewarding to see the impact it is having."
-Viola Davis (Best Actress) The Help

This one is fairly standard until you realize how rare this truly is and why shouldn't Viola point it out!

Only one other woman of color has been twice nominated and that would be Oscar winner Whoopi Goldberg (The Color Purple and Ghost). Women of color seem to only get one shot at the Oscar. The same is fortunately not true for the men, who have had better luck with career longevity and multiple visits with Oscar.

Four more after the jump...

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