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Entries in Best Actor (437)

Saturday
Aug222020

Emmy Review: Lead Actor in a Drama 

By Abe Friedtanzer

Will Succession produce a Best Actor winner? There are two options.

This was going to be the year that Bob Odenkirk finally took home an Emmy for Better Call Saul on his fifth try with a slam dunk episode submission of “Bagman.” But, like Richard Madden for Bodyguard last year, the expected frontrunner got snubbed altogether, leaving the field totally open. There are six great choices for the win. Half this field is new, and this is actually one of the first times that Golden Globe winner Brian Cox and Critics Choice winner Jeremy Strong are nominated against each other, which sets up a major showdown not unlike the one that happens between their characters on Succession

I’ll try to avoid major plot details in my analysis – but if you'd like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Tuesday
Aug182020

2005: Ralph Fiennes in The Constant Gardener

by Lynn Lee

Our first glimpse of Justin Quayle is in darkened silhouette.  The second is a medium-long shot of him tending his garden.  The camera only comes in for a closeup as he’s hit with the worst news of his life—and even then, we see the impact register only gradually.  That slow burn reveal, that deceptive quietness masking layers of anguish, sums up not only The Constant Gardener as a whole but Ralph Fiennes as Justin. It's one of the finest performances of 2005 and among the best of the esteemed actor's career...

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Wednesday
Aug122020

"Won and done." The curse of finally winning an Oscar

by Baby Clyde

I recently watched Susan Hayward all but demanding voters hand her the Best Actress Oscar in-movie during 1958's I Want To Live. It got me to thinking about her fellow Academy favourites, whose eventual triumphs were also their Oscar swan song.

If an actor who achieves multiple acting nominations is going to win it’s usually early on. It’s common to bag the statue and then spend the rest of your career chasing another. Bette Davis won on her first 2 attempts and then suffered 8 consecutive losses. Spencer Tracy won on attempts 2 and 3 and then spent the next 30 years and 6 nominations waiting for his name to be called again. Sometimes a veteran actor with multiple nods will finally get the prize and continue on in Oscar good books, like Paul Newman who won on nomination 7 and scored two more in following decades. But a surprisingly high amount of winners who have been made to wait find that their greatest triumph is also their last. 

If you win on your 5th nomination (or later) odds are high that you won't be invited back. Consider...

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Tuesday
Jul212020

The many faces of Hannibal Lecter

by Cláudio Alves

1991's The Silence of the Lambs won five Academy Awards, including Best Picture, thus becoming the only horror movie to ever conquer that much-coveted prize. Still, overall, the film seems to owe more to the crime thriller, the police procedural and investigative manhunt than it does to the horror genre. However, one element plunges it right into the depths of cinematic nightmares. It's a character so malevolent that it often feels larger than life, like a primordial evil closer to the divine than to the human. We're talking about the monster that tops the AFI's greatest movie villains list, the role that earned Anthony Hopkins his Oscar and made us never look at Fava beans the same way ever again – Hannibal 'The Cannibal' Lecter…

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Tuesday
Jul142020

The New Classics: First Reformed

Michael Cusumano here with the most recent film I've yet to induct into this series. Despite its newness, it's one of the titles I'm most confident will earn the label of classic in the course of time.


Can you pinpoint the moment someone crosses the line between faith and fanaticism? Is it even possible to fully define the boundaries between the two? Most reasonable people would agree it’s around the moment someone commits an act of violence in the name of God, but an individual crosses that boundary internally long before he straps on a suicide vest. 

That elusive moment of radicalization exists somewhere in the vast gray silences of Paul Schrader’s First Reformed. It passes by so quietly that it is possible to be late into the film and have no inkling of the wild-eyed zealot Ethan Hawke’s Reverend Toller will become in the film’s shocking final movement...

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