Mickey @ 100: "Babes in Arms"

by Camila Henriques

As we continue our centennial tribute to Mickey Rooney, it’s time to talk Babes in Arms. For a long time the 1939 musical was remembered mostly because of the pairing of Rooney and real life BFF Judy Garland, but the conversation has shifted to a necessary bumpier road, since the movie is just one of many examples of that era to feature performances in blackface (including the two leads).

The film’s place in Mickey’s career is not to be diminished: he received an Oscar nom for Best Actor at the age of 19 (the second youngest ever nominated) . The year before he had been awarded a Juvenile Oscar (Judy won the same honor the following year, as she had this hit and that other 1939 film).

A vaudevillian kid just like his co-star, Rooney was already a veteran when Babes… came around, with his Andy Hardy journey already begun...

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Emmy Review: Lead Actor in a Miniseries or Movie

By Juan Carlos Ojano

Herewith a strange category in that all of the nominees have considerable hurdles to overcome to win this Emmy. As it stands, this group is an eclectic mixture of the young (Mescal, Pope), the old (Irons), and the superheroes in between (Jackman, Ruffalo). Do note that this category as well as Best Actress in a Limited Series or TV Movie do not have episode submissions. Instead, the performance from the entire series will be considered...

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Almost There: Jake Gyllenhaal in "Nightcrawler"

by Cláudio Alves

For the past decade or so, Jake Gyllenhaal has been on the cusp of a second Oscar nomination. At least, that's what it seems like when one takes a look at his career. Instead of coasting by on his good looks and innate charisma, Gyllenhaal is always up for a challenge, be it a physical transformation or some unlikely feat of tonal somersaulting. Still, regardless of critical acclaim, that second nod remains elusive with 2014's Nightcrawler being the closest the actor ever came to reconquering the good graces of AMPAS...

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Berlinale goes for genderless acting prizes

There were quite a few comments the other day wondering why we hadn't shared the news that Berlinale, one of the world's top film festivals, will no longer be giving out separate Best Actress and Best Actor prizes. Instead they'll now be giving out two genderless acting prizes, one for a leading role and one for a supporting role. The reason we hadn't yet shared the news is that we found it self-sabotaging and depressing. A disclaimer before we continue: Before yet another angry comment explosion wherein we're accused of not having any perspective -- 'the world is burning, who cares about movie awards,' etcetera, you know the drill -- we must state upfront that we're fully aware that film awards are not the most important thing going on in the world. To which we must also state "duh!" reflectively and pre-emptively. But this is a film site, and a film site that is obsessed with film awards so please just let us do our thing. If you want to read about the world burning, you're at the wrong website anyway. This one is built for talking about arts and entertainment with a heavy emphasis on the filmed kind.

Now let's continue to the Berlinale topic...

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Almost There: Jim Carrey in "Eternal Sunshine of the Spotless Mind"

by Cláudio Alves

Before writing this piece, the last time I'd watched Eternal Sunshine of the Spotless Mind was with my now ex-boyfriend. We were at his home, enjoying what was, by then, a rare respite, a valley of peace between mountains of quarrel. I had gained a habit of showing him my favorite films, sharing those beloved treasures with someone I loved, maybe looking for a different way for him to know me. This Michel Gondry surrealistic comedy was one of the few pictures we both seemed to adore, and I remember how, drunk with affection, I swore to never forget him. Even if things ended badly – which they did – the promise was made that I'd never wish to erase him from my memory, from my life. Regardless of the hurt we brought each other, I still think that. What we shared is now an integral part of me and that won't ever change.

The people we share our lives with become pieces in the puzzle of our identity. To love is to reshape that puzzle, pain, and euphoria slotted together. I tell you this because it's impossible for me to watch Eternal Sunshine of the Spotless Mind and Jim Carrey's performance, without projecting meanings born out of love lost…

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